Yao Hung-I

Yao Hung-I

Nascimento : , Taiwan

História

Yao Hung-i (Chinese: 姚宏易) is a Taiwanese cinematographer and film director. He graduated from the Department of Product Craft Design of Fu-Hsin Trade and Arts School, was given an opportunity to join the film crew of director Hou Hsiao-hsien's "Good Men, Good Women" in 1994 due to his habit in photography. Beginning from an assistant job, Yao successively participated in many of Hou's filmmaking. Being encouraged by Hou, he started writing script and made his first film titled "Reflections" in 2006.

Perfil

Yao Hung-I

Filmes

Workers The Movie
Cinematography
Salute
Director of Photography
Dancer SHEU Fang-yi’s career has been told through her modern dance dramas such as Sparrow, Stranger, Wall, and Martha GRAHAM‘s Heretic. Martha GRAHAM once said: “A dancer dies twice — once when they stop dancing, and this first death is the more painful.” At this intersection of her life, SHEU Fang-yi commemorates her glorious past two decades with a funeral, to farewell her past self, and to get ready to move toward her unknown future.
Salute
Writer
Dancer SHEU Fang-yi’s career has been told through her modern dance dramas such as Sparrow, Stranger, Wall, and Martha GRAHAM‘s Heretic. Martha GRAHAM once said: “A dancer dies twice — once when they stop dancing, and this first death is the more painful.” At this intersection of her life, SHEU Fang-yi commemorates her glorious past two decades with a funeral, to farewell her past self, and to get ready to move toward her unknown future.
Salute
Director
Dancer SHEU Fang-yi’s career has been told through her modern dance dramas such as Sparrow, Stranger, Wall, and Martha GRAHAM‘s Heretic. Martha GRAHAM once said: “A dancer dies twice — once when they stop dancing, and this first death is the more painful.” At this intersection of her life, SHEU Fang-yi commemorates her glorious past two decades with a funeral, to farewell her past self, and to get ready to move toward her unknown future.
Untouchable
Editor
“Siaulian”, who is released from prison and trying to turn his life back to track, runs into his childhood friend Tang, now a police officer, in a gang fight. Siaulian is wanted by the gangs since he has been made the one responsible for the fight. Siaulian is forced to form his own gang in order to protect his family and seek revenge. Eventually, he is wanted by both the gangsters and the police. As for Tang, he is struggling to protect his dearest friend as he is actually the reason why Siaulian was sentenced to prison.
Untouchable
Director of Photography
“Siaulian”, who is released from prison and trying to turn his life back to track, runs into his childhood friend Tang, now a police officer, in a gang fight. Siaulian is wanted by the gangs since he has been made the one responsible for the fight. Siaulian is forced to form his own gang in order to protect his family and seek revenge. Eventually, he is wanted by both the gangsters and the police. As for Tang, he is struggling to protect his dearest friend as he is actually the reason why Siaulian was sentenced to prison.
Before Next Spring
Director of Photography
Where is home? For a group of Chinese students studying and working in Tokyo, it might be the Nankokute restaurant whose manager has been in Japan for years without ever managing to obtain a residence permit. The cook left his family in China and hasn't yet managed to have them brought over to join him and one waiter's father is sick while the other's is a violent alcoholic. An engaging fresco of everyday life with touching moments and an authentic, natural atmosphere.
Unfulfilled Dreams
Cinematography
Chu Tien-Wen, frequent screenwriter for Hou Hsiao-Hsien, makes her directorial debut with this entry in The Inspired Island documentary series. With Hou as producer, cinematographer Yao Hung-I and editor Liao ChingSung, Chu takes a deep dive into the story of her parents, famed authors Chu Hsi-Ning and Liu Mu-Sha. Through family albums, old letters and interviews with fellow writers, Chu crafts a deeply personal portrait of her parents’ romance, literary careers, family roots and the unfinished opus her father left behind.
