Laís Bodanzky

Laís Bodanzky

Nacimiento : 1969-09-23, São Paulo, São Paulo, Brazil

Historia

Laís Bodanzky (São Paulo, September 23, 1969) debuted in the direction with the short film Red Card, about a girl who lives among brats and discovers sexuality. This award-winning short film was selected for the New York Film Festival in 1995. She is the daughter of filmmaker Jorge Bodanzky.

Perfil

Laís Bodanzky

Películas

Perlimps
Producer
Claé and Bruô, secret agents from enemy Kingdoms of the Sun and the Moon, must overcome their differences and combine forces to find the Perlimps and infiltrate into a world controlled by Giants where war is imminent.
Pedro, Between the Devil and the Deep Blue Sea
Screenplay
The story of Brazil’s first emperor, returning to Europe on board the English ship Warspite. The trip makes Pedro conquer his fears and face his life from a personal point of view. He goes back in time and relives outstanding moments of his earlier life – since his childhood, when in 1808 he arrived coming from Portugal with his family, until he left in the dead of the night, in 1831, running away from Brazil.
Pedro, Between the Devil and the Deep Blue Sea
Producer
The story of Brazil’s first emperor, returning to Europe on board the English ship Warspite. The trip makes Pedro conquer his fears and face his life from a personal point of view. He goes back in time and relives outstanding moments of his earlier life – since his childhood, when in 1808 he arrived coming from Portugal with his family, until he left in the dead of the night, in 1831, running away from Brazil.
Pedro, Between the Devil and the Deep Blue Sea
Director
The story of Brazil’s first emperor, returning to Europe on board the English ship Warspite. The trip makes Pedro conquer his fears and face his life from a personal point of view. He goes back in time and relives outstanding moments of his earlier life – since his childhood, when in 1808 he arrived coming from Portugal with his family, until he left in the dead of the night, in 1831, running away from Brazil.
The Last Forest
Producer
En poderosas imágenes, alternando entre observación documental y secuencias escenificadas, y densos paisajes sonoros, Luiz Bolognesi documenta la comunidad indígena de los Yanomami y describe su entorno natural amenazado en la selva amazónica.
Ex-Shaman
Producer
Ever since their first contact with the Western world in 1969 the Paiter Suruí, an indigenous people living in the Amazon basin, have been exposed to sweeping social changes. Smartphones, gas, electricity, medicines, weapons and social media have now replaced their traditional way of life. Illness is a risk for a community increasingly unable to isolate itself from the modernization brought by white people or the power of the church. Ethnocide threatens to destroy their soul. With dogged persistence, Perpera, a former shaman, is searching for a way to restore the old vitality to his village.
Como nuestros padres
Screenplay
Rosa es una mujer que sólo anhela ser perfecta, en su trabajo y como madre, hija, esposa y amante. Cuanto más se esfuerza, más siente que lo está haciendo mal. Rosa se ve atrapada por las exigencias de dos generaciones, hasta que un día su madre deja caer una bomba, y Rosa comienza a redescubrir su verdadero yo.
Como nuestros padres
Director
Rosa es una mujer que sólo anhela ser perfecta, en su trabajo y como madre, hija, esposa y amante. Cuanto más se esfuerza, más siente que lo está haciendo mal. Rosa se ve atrapada por las exigencias de dos generaciones, hasta que un día su madre deja caer una bomba, y Rosa comienza a redescubrir su verdadero yo.
Tela Brasil: 10 Anos de Cinema nas Quebradas
Director
Idealized by the filmmakers Lais Bodansky and Luiz Bolognesi, the documentary portrays the projects executed by the Buriti Institute and Buriti Films in 10 years of work. Since 2004, projects collect impressive numbers: 116,509 kilometers were driven on roads, which led to 759 outlying neighborhoods, where they were made 7439 film sessions to 1,355,403 brazilians. Eighteen states and the Federal District were visited by Cine Tela Brasil, who put brazilian various ages for the first time in a movie theater.
Rio 2096: una historia de amor y furia
Producer
Película estructurada en cuatro episodios cruciales de la historia de Brasil, desde la llegada de los europeos hasta el año 2080. El relato está a cargo de un personaje que vive desde hace más de 600 años, durante los cuales ha sido pareja de la misma mujer. (FILMAFFINITY)
Rio 2096: una historia de amor y furia
Passenger (voice)
Película estructurada en cuatro episodios cruciales de la historia de Brasil, desde la llegada de los europeos hasta el año 2080. El relato está a cargo de un personaje que vive desde hace más de 600 años, durante los cuales ha sido pareja de la misma mujer. (FILMAFFINITY)
Invisible World
Director
