Laís Bodanzky

클라에와 브루오는 거인들에게 대항하기 위해 태양 제국과 달 제국에서 파견된 비밀 요원이지만 사실 겁 많고, 여린 아이들이다. 서로 다른 세계에서 왔지만 세상을 구원하기 위해, 어쩔 수 없이 함께 임무를 수행하는 그들의 운명은?

The story of Brazil’s first emperor, returning to Europe on board the English ship Warspite. The trip makes Pedro conquer his fears and face his life from a personal point of view. He goes back in time and relives outstanding moments of his earlier life – since his childhood, when in 1808 he arrived coming from Portugal with his family, until he left in the dead of the night, in 1831, running away from Brazil.

The story of Brazil’s first emperor, returning to Europe on board the English ship Warspite. The trip makes Pedro conquer his fears and face his life from a personal point of view. He goes back in time and relives outstanding moments of his earlier life – since his childhood, when in 1808 he arrived coming from Portugal with his family, until he left in the dead of the night, in 1831, running away from Brazil.

The story of Brazil’s first emperor, returning to Europe on board the English ship Warspite. The trip makes Pedro conquer his fears and face his life from a personal point of view. He goes back in time and relives outstanding moments of his earlier life – since his childhood, when in 1808 he arrived coming from Portugal with his family, until he left in the dead of the night, in 1831, running away from Brazil.

아마존의 외딴 지역 야노마미 부족의 땅은 점점 파괴되어가고 있다. 이곳을 대표하는 인물이자 부족의 샤먼인 다비 코페나와 야노마니는 금 채굴자들이 지역 공동체를 파괴하며 죽음을 불러오는 동안 숲의 정령을 보호하고 마을의 전통을 유지하기 위해 애쓴다. 한편 젊은이들은 백인들이 가져온 물건에 매료되고 마을을 떠나 백인 사회로 편입되고자 하는 유혹과 싸운다. 남편이 사라지는 모습을 본 이우아나는 꿈속에서 무슨 일이 벌어진 것인지 이해하고자 한다. (2021년 제18회 서울환경영화제)

Ever since their first contact with the Western world in 1969 the Paiter Suruí, an indigenous people living in the Amazon basin, have been exposed to sweeping social changes. Smartphones, gas, electricity, medicines, weapons and social media have now replaced their traditional way of life. Illness is a risk for a community increasingly unable to isolate itself from the modernization brought by white people or the power of the church. Ethnocide threatens to destroy their soul. With dogged persistence, Perpera, a former shaman, is searching for a way to restore the old vitality to his village.

Rosa is in her late 30s, a child of the 1970s with divorced parents. She lives with her own family in São Paulo. Overwhelmed by an eruption of individual passions, lies and the expectations of three generations, she tries to discover who she really is.

Rosa is in her late 30s, a child of the 1970s with divorced parents. She lives with her own family in São Paulo. Overwhelmed by an eruption of individual passions, lies and the expectations of three generations, she tries to discover who she really is.

Idealized by the filmmakers Lais Bodansky and Luiz Bolognesi, the documentary portrays the projects executed by the Buriti Institute and Buriti Films in 10 years of work. Since 2004, projects collect impressive numbers: 116,509 kilometers were driven on roads, which led to 759 outlying neighborhoods, where they were made 7439 film sessions to 1,355,403 brazilians. Eighteen states and the Federal District were visited by Cine Tela Brasil, who put brazilian various ages for the first time in a movie theater.

1566년, 인디언 투피남바족이 사는 섬, 신에게서 특별한 능력을 부여받은 전사 아베구아는 주술사로부터 부족을 구할 운명이라는 예언을 듣는다. 그러나, 포르투갈인들과 프랑스인들의 식민지 세력 다툼 사이에서 투피남바족은 몰살당하고 사랑하는 연인 자나이나를 잃은 아베구아는 슬픔에 빠져 벼랑 아래로 몸을 던진다. 떨어지는 순간 새로 변해버린 전사는 자나이나를 찾아 하염없이 날아다닌다. 노예제 폐지 투쟁이 일어났던 1825년과 군부독재를 겪은 1960년대, 폭력의 역사 속에서 환생한 자나이나를 찾아낸 전사는 그녀와 사랑에 빠지고, 절망적인 현실에 저항하려 하지만 실패하고 만다. 2096년, 물부족 사태로 인해 계급 갈등이 첨예해진 리우데자네이루, 전사는 또 다시 자나이나와 재회하고 이들의 운명은 마치 정해진 듯 벼랑 끝으로 질주하는데… 과연 그는 반복되는 운명의 굴레를 벗어 던지고 자나이나와의 영원한 사랑을 이룰 수 있을까?