Seu Nome Gravado em Mim
Director of Photography
Em 1987, após o fim da lei marcial em Taiwan, Jia-han e Birdy se apaixonam e são alvo de homofobia, pressão familiar e estigma social.
Longa Jornada Noite Adentro
Director of Photography
Acompanhe um dia completo da família Tyrone, marcada por diversos problemas: uma mãe viciada em morfina, um pai frustrado com a carreira, um filho desequilibrado emocionalmente e o outro sofrendo de tuberculose.
Gatão 2: A Ascensão do Rei
Director of Photography
Um líder de gangue planeja apagar um ex-amigo que virou rival na briga por território, e tensões internas complicam a batalha para ver quem manda.
Missing Johnny
Director of Photography
Hsu Zi-qi, who raises parrots in her apartment, keeps getting wrong phone calls for someone named Johnny. Lee, the autistic son of Zi-qi’s landlady, reads old newspapers every day and wanders around. Handyman Feng, who works odd jobs around the apartment, feels disheartened and frustrated when his beloved car breaks down. The lives of these three lonely souls cross over when one of Zi-qi’s parrots escapes one day. Johnny is missing, but he’s hardly the only one lost in the urban jungle of Taipei.
The Village of No Return
Director of Photography
In a remote village, a con man disguised as a Taoist priest introduces a memory-erasing device to residents — but a dangerous plot looms.
Secret Goldfish
Director of Photography
Shot on 16mm, as part of the commercial shorts collection for the 53th Taipei Golden Horse Film Festival.
A Assassina
Cinematography
No século VIII, durante a dinastia Tiang, Yinniang (Shu Qi) é uma assassina profissional, treinada com os melhores mestres. Ela é encarregada de matar um homem do governo, mas não consegue cumprir a tarefa quando o vê segurando um bebê recém-nascido. Punida por sua covardia, ela recebe a tarefa mais difícil de sua vida: matar o próprio primo, por quem é apaixonada, e com quem deveria se casar desde a adolescência. Yinniang tem que se confrontar ao passado para cumprir as ordens de sua mestra.
The Laundryman
Cinematography
A-Gu enlists a group of contract killers in the disguise of laundry service. One of them, code-named "No.1 Qingtian Street", is haunted by the ghosts of his victims. He seeks help from Lin Hsiang, a psychic.
Liu Xiaodong: Hometown Boy
Cinematography
One of the best-known Chinese figurative painters, Liu Xiaodong goes back to his hometown of Jincheng, in the province of Liaoning (North-East China), to re-paint again friends and relatives after several years have gone by. With a soundtrack by famed composer Lim Giong (Millennium Mambo, The Assassin).
Liu Xiaodong: Hometown Boy
Director
One of the best-known Chinese figurative painters, Liu Xiaodong goes back to his hometown of Jincheng, in the province of Liaoning (North-East China), to re-paint again friends and relatives after several years have gone by. With a soundtrack by famed composer Lim Giong (Millennium Mambo, The Assassin).
盛世里的工匠技艺
Camera Department Manager
Reflections
Director of Photography
A couple is torn by conflicting emotions. Jing and Mi are two women living in Taiwan who have been lovers for some time; Jin is a singer in a rock band who suffers from severe mood swings and has been suffering from a fractured relationship with her mother, while Mi is the more sedate and level-headed of the couple.
Reflections
Writer
A couple is torn by conflicting emotions. Jing and Mi are two women living in Taiwan who have been lovers for some time; Jin is a singer in a rock band who suffers from severe mood swings and has been suffering from a fractured relationship with her mother, while Mi is the more sedate and level-headed of the couple.
Reflections
Director
A couple is torn by conflicting emotions. Jing and Mi are two women living in Taiwan who have been lovers for some time; Jin is a singer in a rock band who suffers from severe mood swings and has been suffering from a fractured relationship with her mother, while Mi is the more sedate and level-headed of the couple.