Yao Hung-I
Nacimiento : , Taiwan
Historia
Yao Hung-i (Chinese: 姚宏易) is a Taiwanese cinematographer and film director. He graduated from the Department of Product Craft Design of Fu-Hsin Trade and Arts School, was given an opportunity to join the film crew of director Hou Hsiao-hsien's "Good Men, Good Women" in 1994 due to his habit in photography. Beginning from an assistant job, Yao successively participated in many of Hou's filmmaking. Being encouraged by Hou, he started writing script and made his first film titled "Reflections" in 2006.
Cinematography
Director of Photography
Dancer SHEU Fang-yi’s career has been told through her modern dance dramas such as Sparrow, Stranger, Wall, and Martha GRAHAM‘s Heretic. Martha GRAHAM once said: “A dancer dies twice — once when they stop dancing, and this first death is the more painful.” At this intersection of her life, SHEU Fang-yi commemorates her glorious past two decades with a funeral, to farewell her past self, and to get ready to move toward her unknown future.
Writer
Dancer SHEU Fang-yi’s career has been told through her modern dance dramas such as Sparrow, Stranger, Wall, and Martha GRAHAM‘s Heretic. Martha GRAHAM once said: “A dancer dies twice — once when they stop dancing, and this first death is the more painful.” At this intersection of her life, SHEU Fang-yi commemorates her glorious past two decades with a funeral, to farewell her past self, and to get ready to move toward her unknown future.
Director
Dancer SHEU Fang-yi’s career has been told through her modern dance dramas such as Sparrow, Stranger, Wall, and Martha GRAHAM‘s Heretic. Martha GRAHAM once said: “A dancer dies twice — once when they stop dancing, and this first death is the more painful.” At this intersection of her life, SHEU Fang-yi commemorates her glorious past two decades with a funeral, to farewell her past self, and to get ready to move toward her unknown future.
Editor
“Siaulian”, who is released from prison and trying to turn his life back to track, runs into his childhood friend Tang, now a police officer, in a gang fight. Siaulian is wanted by the gangs since he has been made the one responsible for the fight. Siaulian is forced to form his own gang in order to protect his family and seek revenge. Eventually, he is wanted by both the gangsters and the police. As for Tang, he is struggling to protect his dearest friend as he is actually the reason why Siaulian was sentenced to prison.
Director of Photography
“Siaulian”, who is released from prison and trying to turn his life back to track, runs into his childhood friend Tang, now a police officer, in a gang fight. Siaulian is wanted by the gangs since he has been made the one responsible for the fight. Siaulian is forced to form his own gang in order to protect his family and seek revenge. Eventually, he is wanted by both the gangsters and the police. As for Tang, he is struggling to protect his dearest friend as he is actually the reason why Siaulian was sentenced to prison.
Director of Photography
Where is home? For a group of Chinese students studying and working in Tokyo, it might be the Nankokute restaurant whose manager has been in Japan for years without ever managing to obtain a residence permit. The cook left his family in China and hasn't yet managed to have them brought over to join him and one waiter's father is sick while the other's is a violent alcoholic. An engaging fresco of everyday life with touching moments and an authentic, natural atmosphere.
Cinematography
Chu Tien-Wen, frequent screenwriter for Hou Hsiao-Hsien, makes her directorial debut with this entry in The Inspired Island documentary series. With Hou as producer, cinematographer Yao Hung-I and editor Liao ChingSung, Chu takes a deep dive into the story of her parents, famed authors Chu Hsi-Ning and Liu Mu-Sha. Through family albums, old letters and interviews with fellow writers, Chu crafts a deeply personal portrait of her parents’ romance, literary careers, family roots and the unfinished opus her father left behind.
Director of Photography
En 1988, la ley marcial termina en Taiwán y dos escolares, A-han y Birdy, están a punto de entablar una relación amorosa ilícita después de conocerse en la banda escolar dirigida por un sacerdote canadiense llamado Oliver. Mientras todo el país conmemora al difunto presidente, los dos niños disfrutan de la presencia del otro mientras se despierta el afecto de A-han por Birdy. Sin embargo, la sociedad es homofóbica y la amenaza de violencia y vergüenza social que ejercen los adultos y sus compañeros adolescentes hace que los dos entren en conflicto a medida que se acercan más a representar físicamente sus pasiones mutuas.
Director of Photography
Luo Hongwu comienza la búsqueda de su antiguo amor en la ciudad de Kaili, a la que regresa tras huir hace años. Como dato recuerda el nombre que le dió, Wan Quiwen.
Director of Photography
Cuando un antiguo amigo de Ren sale de la cárcel comienza una guerra de bandas sin cuartel por apoderarse de todo el territorio.
Director of Photography
Hsu Zi-qi, who raises parrots in her apartment, keeps getting wrong phone calls for someone named Johnny. Lee, the autistic son of Zi-qi’s landlady, reads old newspapers every day and wanders around. Handyman Feng, who works odd jobs around the apartment, feels disheartened and frustrated when his beloved car breaks down. The lives of these three lonely souls cross over when one of Zi-qi’s parrots escapes one day. Johnny is missing, but he’s hardly the only one lost in the urban jungle of Taipei.
Director of Photography
In a remote village, a con man disguised as a Taoist priest introduces a memory-erasing device to residents — but a dangerous plot looms.
Director of Photography
Shot on 16mm, as part of the commercial shorts collection for the 53th Taipei Golden Horse Film Festival.
Cinematography
China, siglo IX. Nie Yinniang regresa a casa de su familia tras años de exilio. Educada por una monja que la inicia en las artes marciales, es una auténtica justiciera cuyo objetivo es eliminar a los tiranos. Su maestro le encarga la misión de matar a su primo Tian Ji'an, gobernador disidente de la provincia militar de Weibo. Nie tendrá que elegir: sacrificar al hombre que ama o romper definitivamente con la "Secta de los Asesinos”.
Cinematography
A-Gu enlists a group of contract killers in the disguise of laundry service. One of them, code-named "No.1 Qingtian Street", is haunted by the ghosts of his victims. He seeks help from Lin Hsiang, a psychic.
Cinematography
One of the best-known Chinese figurative painters, Liu Xiaodong goes back to his hometown of Jincheng, in the province of Liaoning (North-East China), to re-paint again friends and relatives after several years have gone by. With a soundtrack by famed composer Lim Giong (Millennium Mambo, The Assassin).
Director
One of the best-known Chinese figurative painters, Liu Xiaodong goes back to his hometown of Jincheng, in the province of Liaoning (North-East China), to re-paint again friends and relatives after several years have gone by. With a soundtrack by famed composer Lim Giong (Millennium Mambo, The Assassin).
Camera Department Manager
Director of Photography
A couple is torn by conflicting emotions. Jing and Mi are two women living in Taiwan who have been lovers for some time; Jin is a singer in a rock band who suffers from severe mood swings and has been suffering from a fractured relationship with her mother, while Mi is the more sedate and level-headed of the couple.
Writer
A couple is torn by conflicting emotions. Jing and Mi are two women living in Taiwan who have been lovers for some time; Jin is a singer in a rock band who suffers from severe mood swings and has been suffering from a fractured relationship with her mother, while Mi is the more sedate and level-headed of the couple.
Director
A couple is torn by conflicting emotions. Jing and Mi are two women living in Taiwan who have been lovers for some time; Jin is a singer in a rock band who suffers from severe mood swings and has been suffering from a fractured relationship with her mother, while Mi is the more sedate and level-headed of the couple.