Walter Goulart

Documentary on "Antonio das Mortes", Glauber Rocha's 1969 film.

The forbidden love affair between Peri, an Indian, and the beautiful Ceci, a Portuguese white girl, in the 17th century Brazil.

Creative documentary on multi-faceted Brazilian musician Radames Gnattali

On the eve of an important surfing championship, a group of young friends travels along the Brazilian coast with the intention of training hard and having a chance to become professional in the sport. However, along the way, Guel, a surfer bum, falls in love with a rich girl.

Eternamente Pagu is a biographical film about Patrícia Galvão, best known as Pagu, a Brazilian political, literary and artistic activist. An important figure of the Brazilian Modernism, Pagu was also a militant for the Brazilian Communist Party after she married writer Oswald de Andrade. She broke up with Andrade and, as a journalist was arrested by the Dictatorship of Getúlio Vargas. After she left prison, she abandoned Communism in favor of Trotskyist Socialism, married Geraldo Ferraz, and started a career as theatre director.

French poet Blaise Cendrars arrives by sea on the city of Rio de Janeiro and lives s life of bohemian parties during the celebration of carnaval.

The film shows the drama of the young and fragile Lalinha. After being abandoned by her husband, who ran away with another, the girl seeks comfort on the farm where the two in-laws live and the widowed father-in-law. There, the girl discovers a new world.

A documentary on Brazilian poet and composer Vinicius de Moraes, made by his daughter a few months before his death.

Powerful magician goes to jail for creating illusion of affluence in Brazilian town.

On the island of Itaparica, Bahia, a community of Nagô descendants has been recreating the customs and values of African and Brazilian ancestors for 200 years, living off fishing and harvesting fruits in a space that is being occupied by the real estate industry and tourism.

An adventurer travels by train through the Brazilian state of Minas Gerais, meeting old and new lovers and remembering love affairs of his youth.

In the beginning of the 20th Century, in the Northeast of Brazil, one of the first Brazilian industrialists is persecuted because he refuses to sell his business to a British company.

In the beginning of the 20th Century, in the Northeast of Brazil, one of the first Brazilian industrialists is persecuted because he refuses to sell his business to a British company.

When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.

Pueblito brasileño Bahia, en los años veinte. La bella Floripides Guimaraes, más conocida como Doña Flor, está casada con el pícaro y mujeriego Valdomiro Santos Guimaraes, alias Vadinho. Si bien su marido es un irresponsable juerguista, Doña Flor se siente compensada con la ardiente vida sexual que le da. Cuando Vadinho muera de un infarto en pleno carnaval, Doña Flor sentirá que su vida (sexual) ha quedado vacía. La solitaria viuda acepta casarse con el respetable y pulcro Dr. Teodoro Madureira, un hombre metódico y responsable. Pero, pese a ser un ciudadano modelo, el nuevo esposo no logra cubrir el vacío pasional dejado por el ardiente Vadinho. Doña Flor reconoce que su nuevo marido nunca le podrá satisfacer en el campo del deseo como su primer marido. Pero, de manera sobrenatural, Doña Flor verá la oportunidad de satisfacer su nostalgia sexual: Vadinho ha regresado al mundo de los vivos, solo visible a los ojos de ella... y dispuesto a saciar los deseos de la apasionada viuda.

Africanos de lengua 'iorubá', originarios de la costa occidental de África, fueron llevados a Brasil para trabajar en los ingenios, las minas y el servicio doméstico. Sus descendientes conservan hasta hoy sus tradiciones, que sobrevivieron a las ofensivas de la cultura de los blancos. -----------------------------Más datos: bases.cinemateca.gov.br/cgi-bin/wxis.exe/iah/?IsisScript=iah/iah.xis&base=FILMOGRAFIA&lang=p&nextAction=lnk&exprSearch=ID=023421&format=detailed.pft ----------------------------------------------------------------------------------------------------------------------- asaeca.org/aactas/correa_bomfim.pdf

Africanos de lengua 'iorubá', originarios de la costa occidental de África, fueron llevados a Brasil para trabajar en los ingenios, las minas y el servicio doméstico. Sus descendientes conservan hasta hoy sus tradiciones, que sobrevivieron a las ofensivas de la cultura de los blancos. -----------------------------Más datos: bases.cinemateca.gov.br/cgi-bin/wxis.exe/iah/?IsisScript=iah/iah.xis&base=FILMOGRAFIA&lang=p&nextAction=lnk&exprSearch=ID=023421&format=detailed.pft ----------------------------------------------------------------------------------------------------------------------- asaeca.org/aactas/correa_bomfim.pdf

"Seven women on motorcycles, through Via Dutra, go to the Baixada Fluminense, a microcosm of Brazil. Diving into the memory and questioning the behavior imposed on women, they seek to rescue the strength of the feminine. The new woman, born in the Brazilian land, incorporates the Amazons and Santa Guerreira. At his side, the new man, more loose and creative. Closing the cycle, the initial road is resumed. " (HBH / QC)

Documentary about popular art manifestations in Northeast Brazil: the "cordel" literature (popular literature, small stories sold in markets); "repente", kind of musical challenge between two singers, who have to improvise the verses, in strict rhyme; and the interaction between these and local popular song.

