Mara Paulina Adlawan Marasigan

Mara Paulina Adlawan Marasigan

プロフィール写真

Mara Paulina Adlawan Marasigan

参加作品

Nocebo
First Assistant Director
A fashion designer hires a nanny from the Philippines to assist her in caring for her family while she is suffering from what she believes is a tick-related illness. The nanny uses traditional Filipino folk healing techniques to help her, but in the process of doing so, she uncovers a horrifying truth about why she is there and why her employer is actually sick.
My Letters To Happy
A brilliant man loses his drive after a series of unfortunate events. His luck changes as he meets a random person online that would change his life forever.
Star Na Si Van Damme Stallone
The life story of a kid diagnosed with Down syndrome. He dreams of being an artista; his family has to make ends (and dreams) meet.
The Babysitters
Screenplay
Caretakers for a kidnapped child, couple Rod ad Lucy decide to run away with the child to be raised as their own rather than let it be killed after its parents turned to the cops for help. Not equipped with any employable skills, they resort to scams and other illicit activities just to ensure that their child would live a normal life.
Deafening Darkness
Nakabibinging Kadiliman is about two physically-challenged sisters trying to find a way to live a normal life.
Rice Soldiers
Assistant Director
Set during the Japanese Occupation, four children (Nitoy, Benny, Carding, and Badong) aspire nothing more than to become soldiers fighting the Japanese... until they are confronted by the realities of war that threaten to destroy their families and their friendship.
The Diplomat Hotel
Assistant Director
Victoria Lansang is a popular news reporter who has been requested to mediate a hostage crisis. And in front of a national television audience, something horribly goes wrong and people are killed while Victoria suffers a mental breakdown. A year later, she’s eager to get back into the game. However, the only assignment she can get is to do a documentary on the last night of The Diplomat Hotel in Baguio City, a crumbling and abandoned building infamously known for its bloody past and its hauntings. Looking for redemption, she arrives there with her crew and they start filming. But as they get deeper into the night, the place starts to exert its will on them and they find out exactly what monstrous evil awaits at The Diplomat Hotel. By daybreak, their lives will never be the same again.
Requiem
Girl in parlor
Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.
Temptation
Costume Design
The mysterious death of a young village lass leads to the investigation of those who knew her and what they may have to gain from her death. Told from the perspectives of the different characters, the film examines how one's view may lead to varying interpretations of the same incidents.
Temptation
Screenplay
The mysterious death of a young village lass leads to the investigation of those who knew her and what they may have to gain from her death. Told from the perspectives of the different characters, the film examines how one's view may lead to varying interpretations of the same incidents.
Image Nation
Imahe Nasyon is a groundbreaking, conceptual omnibus film by 20 alternative filmmakers who were tasked to present their personal visions on national issues. Renowned line producers Jon and Carol Red hatched the idea of revisiting the 1986 EDSA revolution, challenging directors to answer the question "What happened after 1986?" with a short film not longer than five minutes each. Despite individual techniques, the same goal is shared: to depict a truthful image of the nation at present.