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Sorority tells the story of two sisters, Harriet (Sophie Kennedy Clark) and Sarah (Emily Haigh). When both women find themselves heading in opposite directions in life, they must first come to terms with their tragic past and reconcile with their estranged mother Val (Kate Dickie), before looking ahead to a brighter future.
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Voices from the past haunt A Human Certainty, whose entangled threads link its multifarious narratives of suffering: a recent break-up; the romantic sweep of mid-century pop music; Weegee’s crime-scene photography; and images taken by the artist’s grandmother, a spirit medium, on her travels in Asia and Africa. Here, Quaintance’s montage becomes a codec for assembling these disparate threads, and for making sense of mortality and loss in all its forms.
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The proposed metaphysical highs of psychedelic drugs versus the harsh actualities of concrete metropolitan life. These two opposing realities form the backdrop of an adolescent encounter in the city of London, told through still images and written narration.
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Some time after a mysterious weather event caused a cloud of sand from a faraway desert to settle over an unnamed city, this miasma of dust shows no sign of lifting. Clogging up the eyes and choking off the horizon, it has become a fact of everyday life. In a nondescript apartment somewhere in the city, a woman convenes a gathering at which a group of young people are present. Like every young generation, they are a repository of hope for the future – albeit a future that seems equally murky and obscured.
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Ben and Yasmine arrive at a strange and enigmatic community based on an island in the lagoon of Venice. They engage in scavenging raids to the mainland and partake in the group’s Bacchanalian orgies. Their gluttonous sexual vagrancy is paralleled with images of overfishing and unnecessary cruelty in the fishing industry of the Mediterranean.
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What kind of power is accessible through the discovery of a voice? Morgan Quaintance interlinks two anti-racist and anti-authoritarian liberation movements in South London and Chicago’s South Side with his own biography to explore what happens when speech is ignored, and the voice fades.
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Undocument bears witness to four journeys of love and loss, immigration and identity across three continents as one cinematic journey.
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A year after the mysterious disappearance of an 8 year-old girl, we meet her grieving family as they return home from her memorial service in their small town. Later that evening, strange lights appear in the nearby forest and the family is exposed to an inexplicably strange phenomenon that rattles them to the core. The origin of the lights appear to be visitors from another world that seemingly terrorize the family. What they don't realize is that these 'beings' will lead the family to the truth behind the little girl's disturbing disappearance.
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He's looking for a way out of the city. But his only escape is through a woman looking for revenge.
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The stand-up concert of the Russian comedian Danila Poperechny, recorded in April 2018 in Moscow. A comedian discusses presidential elections, gadgets, schoolchildren, his personal life and other topics.
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Following an accident, an Engineer of an asteroid mining company endures the extreme limits – both physical and psychological – of human survival, trapped inside an escape pod as he helplessly idles towards the Sun.
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Growing up in 1950s England in an intolerant and uninformed world, young Chris Winters struggles to fit into the gender roles dictated by wider society.
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As dawn creeps across London, two lost outcasts meet in the darkness, more afraid of themselves than each other. As the sun begins to rise, and the veil of the night is lifted, the pair look into the cold light of day for hope and it takes more than just the eyes to see inside a soul.
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Two friends get tangled up in debt with the local mafia called The Unit. As they look for ways to pay the debt before The Unit comes to collect, they find out there in deeper waters than they thought.
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Its September 1960, and with Nigeria on the verge of independence from British colonial rule, a northern Nigerian Police Detective, DAN WAZIRI, is urgently despatched by the Colonial Government to the trading post town of Akote in the Western Region of Nigeria to solve a series of female murders that have struck horror in the hearts and minds of the local community. On getting to Akote, more murders are committed, and with local tension high and volatile, Waziri has a race on his hands to solve the case before even more local women are killed. Set against the backdrop of the national celebratory mood of the impending independence, Waziri is pulled into a game of cat and mouse as he and the killer try to outwit each other...