Casting
Un artista ha escogido a un famoso actor masculino para que juntos, en el contexto de un largometraje, se deconstruyan a sí mismos y a sus papeles invasivos. Se involucran en un juego sin límites con su entorno en una exploración de la identidad, masculina y femenina.
Casting
The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge
Writer
The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge
Director
The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge
Casting
Una familia pasa las vacaciones de invierno en los Alpes. El sol brilla y las pistas están magníficas, pero cuando almuerzan en un restaurante, se produce una avalancha. Los clientes del restaurante se asustan, Ebba, la madre, llama a su esposo Tomas para que le ayude e intenta salvar a sus hijos, pero Tomas ha huido para salvar su vida… La avalancha se detiene delante del restaurante, sin ocasionar daños, y sin embargo, el universo familiar se ha resquebrajado. Persiste una duda sobre el padre, y Tomas busca desesperadamente recuperar su lugar de patriarca de la familia.
Editor
A short film about women who is comfortable in their role as victims.
Writer
A short film about women who is comfortable in their role as victims.
Director
A short film about women who is comfortable in their role as victims.
Assistant Director
Basado en hechos reales, cuenta la historia de unos niños negros de entre 12 y 14 años, hijos de inmigrantes, que robaban a otros muchachos con intimidación, utilizando a su favor el racismo y los prejuicios sociales. (FILMAFFINITY)
Casting
Basado en hechos reales, cuenta la historia de unos niños negros de entre 12 y 14 años, hijos de inmigrantes, que robaban a otros muchachos con intimidación, utilizando a su favor el racismo y los prejuicios sociales. (FILMAFFINITY)
Assistant Director
Incident by a bank is a detailed account of a failed bank robbery: A single take where over 90 people perform a meticulous choreography for the camera. The film recreates an actual event that took place in Stockholm in June 2006.
Casting
Presentado en la sección "Una cierta mirada" en Cannes 2008, el segundo largometraje de Ruben Östlund construye un retrato de la sociedad sueca en cinco episodios unidos por el mismo tema: el poder del grupo sobre el individuo. Mediante una estética que privilegia el uso de largos planos-secuencia y de encuadres poco convencionales, el filme contrasta las perspectivas de un par de jóvenes seducidas por el alcohol, una maestra que alecciona a sus alumnos y las de un grupo de hombres envueltos en una situación homosexual. Seleccionada por Suecia como candidada al Oscar 2010 en la categoría de película de habla no inglesa. (FILMAFFINITY)
