Catherine Varlin

Películas

Nailed Lips
Screenplay
A young commissioner investigates the murder of a Sicilian criminal with the help of a social worker.
No iremos más al bosque
Writer
A finales de 1944, en el bosque de la Woëre, al norte del Mosa, un grupo de maquis viven refugiados en el bosque. En ocasiones se une a ellos una joven que les hace de enlace. Un día unos soldados alemanes desertores del ejercitonazi se refugian en el bosque, el jefe de los maquis duda en acogerlos, pero por unanimidad de sus compañeros se plega a ello.
The Lovely Month of May
Writer
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.
Playtime in Paris
Director
Catherine Varlin's 27-minute Playtime in Paris (1962) is almost a practice run for Le joli mai, a sampling that starts in a classroom and then observes various subjects from afar. A woman is compared to a cat, and then we see a little girl on a playground, kissing, hugging and swatting a little boy companion as if he were a doll-plaything. A supermarket is compared to a flea market; an upscale equestrian event is compared to a soccer match, a comic bullfight and other attractions. Marker edited and Lhomme was the cameraman.