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Sorority tells the story of two sisters, Harriet (Sophie Kennedy Clark) and Sarah (Emily Haigh). When both women find themselves heading in opposite directions in life, they must first come to terms with their tragic past and reconcile with their estranged mother Val (Kate Dickie), before looking ahead to a brighter future.
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Voices from the past haunt A Human Certainty, whose entangled threads link its multifarious narratives of suffering: a recent break-up; the romantic sweep of mid-century pop music; Weegee’s crime-scene photography; and images taken by the artist’s grandmother, a spirit medium, on her travels in Asia and Africa. Here, Quaintance’s montage becomes a codec for assembling these disparate threads, and for making sense of mortality and loss in all its forms.
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The proposed metaphysical highs of psychedelic drugs versus the harsh actualities of concrete metropolitan life. These two opposing realities form the backdrop of an adolescent encounter in the city of London, told through still images and written narration.
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Some time after a mysterious weather event caused a cloud of sand from a faraway desert to settle over an unnamed city, this miasma of dust shows no sign of lifting. Clogging up the eyes and choking off the horizon, it has become a fact of everyday life. In a nondescript apartment somewhere in the city, a woman convenes a gathering at which a group of young people are present. Like every young generation, they are a repository of hope for the future – albeit a future that seems equally murky and obscured.
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Ben and Yasmine arrive at a strange and enigmatic community based on an island in the lagoon of Venice. They engage in scavenging raids to the mainland and partake in the group’s Bacchanalian orgies. Their gluttonous sexual vagrancy is paralleled with images of overfishing and unnecessary cruelty in the fishing industry of the Mediterranean.
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What kind of power is accessible through the discovery of a voice? Morgan Quaintance interlinks two anti-racist and anti-authoritarian liberation movements in South London and Chicago’s South Side with his own biography to explore what happens when speech is ignored, and the voice fades.
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Undocument bears witness to four journeys of love and loss, immigration and identity across three continents as one cinematic journey.
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Un año después de la misteriosa desaparición de una niña de 8 años, nos encontramos con su afligida familia cuando regresan a casa de su funeral en su pequeña ciudad. Más tarde esa noche, aparecen luces extrañas en el bosque cercano y la familia está expuesta a un fenómeno inexplicablemente extraño que los sacude hasta el núcleo. El origen de las luces parece ser visitantes de otro mundo que aparentemente aterrorizan a la familia. De lo que no se dan cuenta es que estos 'seres' llevarán a la familia a la verdad detrás de la desagradable desaparición de la niña.
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He's looking for a way out of the city. But his only escape is through a woman looking for revenge.
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The stand-up concert of the Russian comedian Danila Poperechny, recorded in April 2018 in Moscow. A comedian discusses presidential elections, gadgets, schoolchildren, his personal life and other topics.
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El astronauta Troy Holloway (Steven Ogg) se despierta después de un accidente dentro de una cápsula de escape que se va directamente hasta el Sol. El indicador de oxígeno se agotará en menos de 90 minutos y las opciones de sobrevivir son escasas. Sin embargo, la comandante Roberts (Alice Lowe) contacta con él inesperadamente a través de la radio y promete enviar una unidad de rescate. A medida que el tiempo pasa, Holloway comienza a perder la calma, por lo que Roberts decide conversar con él acerca de temas de diversa índole. Antes de que puedan darse cuenta, ambos comienzan a cambiar la forma en la que cada uno percibe la vida.
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Growing up in 1950s England in an intolerant and uninformed world, young Chris Winters struggles to fit into the gender roles dictated by wider society.
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As dawn creeps across London, two lost outcasts meet in the darkness, more afraid of themselves than each other. As the sun begins to rise, and the veil of the night is lifted, the pair look into the cold light of day for hope and it takes more than just the eyes to see inside a soul.
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Two friends get tangled up in debt with the local mafia called The Unit. As they look for ways to pay the debt before The Unit comes to collect, they find out there in deeper waters than they thought.
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Its September 1960, and with Nigeria on the verge of independence from British colonial rule, a northern Nigerian Police Detective, DAN WAZIRI, is urgently despatched by the Colonial Government to the trading post town of Akote in the Western Region of Nigeria to solve a series of female murders that have struck horror in the hearts and minds of the local community. On getting to Akote, more murders are committed, and with local tension high and volatile, Waziri has a race on his hands to solve the case before even more local women are killed. Set against the backdrop of the national celebratory mood of the impending independence, Waziri is pulled into a game of cat and mouse as he and the killer try to outwit each other...