An anthology film following different stories around the theme of invisibility in the modern world.
Las mejores cosas del mundo
Director
Manuel tiene 15 años, le gusta tocar guitarra, besar a su chica en la boca, reir con los amigos, andar en bicicleta y bailar una balada. Un suceso en su familia hace que perciba que la vida de un adulto no siempre es tarea facil, entre tantos desafios, la popularidad de la escuela, su primera relacion sexual, las relaciones en su casa, sus propias inseguridades, los preconceptos y el descubrimiento del amor. Manu descubre o inventa las mejores cosas del mundo.
The Ballroom
Producer
An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.
The Ballroom
Story
An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.
The Ballroom
Director
An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.
São Paulo's War
Director
In 1932, more than two hundred thousand men armed with machine guns, grenades and canons took part in on of the most violent wars in America in the 20th century. Brazilian against Brazilian, in a conflict that involved air raid of big cities – such as Campinas, Santos and São Paulo - and resulted in more than two thousand deaths. Why did this war happen? Who took part in it? What were the details of the conflict? How did the war end? The documentary tells this episode of the country's history, not only grand but also unknown, with an accessible language and an involving rhythm.
Brainstorm
Director
A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs on his pocket. The maconha cigarrete is just the final drop that exposes the family tragedy. Send to a mental institution, Neto gets to know a completely absurd, inhumane reality in which the people are devoured by a corrupt and cruel institution system. The documentary type language used by the director give this movie a sensation of realty that increases even more the impact of the emotions Neto goes through. In the mental institution, Neto is forced to mature. The transformations that he goes through change this relations with his father.
Cine Mambembe: Cinema Discovers Brazil
Herself
Laís Bodanzky and Luiz Bolognesi travel around the small cities of Brazil, exhibiting short films in public squares. From the south of Bahia to the farthest parts of Amazon, this documentary discovers a country that watches a movie and sees itself on the screen for the very first time, in the turning of the 21st century. What’s seen and heard is truly surprising.
Cine Mambembe: Cinema Discovers Brazil
Cinematography
Laís Bodanzky and Luiz Bolognesi travel around the small cities of Brazil, exhibiting short films in public squares. From the south of Bahia to the farthest parts of Amazon, this documentary discovers a country that watches a movie and sees itself on the screen for the very first time, in the turning of the 21st century. What’s seen and heard is truly surprising.
Cine Mambembe: Cinema Discovers Brazil
Producer
Laís Bodanzky and Luiz Bolognesi travel around the small cities of Brazil, exhibiting short films in public squares. From the south of Bahia to the farthest parts of Amazon, this documentary discovers a country that watches a movie and sees itself on the screen for the very first time, in the turning of the 21st century. What’s seen and heard is truly surprising.
Cine Mambembe: Cinema Discovers Brazil
Editor
Laís Bodanzky and Luiz Bolognesi travel around the small cities of Brazil, exhibiting short films in public squares. From the south of Bahia to the farthest parts of Amazon, this documentary discovers a country that watches a movie and sees itself on the screen for the very first time, in the turning of the 21st century. What’s seen and heard is truly surprising.
Cine Mambembe: Cinema Discovers Brazil
Director
Laís Bodanzky and Luiz Bolognesi travel around the small cities of Brazil, exhibiting short films in public squares. From the south of Bahia to the farthest parts of Amazon, this documentary discovers a country that watches a movie and sees itself on the screen for the very first time, in the turning of the 21st century. What’s seen and heard is truly surprising.
Cartão Vermelho
Screenplay
Fernanda likes to play football with the boys. But for this tomboyish, the apogee of his intimacy with the ball is to make it fly straight, direct, to the bag boys. Then she smiles. One day she comes running to the hit-ball, delayed but can not find anyone. The boys are in hiding. Fernanda knows where it is, but can not imagine what they plot!
Cartão Vermelho
Director
Fernanda likes to play football with the boys. But for this tomboyish, the apogee of his intimacy with the ball is to make it fly straight, direct, to the bag boys. Then she smiles. One day she comes running to the hit-ball, delayed but can not find anyone. The boys are in hiding. Fernanda knows where it is, but can not imagine what they plot!