Music
En un futuro próximo donde las emociones se han convertido en una amenaza, Gabrielle finalmente decide purificar su ADN en una máquina que la sumergirá en sus vidas anteriores y la liberará de todos los sentimientos.
Writer
En un futuro próximo donde las emociones se han convertido en una amenaza, Gabrielle finalmente decide purificar su ADN en una máquina que la sumergirá en sus vidas anteriores y la liberará de todos los sentimientos.
Director
En un futuro próximo donde las emociones se han convertido en una amenaza, Gabrielle finalmente decide purificar su ADN en una máquina que la sumergirá en sus vidas anteriores y la liberará de todos los sentimientos.
Writer
Merowe Dam in North Sudan. Maher works in a traditional brickyard fed by the waters of the Nile. Every evening, he secretly wanders off into the desert to erect a mysterious construction made of mud. Despite a disturbing wound in his lower back that seems to be eating away at his skin, he continues his labor day after day. While the Sudanese people rise to claim their freedom, his mud creation starts slowly to take a life of its own.
Writer
The moment a teenage girl begins to “spread her wings” coincides with a global health crisis. Locked indoors, she experiences life in a state of limbo. In between reveries and video chats with her friends, she follows an influencer named Patricia Coma. A device she buys from her, called a “revelator”, leads her to question how much free will she actually has.
Music
The moment a teenage girl begins to “spread her wings” coincides with a global health crisis. Locked indoors, she experiences life in a state of limbo. In between reveries and video chats with her friends, she follows an influencer named Patricia Coma. A device she buys from her, called a “revelator”, leads her to question how much free will she actually has.
Producer
The moment a teenage girl begins to “spread her wings” coincides with a global health crisis. Locked indoors, she experiences life in a state of limbo. In between reveries and video chats with her friends, she follows an influencer named Patricia Coma. A device she buys from her, called a “revelator”, leads her to question how much free will she actually has.
Director
The moment a teenage girl begins to “spread her wings” coincides with a global health crisis. Locked indoors, she experiences life in a state of limbo. In between reveries and video chats with her friends, she follows an influencer named Patricia Coma. A device she buys from her, called a “revelator”, leads her to question how much free will she actually has.
Alexia’s Father
Un joven con la cara magullada es descubierto en un aeropuerto. Dice llamarse Adrien Legrand, un niño que desapareció hace 10 años. Para su padre, Vincent, esto supone el final de una larga pesadilla y lo lleva a casa. Simultáneamente, se suceden una serie de horribles asesinatos en la región.
Writer
Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.
Director
Video #2 of Finite Rants, a series of eight visual essays commissioned by Fondazione Prada and curated by Luigi Alberto Cippini and Niccolò Gravina. Bertrand Bonello reworks the last minutes of his 2016 film Nocturama, which documents the logistical operations and the organization of terrorist attacks in Paris by a group of teenagers. Starting with "Où en êtes-vous?", a video commissioned by the Centre Pompidou in 2014 and conceived as a letter to his then 11-year-old daughter, the director makes a new work altering the final sequence of Nocturama and completely modifying the textual component and the soundtrack in this video essay as a second letter written for his now 17-year-old daughter.
Producer
Haití, 1962. Un hombre vuelve de entre los muertos para trabajar en las infernales plantaciones de azúcar. 55 años después, una joven haitiana le dice a sus amigas su secreto familiar, sin saber que esto llevará a una de ellas a cometer una atrocidad.
Music
Haití, 1962. Un hombre vuelve de entre los muertos para trabajar en las infernales plantaciones de azúcar. 55 años después, una joven haitiana le dice a sus amigas su secreto familiar, sin saber que esto llevará a una de ellas a cometer una atrocidad.
Original Music Composer
Haití, 1962. Un hombre vuelve de entre los muertos para trabajar en las infernales plantaciones de azúcar. 55 años después, una joven haitiana le dice a sus amigas su secreto familiar, sin saber que esto llevará a una de ellas a cometer una atrocidad.
Screenplay
Haití, 1962. Un hombre vuelve de entre los muertos para trabajar en las infernales plantaciones de azúcar. 55 años después, una joven haitiana le dice a sus amigas su secreto familiar, sin saber que esto llevará a una de ellas a cometer una atrocidad.
