Germán Tejeira

Marcel Keoroglian, a public figure in Uruguay thanks to his works in carnival, television, radio and cinema, has at home eighteen records of the 1949 carnival that have never been heard. These records were recorded by José Goglian, an Armenian immigrant, who in the 1940s lived in Villa del Cerro (a Montevidean neighborhood made up of many immigrant groups) and who invited his neighbour carnival musicians to his apartment to record them with a phonograph. This documentary is focused on Marcel's passionate bond with the murga genre, as he writes the lyrics for a group that is preparing for the next carnival, while looking for a way to revive the music of these albums that awaited sixty-eight years to be heard.

Marcel Keoroglian, a public figure in Uruguay thanks to his works in carnival, television, radio and cinema, has at home eighteen records of the 1949 carnival that have never been heard. These records were recorded by José Goglian, an Armenian immigrant, who in the 1940s lived in Villa del Cerro (a Montevidean neighborhood made up of many immigrant groups) and who invited his neighbour carnival musicians to his apartment to record them with a phonograph. This documentary is focused on Marcel's passionate bond with the murga genre, as he writes the lyrics for a group that is preparing for the next carnival, while looking for a way to revive the music of these albums that awaited sixty-eight years to be heard.

Marcel Keoroglian, a public figure in Uruguay thanks to his works in carnival, television, radio and cinema, has at home eighteen records of the 1949 carnival that have never been heard. These records were recorded by José Goglian, an Armenian immigrant, who in the 1940s lived in Villa del Cerro (a Montevidean neighborhood made up of many immigrant groups) and who invited his neighbour carnival musicians to his apartment to record them with a phonograph. This documentary is focused on Marcel's passionate bond with the murga genre, as he writes the lyrics for a group that is preparing for the next carnival, while looking for a way to revive the music of these albums that awaited sixty-eight years to be heard.

Marcel Keoroglian, a public figure in Uruguay thanks to his works in carnival, television, radio and cinema, has at home eighteen records of the 1949 carnival that have never been heard. These records were recorded by José Goglian, an Armenian immigrant, who in the 1940s lived in Villa del Cerro (a Montevidean neighborhood made up of many immigrant groups) and who invited his neighbour carnival musicians to his apartment to record them with a phonograph. This documentary is focused on Marcel's passionate bond with the murga genre, as he writes the lyrics for a group that is preparing for the next carnival, while looking for a way to revive the music of these albums that awaited sixty-eight years to be heard.

As Cotopaxi spews ash, issuing an eerie penumbra over Quito, a young woman confronts dormant familial conflicts. Desperate for a place to store her things as volcanic disaster looms, Caridad turns to her long-estranged father Galo for help. Galo abandoned Caridad’s mother long ago and is eager to make amends, but questions concerning the nature of his transgressions linger, straining communication between father and daughter and casting grave doubts over the possibility of reconciliation.

As Cotopaxi spews ash, issuing an eerie penumbra over Quito, a young woman confronts dormant familial conflicts. Desperate for a place to store her things as volcanic disaster looms, Caridad turns to her long-estranged father Galo for help. Galo abandoned Caridad’s mother long ago and is eager to make amends, but questions concerning the nature of his transgressions linger, straining communication between father and daughter and casting grave doubts over the possibility of reconciliation.

A tale of children's horror for adults. A story that intermingles fantasy and reality. The eyes of a child who perceive what adults are not able to see.

A tale of children's horror for adults. A story that intermingles fantasy and reality. The eyes of a child who perceive what adults are not able to see.

Dr. Vladimir Roslik was born and raised in the town of San Javier, founded by Russian immigrants on the banks of the Uruguay River, and graduated as a doctor in Moscow in the late 1960s during the Cold War. He later decided to return to his small town in Uruguay to practice his profession, for which he obtained the affection and respect of the community. Vladimir Roslik was assassinated in 1984 during the dictatorship during a torture session, and it is considered the last death of the Uruguayan military dictatorship. Today, more than 36 years after his crime, it is still not known who the intellectual authors of the military operation that caused his death were. This documentary traces the life of Mary and Valery, the widow and son of Dr. Vladimir Roslik. They are currently seeking to heal a wound that is theirs, and of their community, as victims of an irrational political and ethnic persecution, under the shadow left by a law that prevented justice for the murders.

