Igor Sergeev

The story of a singer who, at the peak of her fame, was in a car accident and ended up chained to a hospital bed. For 12 days, the rising star Anna Herman did not regain consciousness. In those days, she had to relive the tragic events of her childhood - the arrest of her father, accused of espionage, the wanderings of their orphaned family in Central Asia, the death of her little brother, the war and escape to Poland in the hope of hiding from her pursuers from the NKVD ... First love and first success ... None of the doctors believed that she would survive. And even if this happens, she was predicted to be completely immobile for the rest of her life. However, after 12 days in a coma, heaven gave her a chance to start life anew. And she did the impossible, becoming the "white angel" of the Soviet stage ...

Created under a “manifesto” whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Fortunately, its directors – Harmony Korine (USA), Alexsei Fedorchenko (Russia) and Jan Kwiecinski (Poland) – prove innovative and just insane enough to make The Fourth Dimension an exhilarating experiment.

A group of Russian noblemen want to maintain the monarchy and plan to kill Rasputin.

Boris Izotov is a simple literature teacher who adores his wife and little daughter. Every year they celebrate a family holiday in a cafe. But he was a little late for the last celebration - he stayed at school. By tragic accident, it is in this cafe that there is a showdown between criminal groups, and the wife and daughter of Boris die as a result of the explosion.

A man and his companion go on a journey to cremate the body of the former's beloved wife on a riverbank in the area where they spent their honeymoon.

한 남자가 가족과 함께 시골에 있는 아버지의 집으로 여행을 가게 되고, 이 여행길에서 평화롭고 화목한 가정이라는 환상이 깨지고 만다. 에 이은 감독의 차기작으로, 절망의 상황에 빠진 평범한 사람들에 대한 이야기를 아름다운 촬영과 함께 전해준다. 남들이 보기엔 아무 문제가 없이 화목한 가정 그러나 대화가 단절된 부부. 아내 베라는 그 단절된 대화에 죽음보다 깊은 절망에 빠져 남편 알렉산더에게 자신이 임신을 했으며 그 아이가 남편의 아이가 아니라고 말한다. 더 나아가 자신의 부재중에 절친한 자신의 가장 친한 친구가 자신의 집을 방문했었고 아이들을 내 보낸후 한참을 있었다는 사실을 알게 되면서 알렉은 깊은 고민에 빠진다. 죽일것인가, 같이 그냥 잊고 살것인가......형에게 의논을 한 후 내린 결론은 유산을 시키고 그냥 잊고 사는 것. 불법 의료 시설을 이용해 낙태를 시켰으나 아내는 심장 마비로 죽고만다. 모든 것을 잃은 상실감으로 괴로워하는 알렉, 그러나 그 아이는 자신의 아이였으며 대화가 단절된 불통의 세상에서의 생명은 이미 살아도 죽은것이라는 베라의 깊은 절망감이 불러 일으킨 해프닝이었고 심장마비도 사실은 그녀가 수술후 내준 진통제를 다량 투여하여 스스로 선택한 죽음이었다. 이런 사실을 알리 없는 알랙은 친한 친구의 집으로 자신의 아이를 데리러 가지만.......

In the near future, writer Victor Banev gets himself on a UN commission to investigate what's going on in the remote town of Tashlinsk, where reports tell of a virus-created race of brainiac mutants. Banev's tween daughter Ira is enrolled at a school for gifted children which has been taken over by the mutants, who have grown to despise ordinary humanity.

A young boy's dreams of glory and war turn into a bitter nightmare as his father's kingdom is overrun by an invading army. Lost and alone in the woods, he finds an ancient sword that promises him the ability to claim his vengeance.

Director Andrey Kalistratov is making a multi-part television film about the literary life of Petrograd after the Civil War, about the House of Arts, which was created by the Bolsheviks to control the creative intelligentsia. Modern Petersburg and Petrograd of 1921 are intricately intertwined in the director's mind. The cruel, bloody, but romantic world of the first years of the revolution and the artistic and everyday environment of modern cinema coexist in one space. The main characters of the film that Kalistratov is shooting - the poet and former officer Pyotr Versilov, his girlfriend Olga, the French documentary cameraman Etienne Faberge and his wife Francoise - are as real to the director as the people around him-the film's producer Semyon Mikhailovich, the film crew, actors, friends, acquaintances, relatives. Despite the demands of the producer to be "simpler" and "more economical", Kalistratov wants to make a real historical film, not a standard TV series "soap".