Casting
창고를 개조한 세트장, 비주얼 아티스트이자 영화감독 안나 오델이 실험을 시작한다. 목표는 오늘날의 사회가 남녀에게 규정한 젠더 역할에 도전하는 것. 그녀는 남성성의 아이콘인 배우 미카엘 페르스브란트와 7명의 또 다른 탑 배우들을 초대한다. 이들은 그곳에서 함께 생활하면서 안나 오델과 미카엘의 분신을 연기하며 때로는 흥미롭고 또 때로는 불쾌한 상황을 마주하게 된다.
Casting
The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge
Writer
The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge
Director
The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge
Casting
늘 일에 쫓기는 남편 토마스는 오랜만에 가족들과 휴가를 즐기기 위해 아내 에바, 딸 베라, 아들 해리와 함께 알프스 산맥에 위치한 스키 리조트에서 즐거운 시간을 보낸다. 둘째 날, 그림같이 눈 덮인 야외 리조트 식당에서 함께 점심을 먹고 있는데 갑자기 산꼭대기에서 엄청난 양의 눈덩이가 쏟아져 내려오기 시작한다. 이것이 진짜 눈사태인지 아닌지 모두 혼란스러워하는 순간, 엄청난 굉음과 함께 식당으로 돌진하는 눈에 에바와 아이들은 공포에 휩싸여 토마스를 찾는다. 찰나의 순간 토마스는 본능적인 결정을 하게 되고, 그 결정은 한 가정의 가장인 그를 예상치 못한 위기로 몰고 가는데...
Editor
A short film about women who is comfortable in their role as victims.
Writer
A short film about women who is comfortable in their role as victims.
Director
A short film about women who is comfortable in their role as victims.
Assistant Director
스웨덴 예테보리의 십대 소년들이 또래를 2년간 40차례에 걸쳐 강탈한 실제 사건에서 영감을 얻었다. 따돌림, 인종 문제와 정체성, 사회적 구조에 대한 감독의 기민한 통찰력이 엿보이는 영화.
Casting
스웨덴 예테보리의 십대 소년들이 또래를 2년간 40차례에 걸쳐 강탈한 실제 사건에서 영감을 얻었다. 따돌림, 인종 문제와 정체성, 사회적 구조에 대한 감독의 기민한 통찰력이 엿보이는 영화.
Assistant Director
Incident by a bank is a detailed account of a failed bank robbery: A single take where over 90 people perform a meticulous choreography for the camera. The film recreates an actual event that took place in Stockholm in June 2006.
Casting
In several unrelated stories, the consequences of putting one's foot down - or failing to do so - are explored.
