Konstantin Kuznetsov

Filmes

New Attraction
Camera Operator
The little boy dreams of devoting himself to a circus, which struck him with the fearlessness of artists working with wild animals, and, despite the constant risk and disorder of this profession, is achieving its goal.
The Old Jockey
Cinematography
About Trofimov, a well-known rider who goes on taking part in races in spite of the advanced age, until he realizes his time has gone and passes his experience on to his granddaughter’s fiance
The Great Consoler
Director of Photography
The Great Consoler is Lev Kuleshov’s most personal film reflecting both the facts of his life and his thoughts about the place of the artist in contemporary reality. It was the only film in the Soviet cinema of those years that raised the question of what role a creative person played in society.
Horizon
Director of Photography
A young Lyova travels with the hope of ascent from Czarist Russia to New York. Disappointed, he returns to the young Soviet Union and is glad to have found a simple work.
Mulheres de Ryazan
Director of Photography
The picture compares the fate of two heroines Anna and her lively and energetic sister-in-law Vasilisa, who openly defies the old way of life.
Moscow in October
Cinematography
October reflects a general attempt in Russia to sustain the frenzy and dynamism of revolutionary fervour. This attempt increased in scale and ambition as they pushed it further, resulting in the theatricalisation of life. In other words, the boundaries between real events and fabricated drama became blurred as the portrayal of life became more exaggerated. It is important to remember that the film does not represent what actually happened during the 1917 Revolution, but is rather an adaptation.
Your Friend
Director of Photography
Khokhlova, a girl-reporter on a Moscow newpaper, falls in love with factory manager Petrovsky. To her he's the epitome of manliness--virile, decisive, strong-minded. Conversely, she rejects the sensitive, diffident editor Vasilchikov, who's in love with her, as unmanly. Her infatuation affects her work, and she is fired.
Abrek Zaur
Cinematography
The dashing mountaineer Zaur (B. Bestaev) kills a Russian "imperialist" thereby becoming an abrek, member of a roving band of outlaws.
Pela Lei
Cinematography
Alguns homens em busca de ouro encontram em Klondike uma rica jazida. Porém, um acontecimento inesperado e terrível quebra o curso lento e monótono de seus trabalhos: um dos trabalhadores, o irlandês Michael Davin mata dois de seus companheiros.