1566년, 인디언 투피남바족이 사는 섬, 신에게서 특별한 능력을 부여받은 전사 아베구아는 주술사로부터 부족을 구할 운명이라는 예언을 듣는다. 그러나, 포르투갈인들과 프랑스인들의 식민지 세력 다툼 사이에서 투피남바족은 몰살당하고 사랑하는 연인 자나이나를 잃은 아베구아는 슬픔에 빠져 벼랑 아래로 몸을 던진다. 떨어지는 순간 새로 변해버린 전사는 자나이나를 찾아 하염없이 날아다닌다. 노예제 폐지 투쟁이 일어났던 1825년과 군부독재를 겪은 1960년대, 폭력의 역사 속에서 환생한 자나이나를 찾아낸 전사는 그녀와 사랑에 빠지고, 절망적인 현실에 저항하려 하지만 실패하고 만다. 2096년, 물부족 사태로 인해 계급 갈등이 첨예해진 리우데자네이루, 전사는 또 다시 자나이나와 재회하고 이들의 운명은 마치 정해진 듯 벼랑 끝으로 질주하는데… 과연 그는 반복되는 운명의 굴레를 벗어 던지고 자나이나와의 영원한 사랑을 이룰 수 있을까?

An anthology film following different stories around the theme of invisibility in the modern world.

Everyday family life as perfectly normal madness. “As Melhores Coisas do Mundo“ follows a few days in the life of the 15-year-old Mano, who is fighting on two fronts: his parents have just got divorced and he is going through puberty. Mano tries to make his way through life, with its first sexual experiences, his depressed brother and his self-centered parents. It’s a humorous homage to the pitfalls of daily life and the diversity of life.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

An evening in an old time dance hall in Sao Paulo introduces us to local characters who reminisce about the past, wonder about the future, have fun, flirt, fight and, of course, dance. Its earthy humour and eternal themes of ageing, loneliness and desire is an antidote to grumpy old men and women everywhere.

In 1932, more than two hundred thousand men armed with machine guns, grenades and canons took part in on of the most violent wars in America in the 20th century. Brazilian against Brazilian, in a conflict that involved air raid of big cities – such as Campinas, Santos and São Paulo - and resulted in more than two thousand deaths. Why did this war happen? Who took part in it? What were the details of the conflict? How did the war end? The documentary tells this episode of the country's history, not only grand but also unknown, with an accessible language and an involving rhythm.

A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs on his pocket. The maconha cigarrete is just the final drop that exposes the family tragedy. Send to a mental institution, Neto gets to know a completely absurd, inhumane reality in which the people are devoured by a corrupt and cruel institution system. The documentary type language used by the director give this movie a sensation of realty that increases even more the impact of the emotions Neto goes through. In the mental institution, Neto is forced to mature. The transformations that he goes through change this relations with his father.

Laís Bodanzky and Luiz Bolognesi travel around the small cities of Brazil, exhibiting short films in public squares. From the south of Bahia to the farthest parts of Amazon, this documentary discovers a country that watches a movie and sees itself on the screen for the very first time, in the turning of the 21st century. What’s seen and heard is truly surprising.

Laís Bodanzky and Luiz Bolognesi travel around the small cities of Brazil, exhibiting short films in public squares. From the south of Bahia to the farthest parts of Amazon, this documentary discovers a country that watches a movie and sees itself on the screen for the very first time, in the turning of the 21st century. What’s seen and heard is truly surprising.

Laís Bodanzky and Luiz Bolognesi travel around the small cities of Brazil, exhibiting short films in public squares. From the south of Bahia to the farthest parts of Amazon, this documentary discovers a country that watches a movie and sees itself on the screen for the very first time, in the turning of the 21st century. What’s seen and heard is truly surprising.

Laís Bodanzky and Luiz Bolognesi travel around the small cities of Brazil, exhibiting short films in public squares. From the south of Bahia to the farthest parts of Amazon, this documentary discovers a country that watches a movie and sees itself on the screen for the very first time, in the turning of the 21st century. What’s seen and heard is truly surprising.

Laís Bodanzky and Luiz Bolognesi travel around the small cities of Brazil, exhibiting short films in public squares. From the south of Bahia to the farthest parts of Amazon, this documentary discovers a country that watches a movie and sees itself on the screen for the very first time, in the turning of the 21st century. What’s seen and heard is truly surprising.

Fernanda likes to play football with the boys. But for this tomboyish, the apogee of his intimacy with the ball is to make it fly straight, direct, to the bag boys. Then she smiles. One day she comes running to the hit-ball, delayed but can not find anyone. The boys are in hiding. Fernanda knows where it is, but can not imagine what they plot!

Fernanda likes to play football with the boys. But for this tomboyish, the apogee of his intimacy with the ball is to make it fly straight, direct, to the bag boys. Then she smiles. One day she comes running to the hit-ball, delayed but can not find anyone. The boys are in hiding. Fernanda knows where it is, but can not imagine what they plot!