Producer
"The tellingly titled Dialogue for Two Players, also 1984, moves into quasi-dramatic space, in which the seemingly spontaneous relationships, are revealed not just as a construct but also as a complex puzzle. It implicitly comments on and critiques the 'confessional' modes of video and its illusion of real presence. It thus rejects that was at the time a dominant style in artist's video, turning on its head the simpler versions of the slogan that 'the personal is political'. At the same time it is a political work in a different sense, questioning the popular TV format of the in-depth personal interview which it ironizes. As such, and with Partridge himself playing the part of interviewer/director, it is his most overt 'intervention' into documentary drama even as he subverts it." - Al Rees
Art Direction
En Gran Bretaña, 1920. Harold Abrahams y Eric Lidell estaban hechos para correr. No sólo una razón les llevaba a correr más rápido que ningún otro hombre, sus motivos eran tan diferentes como sus pasados. Cada uno tenía su propio Dios, sus propias creencias y su propio empuje hacia el triunfo. Dos jóvenes corredores de diferentes clases sociales que se entrenan con un mismo objetivo: competir en las Olimpiadas de París de 1924.