Maysam Makhmalbaf

22-year-old Claudia is a single mother who lives with Marghe, her sixyear-old precocious daughter. When Claudia is kicked out of her house for failing to pay the rent, she leaves Marghe to an old woman next door.

22-year-old Claudia is a single mother who lives with Marghe, her sixyear-old precocious daughter. When Claudia is kicked out of her house for failing to pay the rent, she leaves Marghe to an old woman next door.

Short film from omnibus 'Beautiful 2015,' commissioned for the Hong Kong International Film Festival Society.

Short film from omnibus 'Beautiful 2015,' commissioned for the Hong Kong International Film Festival Society.

It is a story of a unique family in the world; A documentary on how a former political imprisoned revolutionary in a religious closed society like Iran, turned his house in to an open Film School and pave to way for his family to became world class film maker and top International award winners , including Cannes Venice , Berlin, San Sebastian , Locarno and many.

The President is the story of a dictator of an imaginary country in the Caucasus, who is forced to escape following a coup d’état, and begins a journey to discover his country in the company of his five-year-old grandson. The two travel across the lands that the President once governed. Now, disguised as a street musician to avoid being recognized, the former dictator comes into contact with his people, which he comes to know from a different point of view.

The President is the story of a dictator of an imaginary country in the Caucasus, who is forced to escape following a coup d’état, and begins a journey to discover his country in the company of his five-year-old grandson. The two travel across the lands that the President once governed. Now, disguised as a street musician to avoid being recognized, the former dictator comes into contact with his people, which he comes to know from a different point of view.

Documentary about Busan International Film Festival founder Kim Dong-ho.

An Iranian filmmaker and his son travel to Haifa, Israel to investigate a religion that originated a hundred and seventy years ago. Youth from all over come to Haifa to join this religion, and those who serve in the gardens that surround the holy places develop peace-loving attitudes through their interactions with nature. The filmmaker shares with his son the idea that if the Iranian people had adopted a peaceful religion, Iran would not be preparing a nuclear attack on Israel, but the son believes that all religions tend to bring about destruction. As a result of these arguments, father and son separate from one another and pursue their own paths.

An Iranian filmmaker and his son travel to Haifa, Israel to investigate a religion that originated a hundred and seventy years ago. Youth from all over come to Haifa to join this religion, and those who serve in the gardens that surround the holy places develop peace-loving attitudes through their interactions with nature. The filmmaker shares with his son the idea that if the Iranian people had adopted a peaceful religion, Iran would not be preparing a nuclear attack on Israel, but the son believes that all religions tend to bring about destruction. As a result of these arguments, father and son separate from one another and pursue their own paths.

An Iranian filmmaker and his son travel to Haifa, Israel to investigate a religion that originated a hundred and seventy years ago. Youth from all over come to Haifa to join this religion, and those who serve in the gardens that surround the holy places develop peace-loving attitudes through their interactions with nature. The filmmaker shares with his son the idea that if the Iranian people had adopted a peaceful religion, Iran would not be preparing a nuclear attack on Israel, but the son believes that all religions tend to bring about destruction. As a result of these arguments, father and son separate from one another and pursue their own paths.

A playwright Iran tries to confront a creative crisis while political clashes erupt during her country's 2009 election.

A man enters a bar, sits and observes, not speaking. Gradually, the silent presence of the stranger disturbs the other customers.

A wealthy boy hires a poor child to carry him around like a horse.

Bajo la estatua del Buda que destruyeron los talibanes, aún viven miles de familias. Baktay, una niña afgana de seis años, es incitada a ir a la escuela por el hijo de sus vecinos que lee los alfabetos frente a su cueva. De camino a la escuela, es acosada por unos niños que juegan de forma cruel reflejando la sociedad tan violenta que los envuelve. Los niños pretenden lapidar a Baktay, o destruirla como el Buda, o disparar contra ella como hicieron los americanos en el laberinto de cuevas. ¿Será capaz Baktay de superar estos obstáculos para poder aprender los alfabetos en su lengua materna?

Two children are orphaned in post-Taliban Afghanistan.

The film and camera of Maysam Mkhamlbaf, Samira's brother follows her like an invisible eye. From her first subconscious presence as an actor, when she was one months old and crying in her mothers arms, while acting in a feature movie made by his father up to her first conscious appearance as an 8 year old child actor in the movie Cyclist made by his father in Pakistan. From when Samira made her first movie Apple at 17 or when she goes to visit the two imprisoned girls in the movie "Apple" and when she is occupied with changing the professional actor of the movie "Blackboard" with a non-professional actor (ordinary people) and even when she was attending the Cannes Film Festival in the years 1998 and 2000.

The film and camera of Maysam Mkhamlbaf, Samira's brother follows her like an invisible eye. From her first subconscious presence as an actor, when she was one months old and crying in her mothers arms, while acting in a feature movie made by his father up to her first conscious appearance as an 8 year old child actor in the movie Cyclist made by his father in Pakistan. From when Samira made her first movie Apple at 17 or when she goes to visit the two imprisoned girls in the movie "Apple" and when she is occupied with changing the professional actor of the movie "Blackboard" with a non-professional actor (ordinary people) and even when she was attending the Cannes Film Festival in the years 1998 and 2000.

The film and camera of Maysam Mkhamlbaf, Samira's brother follows her like an invisible eye. From her first subconscious presence as an actor, when she was one months old and crying in her mothers arms, while acting in a feature movie made by his father up to her first conscious appearance as an 8 year old child actor in the movie Cyclist made by his father in Pakistan. From when Samira made her first movie Apple at 17 or when she goes to visit the two imprisoned girls in the movie "Apple" and when she is occupied with changing the professional actor of the movie "Blackboard" with a non-professional actor (ordinary people) and even when she was attending the Cannes Film Festival in the years 1998 and 2000.

The film and camera of Maysam Mkhamlbaf, Samira's brother follows her like an invisible eye. From her first subconscious presence as an actor, when she was one months old and crying in her mothers arms, while acting in a feature movie made by his father up to her first conscious appearance as an 8 year old child actor in the movie Cyclist made by his father in Pakistan. From when Samira made her first movie Apple at 17 or when she goes to visit the two imprisoned girls in the movie "Apple" and when she is occupied with changing the professional actor of the movie "Blackboard" with a non-professional actor (ordinary people) and even when she was attending the Cannes Film Festival in the years 1998 and 2000.

Narra, a través de tres historias, la situación de la mujer iraní

A film about an anthropologist and his daughter during three periods: before, during, and after the Iranian Revolution. The daughter works in the accident & emergency department of a hospital, which is never empty of suicidal patients. The reason behind each suicide attempt is different, especially before and after the revolution. Looking for a reason to live, one of the suicide patients falls in love with the anthropologist’s daughter.