Editor
Tras 37 años del régimen de Robert Mugabe, Zimbabwe se encuentra en un momento crucial. Nelson Chamisa se convierte en el nuevo líder de la oposición y su carisma impulsa la campaña electoral más poderosa de la historia. El país entero se moviliza por el cambio, pero la vieja guardia liderada por Emmerson “El Cocodrilo” Mnangagwa está dispuesta a todo para mantener el poder. Una crónica inspiradora e impactante sobre la lucha por la democracia en un sistema corrupto controlado por militares. Un thriller político de una intensidad jamás vista, un choque trepidante entre democracia y dictadura.
Editor
Eight years ago, Mads Brügger and Mikael Bertelsen tried to solve the murder of an EU official in 1993. A project that concluded in a dead end. Hoping to make good for their old defeat, the two journalists decide to investigate a complex case about the former EU Health Commissioner, John Dalli, who was fired under suspicion of being in the pocket of the tobacco industry. Brügger and Bertelsen travel to Malta to meet Dalli, who comes across as quite likeable. And it does not take long before they uncover an extensive conspiracy against him, when Dalli is suddenly contacted by a secret source who claims to be in possession of documents and recordings that contain plans to kill him.
Editor
An intriguing look at an authoritarian state on the verge of democratization: how Zimbabwe got a new constitution. Two political enemies are forced on a joint mission to write Zimbabwe's new constitution. The ultimate test that will either take the country a decisive step closer to democracy and away from President Mugabe's dictatorship, or toward renewed repression. In a country with little respect for human rights, impeded by economic sanctions and hyperinflation running rampant, failure is not an option.
Editor
Borrowing its title from the William Carlos Williams poem of the same name, Nameless Spectacle revela in the beauty of ordinary life through themes of voyeurism, power, and sexual violence. Projected on two duelling screens the viewer is unable to focus on the parallel perspectives of the film’s dual perspectives.
