Mara Paulina Adlawan Marasigan
First Assistant Director
Una diseñadora de moda sufre una enfermedad misteriosa que desconcierta a sus médicos y frustra a su esposo, hasta que llega la ayuda de un cuidador filipino, que usa la curación popular tradicional para revelar una verdad horrible.
A brilliant man loses his drive after a series of unfortunate events. His luck changes as he meets a random person online that would change his life forever.
The life story of a kid diagnosed with Down syndrome. He dreams of being an artista; his family has to make ends (and dreams) meet.
Screenplay
Caretakers for a kidnapped child, couple Rod ad Lucy decide to run away with the child to be raised as their own rather than let it be killed after its parents turned to the cops for help. Not equipped with any employable skills, they resort to scams and other illicit activities just to ensure that their child would live a normal life.
Nakabibinging Kadiliman is about two physically-challenged sisters trying to find a way to live a normal life.
Assistant Director
Set during the Japanese Occupation, four children (Nitoy, Benny, Carding, and Badong) aspire nothing more than to become soldiers fighting the Japanese... until they are confronted by the realities of war that threaten to destroy their families and their friendship.
Assistant Director
Victoria Lansang is a popular news reporter who has been requested to mediate a hostage crisis. And in front of a national television audience, something horribly goes wrong and people are killed while Victoria suffers a mental breakdown. A year later, she’s eager to get back into the game. However, the only assignment she can get is to do a documentary on the last night of The Diplomat Hotel in Baguio City, a crumbling and abandoned building infamously known for its bloody past and its hauntings. Looking for redemption, she arrives there with her crew and they start filming. But as they get deeper into the night, the place starts to exert its will on them and they find out exactly what monstrous evil awaits at The Diplomat Hotel. By daybreak, their lives will never be the same again.
Girl in parlor
Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.
Costume Design
The mysterious death of a young village lass leads to the investigation of those who knew her and what they may have to gain from her death. Told from the perspectives of the different characters, the film examines how one's view may lead to varying interpretations of the same incidents.
Screenplay
The mysterious death of a young village lass leads to the investigation of those who knew her and what they may have to gain from her death. Told from the perspectives of the different characters, the film examines how one's view may lead to varying interpretations of the same incidents.
Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.
