Boris Poljak

Briefly depicted fragments from the characters' lives, through summer and winter, as each of them suffers a loss. Cinematic meditation on inevitable loss.

Dreaming of better lands, from generation to generation, because of poverty, hunger and wars, we voyage across the seas. Geography is destiny. Do our bodies retain the memories of our grandfathers; are memories of running away in search of better lands imprinted on our bodies?

Cities I Haven’t Been To is an abstract travelogue that traces the skylines of unknown metropolises, taking the viewer on a virtual journey from Dubai to Dhaka and beyond. Unlike tourist postcards, these mental images stem from the filmmaker’s own memories and prejudices, coming to life in dreamlike flashes of abstract figures.

Documentary about the life and career of Serbian rock musician Vladimir "Vlada" Divljan.

In 2016, the ex-Yugoslav Navy flagship Vis was deliberately sunk in order to turn it into a scuba diving attraction in Croatia. The ship lies on the seabed of the waters close to Brijuni Islands where in 1956 Nasser, Nehru and Tito met to discuss their opposition to the Cold War and the formation of the Non-aligned Movement. By employing visually impressive shots, the film establishes a signature spatial and temporal narrative, at the same time entering the space of fusion of personal and collective memory and dismemory, which, in the context of political and economic changes that have been occurring in Croatian society for the past several decades, acquire metaphorical and symbolic meanings, imbued with powerful socio-psychological implications.

The film follows morning events at Bacvice beach. At dawn, before sunrise, the beach becomes a place of an unusual clash. From nearby clubs and cafes, numerous groups of young people cross the beach on their way home. At the same time, older people start coming. They walk, come, pass by and go.

The film follows morning events at Bacvice beach. At dawn, before sunrise, the beach becomes a place of an unusual clash. From nearby clubs and cafes, numerous groups of young people cross the beach on their way home. At the same time, older people start coming. They walk, come, pass by and go.

Mario Haber was a sound engineer and a dedicated brandy maker. For over a decade, he had been recording colorful conversations and sounds in his house and around the alcohol fermenter. The Spirits Diary is a visual reconstruction of his audio recordings.

Every summer, St. Nicholas Church (12th century) draws large crowds of tourists. Situated in an untouched Arcadian landscape, on a picturesque hill and next to a lone tree, it is as if the site becomes a stage where various unusual events take place. Thus, the tourists, unaware of the proximity of the camera, become performers in a daily show.

Every summer, St. Nicholas Church (12th century) draws large crowds of tourists. Situated in an untouched Arcadian landscape, on a picturesque hill and next to a lone tree, it is as if the site becomes a stage where various unusual events take place. Thus, the tourists, unaware of the proximity of the camera, become performers in a daily show.

In 1943, group of Croatian soldiers overtake a strategically important point in western Bosnia with a goal to destroy a group of communist partisans. On the way they met some supernatural phenomena, and the action itself went very badly because the partisans ambushed them. The main character Martin inherits silver cigarette case from a dying soldier. This act connects to the story in 1993 when we meet Martins grandson Tomo. He is one of six soldiers of the Croatian army who have come to the same place in Bosnia to meet the same phenomena and similar fate.