Director
Haití, 1962. Un hombre vuelve de entre los muertos para trabajar en las infernales plantaciones de azúcar. 55 años después, una joven haitiana le dice a sus amigas su secreto familiar, sin saber que esto llevará a una de ellas a cometer una atrocidad.
Self
A documentary celebrating the work of Walerian Borowczyk, a director of unparalleled sensitivity, revered in the 1970s, who was later labeled as a maker of erotic movies.
Original Music Composer
Una mañana en París, un grupo de jóvenes de diferentes medios, cada uno por su lado comienza un baile extraño por los pasillos del metro y las calles de la capital. Parece que siguen un plan. Sus movimientos son precisos, casi peligrosos y convergen en el mismo punto, un gran almacén en el momento en que se cierran las puertas.
Writer
Una mañana en París, un grupo de jóvenes de diferentes medios, cada uno por su lado comienza un baile extraño por los pasillos del metro y las calles de la capital. Parece que siguen un plan. Sus movimientos son precisos, casi peligrosos y convergen en el mismo punto, un gran almacén en el momento en que se cierran las puertas.
Director
Una mañana en París, un grupo de jóvenes de diferentes medios, cada uno por su lado comienza un baile extraño por los pasillos del metro y las calles de la capital. Parece que siguen un plan. Sus movimientos son precisos, casi peligrosos y convergen en el mismo punto, un gran almacén en el momento en que se cierran las puertas.
Original Music Composer
An opera ballet that doesn't exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier. An almost mystical link between both scenes. A musician is testing sounds in Bastille's pit. The choir are taking their place in the rehearsal studio. Both sides are fine tuning the work in progress of an opera ballet: Sarah Winchester, her grief, her madness, her home and her ghosts.
Producer
An opera ballet that doesn't exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier. An almost mystical link between both scenes. A musician is testing sounds in Bastille's pit. The choir are taking their place in the rehearsal studio. Both sides are fine tuning the work in progress of an opera ballet: Sarah Winchester, her grief, her madness, her home and her ghosts.
Writer
An opera ballet that doesn't exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier. An almost mystical link between both scenes. A musician is testing sounds in Bastille's pit. The choir are taking their place in the rehearsal studio. Both sides are fine tuning the work in progress of an opera ballet: Sarah Winchester, her grief, her madness, her home and her ghosts.
Director
An opera ballet that doesn't exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier. An almost mystical link between both scenes. A musician is testing sounds in Bastille's pit. The choir are taking their place in the rehearsal studio. Both sides are fine tuning the work in progress of an opera ballet: Sarah Winchester, her grief, her madness, her home and her ghosts.
Bertrand
A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.
Music
Un cineasta reconocido que trabaja en su próxima película, dedicada a la monstruosidad en la pintura. Se guía en su investigación en una historiadora del arte con la que comenzó unos extraños y apasionados debates.
Bertrand
Un cineasta reconocido que trabaja en su próxima película, dedicada a la monstruosidad en la pintura. Se guía en su investigación en una historiadora del arte con la que comenzó unos extraños y apasionados debates.
Writer
In Madeleine Among the Dead, Bonello wanted to tell Hitchcock’s Vertigo from the perspective of Madeleine (played by Kim Novak), not Scottie (James Stewart). He only filmed a scene of this project as part of another film by Antoine Barraud, Le Dos Rouge, in which Bonello plays the role of a director by the same name; a director whose films are all either invented or his “ghost-movies.”
Director
In Madeleine Among the Dead, Bonello wanted to tell Hitchcock’s Vertigo from the perspective of Madeleine (played by Kim Novak), not Scottie (James Stewart). He only filmed a scene of this project as part of another film by Antoine Barraud, Le Dos Rouge, in which Bonello plays the role of a director by the same name; a director whose films are all either invented or his “ghost-movies.”
Journaliste Libé
Un biopic sobre el famoso diseñador, centrado en el periodo 1965-1976 protagonizado por Gaspard Ulliel ('Largo domingo de noviazgo', 'Fugitivos') como Yves Saint-Laurent y Léa Seydoux ('El gran hotel Budapest', 'La vida de Adèle') como Loulou de la Falaise.
Music
Un biopic sobre el famoso diseñador, centrado en el periodo 1965-1976 protagonizado por Gaspard Ulliel ('Largo domingo de noviazgo', 'Fugitivos') como Yves Saint-Laurent y Léa Seydoux ('El gran hotel Budapest', 'La vida de Adèle') como Loulou de la Falaise.