Dr. Vladimir Roslik was born and raised in the town of San Javier, founded by Russian immigrants on the banks of the Uruguay River, and graduated as a doctor in Moscow in the late 1960s during the Cold War. He later decided to return to his small town in Uruguay to practice his profession, for which he obtained the affection and respect of the community. Vladimir Roslik was assassinated in 1984 during the dictatorship during a torture session, and it is considered the last death of the Uruguayan military dictatorship. Today, more than 36 years after his crime, it is still not known who the intellectual authors of the military operation that caused his death were. This documentary traces the life of Mary and Valery, the widow and son of Dr. Vladimir Roslik. They are currently seeking to heal a wound that is theirs, and of their community, as victims of an irrational political and ethnic persecution, under the shadow left by a law that prevented justice for the murders.

Dr. Vladimir Roslik was born and raised in the town of San Javier, founded by Russian immigrants on the banks of the Uruguay River, and graduated as a doctor in Moscow in the late 1960s during the Cold War. He later decided to return to his small town in Uruguay to practice his profession, for which he obtained the affection and respect of the community. Vladimir Roslik was assassinated in 1984 during the dictatorship during a torture session, and it is considered the last death of the Uruguayan military dictatorship. Today, more than 36 years after his crime, it is still not known who the intellectual authors of the military operation that caused his death were. This documentary traces the life of Mary and Valery, the widow and son of Dr. Vladimir Roslik. They are currently seeking to heal a wound that is theirs, and of their community, as victims of an irrational political and ethnic persecution, under the shadow left by a law that prevented justice for the murders.

Dr. Vladimir Roslik was born and raised in the town of San Javier, founded by Russian immigrants on the banks of the Uruguay River, and graduated as a doctor in Moscow in the late 1960s during the Cold War. He later decided to return to his small town in Uruguay to practice his profession, for which he obtained the affection and respect of the community. Vladimir Roslik was assassinated in 1984 during the dictatorship during a torture session, and it is considered the last death of the Uruguayan military dictatorship. Today, more than 36 years after his crime, it is still not known who the intellectual authors of the military operation that caused his death were. This documentary traces the life of Mary and Valery, the widow and son of Dr. Vladimir Roslik. They are currently seeking to heal a wound that is theirs, and of their community, as victims of an irrational political and ethnic persecution, under the shadow left by a law that prevented justice for the murders.

In a city besieged by the wind and the cold, Irma, an old dressmaker living in a flat where the heating is broken, will take the initiative to do something for all her neighbours.

In a city besieged by the wind and the cold, Irma, an old dressmaker living in a flat where the heating is broken, will take the initiative to do something for all her neighbours.

In a city besieged by the wind and the cold, Irma, an old dressmaker living in a flat where the heating is broken, will take the initiative to do something for all her neighbours.

In a city besieged by the wind and the cold, Irma, an old dressmaker living in a flat where the heating is broken, will take the initiative to do something for all her neighbours.

내 이름은 '아닌아', 거꾸로 해도 '아닌아'. 우리 아빠는 행운의 이름이라고 멋지다 생각하지만, 친구들은 나를 보면 놀려대기 바쁘다. 그날도 내 이름으로 놀리는 친구 때문에 싸움이 벌어졌다. 하필 교장 선생님이 나타나 우릴 데려갔고, 신비한 봉투를 나눠주며 절대 열어보지 말고 일주일 후에 그대로 가져오라는 벌을 주셨다.

내 이름은 '아닌아', 거꾸로 해도 '아닌아'. 우리 아빠는 행운의 이름이라고 멋지다 생각하지만, 친구들은 나를 보면 놀려대기 바쁘다. 그날도 내 이름으로 놀리는 친구 때문에 싸움이 벌어졌다. 하필 교장 선생님이 나타나 우릴 데려갔고, 신비한 봉투를 나눠주며 절대 열어보지 말고 일주일 후에 그대로 가져오라는 벌을 주셨다.

내 이름은 '아닌아', 거꾸로 해도 '아닌아'. 우리 아빠는 행운의 이름이라고 멋지다 생각하지만, 친구들은 나를 보면 놀려대기 바쁘다. 그날도 내 이름으로 놀리는 친구 때문에 싸움이 벌어졌다. 하필 교장 선생님이 나타나 우릴 데려갔고, 신비한 봉투를 나눠주며 절대 열어보지 말고 일주일 후에 그대로 가져오라는 벌을 주셨다.

