Production Director
Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.
Production Manager
Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.
Executive Producer
No measure of hellfire preaching can quell the boisterous and bawdy passions of Maracatu, an Afro-Brazilian burlesque carnival tradition with roots in slavery that takes place in the northeast state of Pernambuco. As the Falstaffian character Tiao, Valmir do Coco leads a nonprofessional cast of authentic Maracatu practitioners in a tale told through dance, music, and the supernatural, set in the sugarcane fields outside Recife.
Post-Production Manager
La llegada a un pueblo costero brasileño de un investigador que registra los vientos alisios y un sorprendente descubrimiento arrastran a Shirley y a Jason a un viaje que los obliga a afrontar el duelo entre la vida y la muerte, la memoria y el olvido, el viento y el mar. (FILMAFFINITY)
Production Accountant
La llegada a un pueblo costero brasileño de un investigador que registra los vientos alisios y un sorprendente descubrimiento arrastran a Shirley y a Jason a un viaje que los obliga a afrontar el duelo entre la vida y la muerte, la memoria y el olvido, el viento y el mar. (FILMAFFINITY)