Co-Writer
Un biopic sobre el famoso diseñador, centrado en el periodo 1965-1976 protagonizado por Gaspard Ulliel ('Largo domingo de noviazgo', 'Fugitivos') como Yves Saint-Laurent y Léa Seydoux ('El gran hotel Budapest', 'La vida de Adèle') como Loulou de la Falaise.
Director
Un biopic sobre el famoso diseñador, centrado en el periodo 1965-1976 protagonizado por Gaspard Ulliel ('Largo domingo de noviazgo', 'Fugitivos') como Yves Saint-Laurent y Léa Seydoux ('El gran hotel Budapest', 'La vida de Adèle') como Loulou de la Falaise.
Writer
An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.
An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.
Director
An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.
Director
Ingrid Caven, musa y actriz del cine de Fassbinder (con quien también estuvo casada dos años), además de diva de la canción a medio camino entre Edith Piaf y Marlene Dietritch, es una leyenda viva. Con un repertorio de piezas exquisitas, que incluye temas de Kurt Weill, los Beatles, Erik Satie o Schönberg, y textos escritos por ella, por Fassbinder, por Hans Magnus Enzensberger y Jean-Jacques Schuhl (su marido, y premio Goncourt 2000 por una novela en la que Caven es la heroína) ha conquistado los más exigentes escenarios. un ser extraordinario y sorprendente, casi una aparición, en el que el glamour, la vanguardia y el cabaret confluyen, y que Bonello registró en su faceta de cantante en este apabullante concierto. (FILMAFFINITY)
Writer
París, principios del siglo XIX. Está ambientada en un lupanar, en el que un hombre desfigura el rostro de una prostituta. La cicatriz resultante dibuja en su cara una sonrisa trágica que la marcará de por vida.
Director
París, principios del siglo XIX. Está ambientada en un lupanar, en el que un hombre desfigura el rostro de una prostituta. La cicatriz resultante dibuja en su cara una sonrisa trágica que la marcará de por vida.
Writer
A few girls in an apartment. Across the street men are building a mosque.
Director
A few girls in an apartment. Across the street men are building a mosque.
Music
Bertrand (Mathieu Amalric), a film director, is conducting research for his latest film, and asks a funeral director if he can stay back at his funeral parlour after the close of business. Bertrand cannot resist getting into a coffin, and accidentally knocks the lid down, locking himself in the coffin.
Executive Producer
Bertrand (Mathieu Amalric), a film director, is conducting research for his latest film, and asks a funeral director if he can stay back at his funeral parlour after the close of business. Bertrand cannot resist getting into a coffin, and accidentally knocks the lid down, locking himself in the coffin.
Screenplay
Bertrand (Mathieu Amalric), a film director, is conducting research for his latest film, and asks a funeral director if he can stay back at his funeral parlour after the close of business. Bertrand cannot resist getting into a coffin, and accidentally knocks the lid down, locking himself in the coffin.
Director
Bertrand (Mathieu Amalric), a film director, is conducting research for his latest film, and asks a funeral director if he can stay back at his funeral parlour after the close of business. Bertrand cannot resist getting into a coffin, and accidentally knocks the lid down, locking himself in the coffin.
Self
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
Writer
A woman wearing a pair of headphones listens to music. Using their eyes and ears, the audience shares this sensory experience through the mental pictures generated by the music.
Music
A woman wearing a pair of headphones listens to music. Using their eyes and ears, the audience shares this sensory experience through the mental pictures generated by the music.
Producer
A woman wearing a pair of headphones listens to music. Using their eyes and ears, the audience shares this sensory experience through the mental pictures generated by the music.
Director
A woman wearing a pair of headphones listens to music. Using their eyes and ears, the audience shares this sensory experience through the mental pictures generated by the music.
Hervé is a 37-year-old porno movie actor. Weary of the excesses of this fringe universe, he decides to hang up his Condoman costume and turn over a new leaf as a mainstream movie actor. He thus enters a world he knows nothing about. Rejected by his fellow actors, Hervé is just dying to learn the rules of the game. He then encounters LZA...
Writer
Cindy, the doll is mine is a short film by French director Bertrand Bonello. It stars Italian actress Asia Argento in the double role of photographer Cindy Sherman, a brunette, and her model, a blonde who strangely resemble one another. The film was screened out of competition at the 2005 Cannes Film Festival.