A divorced taxi driver shows up with a black eye at the home of his ex-wife’s new family; he’s been invited to dinner and he desperately wants to reconnect with his young daughter. A professional magician’s car breaks down and he ends up spending an emotionally intense night with a young, widowed toll booth worker. A singer songwriter serving a lengthy prison sentence is released for one night to perform at a local community centre. These three deeply engaging stories about yearning for connection unfold in parallel, one New Year’s Eve in a small town in central Uruguay, balancing the universality of human suffering with a powerful sense of hope.

A divorced taxi driver shows up with a black eye at the home of his ex-wife’s new family; he’s been invited to dinner and he desperately wants to reconnect with his young daughter. A professional magician’s car breaks down and he ends up spending an emotionally intense night with a young, widowed toll booth worker. A singer songwriter serving a lengthy prison sentence is released for one night to perform at a local community centre. These three deeply engaging stories about yearning for connection unfold in parallel, one New Year’s Eve in a small town in central Uruguay, balancing the universality of human suffering with a powerful sense of hope.

A divorced taxi driver shows up with a black eye at the home of his ex-wife’s new family; he’s been invited to dinner and he desperately wants to reconnect with his young daughter. A professional magician’s car breaks down and he ends up spending an emotionally intense night with a young, widowed toll booth worker. A singer songwriter serving a lengthy prison sentence is released for one night to perform at a local community centre. These three deeply engaging stories about yearning for connection unfold in parallel, one New Year’s Eve in a small town in central Uruguay, balancing the universality of human suffering with a powerful sense of hope.

A divorced taxi driver shows up with a black eye at the home of his ex-wife’s new family; he’s been invited to dinner and he desperately wants to reconnect with his young daughter. A professional magician’s car breaks down and he ends up spending an emotionally intense night with a young, widowed toll booth worker. A singer songwriter serving a lengthy prison sentence is released for one night to perform at a local community centre. These three deeply engaging stories about yearning for connection unfold in parallel, one New Year’s Eve in a small town in central Uruguay, balancing the universality of human suffering with a powerful sense of hope.

Liya and her younger brothers, Cocoa and Chino, work as caddies at the luxurious golf club "Cantegril" in Punta del Este, Uruguay, and they live with their children in the illegal settlement called Kennedy, located next to the club. Accustomed to being always in the background, they now face the possibility of winning a labor lawsuit that would allow them gain control over their own destinies and those of their families.

A rural worker suffers an accident and understands that in a few minutes he is going to die. In absolute solitude and surrounded by a natural environment indifferent to his tragedy, he will face, without drama, the fact that these are his last minutes of life and nothing he can do to modify that destiny. Based on a story by Horacio Quiroga.

A rural worker suffers an accident and understands that in a few minutes he is going to die. In absolute solitude and surrounded by a natural environment indifferent to his tragedy, he will face, without drama, the fact that these are his last minutes of life and nothing he can do to modify that destiny. Based on a story by Horacio Quiroga.

A rural worker suffers an accident and understands that in a few minutes he is going to die. In absolute solitude and surrounded by a natural environment indifferent to his tragedy, he will face, without drama, the fact that these are his last minutes of life and nothing he can do to modify that destiny. Based on a story by Horacio Quiroga.

A box with no addressee or sender arrives at an office awakening the desire of the employees to get a hold of it.

A box with no addressee or sender arrives at an office awakening the desire of the employees to get a hold of it.

A box with no addressee or sender arrives at an office awakening the desire of the employees to get a hold of it.

A box with no addressee or sender arrives at an office awakening the desire of the employees to get a hold of it.

Two old crime partners meet again. One of them just got out of jail and is looking for a new gig, while the other one now has a legitimate business. They go to catch up at a bar while Peñarol plays the final of the 1987 Copa Libertadores de América.

Two old crime partners meet again. One of them just got out of jail and is looking for a new gig, while the other one now has a legitimate business. They go to catch up at a bar while Peñarol plays the final of the 1987 Copa Libertadores de América.

Two old crime partners meet again. One of them just got out of jail and is looking for a new gig, while the other one now has a legitimate business. They go to catch up at a bar while Peñarol plays the final of the 1987 Copa Libertadores de América.