Boris Poljak

참여 작품

Horror Vacui
Director
While We Were Here
Cinematography
Briefly depicted fragments from the characters' lives, through summer and winter, as each of them suffers a loss. Cinematic meditation on inevitable loss.
Porvenir
Cinematography
Dreaming of better lands, from generation to generation, because of poverty, hunger and wars, we voyage across the seas. Geography is destiny. Do our bodies retain the memories of our grandfathers; are memories of running away in search of better lands imprinted on our bodies?
Cities I Haven't Been to
Cinematography
Cities I Haven’t Been To is an abstract travelogue that traces the skylines of unknown metropolises, taking the viewer on a virtual journey from Dubai to Dhaka and beyond. Unlike tourist postcards, these mental images stem from the filmmaker’s own memories and prejudices, coming to life in dreamlike flashes of abstract figures.
Heavenly Theme
Cinematography
Documentary about the life and career of Serbian rock musician Vladimir "Vlada" Divljan.
Yet Another Departure
Cinematography
In 2016, the ex-Yugoslav Navy flagship Vis was deliberately sunk in order to turn it into a scuba diving attraction in Croatia. The ship lies on the seabed of the waters close to Brijuni Islands where in 1956 Nasser, Nehru and Tito met to discuss their opposition to the Cold War and the formation of the Non-aligned Movement. By employing visually impressive shots, the film establishes a signature spatial and temporal narrative, at the same time entering the space of fusion of personal and collective memory and dismemory, which, in the context of political and economic changes that have been occurring in Croatian society for the past several decades, acquire metaphorical and symbolic meanings, imbued with powerful socio-psychological implications.
They Just Come and Go
Director
The film follows morning events at Bacvice beach. At dawn, before sunrise, the beach becomes a place of an unusual clash. From nearby clubs and cafes, numerous groups of young people cross the beach on their way home. At the same time, older people start coming. They walk, come, pass by and go.
They Just Come and Go
Writer
The film follows morning events at Bacvice beach. At dawn, before sunrise, the beach becomes a place of an unusual clash. From nearby clubs and cafes, numerous groups of young people cross the beach on their way home. At the same time, older people start coming. They walk, come, pass by and go.
The Spirits Diary
Co-Writer
Mario Haber was a sound engineer and a dedicated brandy maker. For over a decade, he had been recording colorful conversations and sounds in his house and around the alcohol fermenter. The Spirits Diary is a visual reconstruction of his audio recordings.
Autofocus
Writer
Every summer, St. Nicholas Church (12th century) draws large crowds of tourists. Situated in an untouched Arcadian landscape, on a picturesque hill and next to a lone tree, it is as if the site becomes a stage where various unusual events take place. Thus, the tourists, unaware of the proximity of the camera, become performers in a daily show.
Autofocus
Director
Every summer, St. Nicholas Church (12th century) draws large crowds of tourists. Situated in an untouched Arcadian landscape, on a picturesque hill and next to a lone tree, it is as if the site becomes a stage where various unusual events take place. Thus, the tourists, unaware of the proximity of the camera, become performers in a daily show.
워 랜드
Camera Operator
1943년, 공산당원들을 소탕하려는 작전 하에 크로아티아 군인들이 길을 떠난다. 하지만 매복한 병사들을 상대하고 초자연현상을 겪으면서 하나 둘씩 목숨을 잃고, 그 중 ‘마틴’만이 살아남는다. 그리고 시간이 흘러 1993년, 세르비안인들과의 전쟁 속에서 한 무리의 군인들이 일명 '죽은 자의 땅'으로 이동하고, 그곳에서 다시 똑같은 기이한 현상이 일어나는데...