Director
Cindy, the doll is mine is a short film by French director Bertrand Bonello. It stars Italian actress Asia Argento in the double role of photographer Cindy Sherman, a brunette, and her model, a blonde who strangely resemble one another. The film was screened out of competition at the 2005 Cannes Film Festival.
Un spectateur du Nô
París, 1979-1980. Pascal retrasa a conciencia el momento de comenzar su tesina de filosofía. Su amiga Christine no comprende su desfachatez. Sarah canta en un grupo barroco y vive de y para su arte. Manuel, su pareja, hace lo posible por apoyarla. En el mundillo del barroco, un trío muy influyente prepara una importante grabación de Monteverdi, bajo la dirección del “Innombrable”, el músico del trío, persona cruel y arrogante. Sarah prepara con ahínco la partitura de canto del “Lamento de la ninfa” El disco sale y obtiene gran éxito. Pascal lo recibe de regalo de Navidad de Christine y queda fascinado por la voz de Sarah. Sarah reanuda sus sesiones musicales con el “Innombrable” pero termina por abandonar al ver que la sigue maltratando y humillando. Pascal se va sumiendo en un estado de melancolía tal que su novia no lo soporta y acaba dejándole.
Music
Tiresia, un transexual brasileño de extrema belleza, vive en forma ilegal con su hermano, Terranova, en la periferia de París. Éste, un esteta con ideas poéticas, observa a Tiresia como si se tratara de una rosa perfecta, y termina secuestrándola para que sólo a él le pertenezca. Privada de sus hormonas diarias, Tiresia se va transformando poco a poco frente a sus ojos...
Writer
Tiresia, un transexual brasileño de extrema belleza, vive en forma ilegal con su hermano, Terranova, en la periferia de París. Éste, un esteta con ideas poéticas, observa a Tiresia como si se tratara de una rosa perfecta, y termina secuestrándola para que sólo a él le pertenezca. Privada de sus hormonas diarias, Tiresia se va transformando poco a poco frente a sus ojos...
Director
Tiresia, un transexual brasileño de extrema belleza, vive en forma ilegal con su hermano, Terranova, en la periferia de París. Éste, un esteta con ideas poéticas, observa a Tiresia como si se tratara de una rosa perfecta, y termina secuestrándola para que sólo a él le pertenezca. Privada de sus hormonas diarias, Tiresia se va transformando poco a poco frente a sus ojos...
Original Music Composer
Jacques es un director de cine pornográfico que recapacita sobre su vida cuando se da cuenta que el mundo de lo "erótico" ha cambiado completamente y que él no es capaz de capturar la pasión en la pantalla como lo hizo en el pasado. Un polémico film por sus fuertes escenas de sexo explícito.
Writer
Jacques es un director de cine pornográfico que recapacita sobre su vida cuando se da cuenta que el mundo de lo "erótico" ha cambiado completamente y que él no es capaz de capturar la pasión en la pantalla como lo hizo en el pasado. Un polémico film por sus fuertes escenas de sexo explícito.
Director
Jacques es un director de cine pornográfico que recapacita sobre su vida cuando se da cuenta que el mundo de lo "erótico" ha cambiado completamente y que él no es capaz de capturar la pasión en la pantalla como lo hizo en el pasado. Un polémico film por sus fuertes escenas de sexo explícito.
Music
Marguerite has been married to Paul for five years; miraculously the molecules in their pairing are still at work. Except for one thing: they live in Montreal, and molecules do not like the cold.
Writer
Marguerite has been married to Paul for five years; miraculously the molecules in their pairing are still at work. Except for one thing: they live in Montreal, and molecules do not like the cold.
Director
Marguerite has been married to Paul for five years; miraculously the molecules in their pairing are still at work. Except for one thing: they live in Montreal, and molecules do not like the cold.
Music
James visits his young brother David who has just opened a hairdressing salon. the two brothers do not agree on how to become a successful hairdesser.
Writer
James visits his young brother David who has just opened a hairdressing salon. the two brothers do not agree on how to become a successful hairdesser.
Director
James visits his young brother David who has just opened a hairdressing salon. the two brothers do not agree on how to become a successful hairdesser.
Writer
Adapted from an autobiographical book by Pier Paolo Pasolini.
Director
Adapted from an autobiographical book by Pier Paolo Pasolini.
Pylade
Adapted from an autobiographical book by Pier Paolo Pasolini.