Many stories revolving around a poor couple who, in spite of hating each other, still live together under the same roof.

The elements of Tutti Tutti buona gente, the inaugural film of the documentary phase of Orlando Bomfim Netto's cinema, are organized in a chronological and lyrical structure that covers the 100 years of Italian colonization in Brazil and in Espirito Santo, their stories and customs. A portrait of the community of descendants of the inland city of Santa Teresa.

Music manager has to get three of his artists together for a special show, but soon finds out it isn't an easy task.

The story of Paulo Honório, a poor ploughman who becomes a rich farmer. Obsessed by his desire to get even richer, he doesn't pay much attention to his wife, Madalena, a teacher who reacts against his tyrannical ways.

Adaptation of José Vicente's play "O Assalto" (The Theft). Bank clerk and a janitor meet at work in the middle of the night, when the first decides to rob the bank's safe.

Pra Quem Fica, Tchau tells the story of a teenager from the interior who comes to Rio, financed by an uncle, and goes to live with a womanizer cousin.

An allegory about Brazil's history and the struggle for power since the 1930 Revolution until the advent of the TV.

An allegory about Brazil's history and the struggle for power since the 1930 Revolution until the advent of the TV.

This Brazilian film is set during the period of its initial colonial discovery and settlement. The title refers to a word the native peoples used for the coastal lands: "pindorama," or "place of the small trees." A ponderous and grandiose film, it was roundly booed when it was aired at the 1971 Cannes Film Festival.

Short documentary about the ideology of publicity and mass medias.

An ambassador from an outer (and rich) space comes to visit a poor planet, where he ends up being kidnapped.

An ambassador from an outer (and rich) space comes to visit a poor planet, where he ends up being kidnapped.

An ambassador from an outer (and rich) space comes to visit a poor planet, where he ends up being kidnapped.

A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.

Santamaria and Urtigo are two bandits on the run, one is white, the other black. Santamaria is a mystical visionary and believes in the imminent coming of a purifying angel. Urtiga, his inseparable companion, is a simple-minded and ingenious man who follows Santamaria around and participates in the crimes he commits. The two bandits take over a house after kidnapping its owner and his girlfriend.

Based on a radio show that was broadcast for 11 years (1947-1958) and ended only when the host and creator, the genius Henrique Foreis "Almirante" Domingues, had a stroke. There were hundreds of horror stories, supposedly true, sent by listeners from all corners of the country, radiophoned and broadcast by Rádio Tupi in Rio de Janeiro. It became a book in 1951 (reissued in 1984), a film in 1969 and a TV show in 1994-1995, broadcast by the extinct Rede Manchete.

A man living with his parents in a low middle-class apartment in Rio de Janeiro coldly stabs them with a razor and then goes to the movies. Marcia, a rich and dissatisfied young woman, takes advantage of a trip from her husband to go to her home in Petrópolis, where she receives a visit from an old friend, Regina.

Young congressman Miguel Horta represents a party that is directly opposed to the present government. He slyly switches parties in order to gain favor with those in power, seriously compromising his own ideals and ethics in the process.

The panorama of film production, from 1898 to 1966, told through the work of young pioneers who built the odyssey of cinema. The lines, styles and trends are in this anthology of many of the best moments of Brazilian Cinema, which seeks, in a moment of maturity, to perpetuate and encourage the impetus of the pioneers.

A documentary short on the life and works on José Medina, one of early Brazilian cinema's most renowed pioneers.

The architect Sérgio Bernardes' vision of the future for Rio de Janeiro. Models and designs of airports, ports, and remodeled neighborhoods propose the creation of a vertical city for the urban problem and its transformation into an international center for commercial and

Augusto Matraga is a violent agressive farmer who, after being betrayed by his wife and trapped by several enemies, is bitten up and left for dead, being rescued by a couple of humble small farmers who nurse him for a long time until he is well again. Influenced by the couple, Matraga starts a long penitent life while waiting for his hour and chance to payback, starting a fight between his violent nature, his hidden desire of vengeance and the mysticism and goodness which is also part of him.

A year in the life of a samba school, from the first rehearsals to the parade on the avenue.

A year in the life of a samba school, from the first rehearsals to the parade on the avenue.