Igor Sergeev

The story of a singer who, at the peak of her fame, was in a car accident and ended up chained to a hospital bed. For 12 days, the rising star Anna Herman did not regain consciousness. In those days, she had to relive the tragic events of her childhood - the arrest of her father, accused of espionage, the wanderings of their orphaned family in Central Asia, the death of her little brother, the war and escape to Poland in the hope of hiding from her pursuers from the NKVD ... First love and first success ... None of the doctors believed that she would survive. And even if this happens, she was predicted to be completely immobile for the rest of her life. However, after 12 days in a coma, heaven gave her a chance to start life anew. And she did the impossible, becoming the "white angel" of the Soviet stage ...

Created under a “manifesto” whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Fortunately, its directors – Harmony Korine (USA), Alexsei Fedorchenko (Russia) and Jan Kwiecinski (Poland) – prove innovative and just insane enough to make The Fourth Dimension an exhilarating experiment.

Miniserie de televisión sobre la vida del famoso monje ruso Grigori Rasputín (Gérard Depardieu), que llegó a ejercer una enorme influencia sobre la familia Romanov, especialmente sobre la zarina Alejandra (Fanny Ardant).

Boris Izotov is a simple literature teacher who adores his wife and little daughter. Every year they celebrate a family holiday in a cafe. But he was a little late for the last celebration - he stayed at school. By tragic accident, it is in this cafe that there is a showdown between criminal groups, and the wife and daughter of Boris die as a result of the explosion.

Miron (Yuriy Tsurito) acaba de perder a su querida esposa, Tanya (Yuliya Aug). Su amor hacia ella era tan grande que le pide a su mejor amigo, Aist (Igor Sergeyev), que le ayude a despedirla según el ritual de la cultura Merya, una tradición de la región del Lago Negro que se remonta al siglo XVII. Los dos hombres parten hacia el lago con ese objetivo y, durante el largo trayecto por las tierras desérticas de Rusia, Miron se acerca más que nunca a Tanya... aunque no está preparado para la nueva y terrible verdad que se rebela ante sus ojos.

Alex y su mujer Vera emprenden con sus dos hijos un destierro voluntario que pronto se convertirá en una pesadilla. Se trata de un viaje interior del paraíso al infierno, en el que cada uno evoluciona de manera diferente, alejándose todos cada vez más del ideal familiar. Todo comienza a tambalearse con la llegada de Mark, el hermano de Alex, que ha abandonado a su mujer y a sus hijos. La perniciosa influencia de Mark hace que las relaciones de Alex con su familia sean cada vez más frías y distantes; así, cuando Vera le da la noticia de un nuevo embarazo, Alex la acusa de infidelidad.

In the near future, writer Victor Banev gets himself on a UN commission to investigate what's going on in the remote town of Tashlinsk, where reports tell of a virus-created race of brainiac mutants. Banev's tween daughter Ira is enrolled at a school for gifted children which has been taken over by the mutants, who have grown to despise ordinary humanity.

A young boy's dreams of glory and war turn into a bitter nightmare as his father's kingdom is overrun by an invading army. Lost and alone in the woods, he finds an ancient sword that promises him the ability to claim his vengeance.

Director Andrey Kalistratov is making a multi-part television film about the literary life of Petrograd after the Civil War, about the House of Arts, which was created by the Bolsheviks to control the creative intelligentsia. Modern Petersburg and Petrograd of 1921 are intricately intertwined in the director's mind. The cruel, bloody, but romantic world of the first years of the revolution and the artistic and everyday environment of modern cinema coexist in one space. The main characters of the film that Kalistratov is shooting - the poet and former officer Pyotr Versilov, his girlfriend Olga, the French documentary cameraman Etienne Faberge and his wife Francoise - are as real to the director as the people around him-the film's producer Semyon Mikhailovich, the film crew, actors, friends, acquaintances, relatives. Despite the demands of the producer to be "simpler" and "more economical", Kalistratov wants to make a real historical film, not a standard TV series "soap".