Camera Operator
The little boy dreams of devoting himself to a circus, which struck him with the fearlessness of artists working with wild animals, and, despite the constant risk and disorder of this profession, is achieving its goal.
Cinematography
About Trofimov, a well-known rider who goes on taking part in races in spite of the advanced age, until he realizes his time has gone and passes his experience on to his granddaughter’s fiance
Director of Photography
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.
Director of Photography
A young Lyova travels with the hope of ascent from Czarist Russia to New York. Disappointed, he returns to the young Soviet Union and is glad to have found a simple work.
Director of Photography
El filme cuenta la historia de dos campesinas, una tradicional y otra moderna, en un cóctel explosivo de melodrama y crítica al patriarcado que fue todo un éxito de audiencia en la época.
Cinematography
October reflects a general attempt in Russia to sustain the frenzy and dynamism of revolutionary fervour. This attempt increased in scale and ambition as they pushed it further, resulting in the theatricalisation of life. In other words, the boundaries between real events and fabricated drama became blurred as the portrayal of life became more exaggerated. It is important to remember that the film does not represent what actually happened during the 1917 Revolution, but is rather an adaptation.
Director of Photography
Khokhlova, a girl-reporter on a Moscow newpaper, falls in love with factory manager Petrovsky. To her he's the epitome of manliness--virile, decisive, strong-minded. Conversely, she rejects the sensitive, diffident editor Vasilchikov, who's in love with her, as unmanly. Her infatuation affects her work, and she is fired.
Cinematography
The dashing mountaineer Zaur (B. Bestaev) kills a Russian "imperialist" thereby becoming an abrek, member of a roving band of outlaws.
Cinematography
A five-person team of gold prospectors in the Yukon has just begun to enjoy great success when one of the members snaps, and suddenly kills two of the others. The two survivors, a husband and wife, subdue the killer but are then faced with an agonizing dilemma. With no chance of turning him over to the authorities for many weeks, they must decide whether to exact justice themselves or to risk trying to keep him restrained until they can return to civilization.
