Screenplay
A young commissioner investigates the murder of a Sicilian criminal with the help of a social worker.
Writer
Writer
Candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom.
Director
Catherine Varlin's 27-minute Playtime in Paris (1962) is almost a practice run for Le joli mai, a sampling that starts in a classroom and then observes various subjects from afar. A woman is compared to a cat, and then we see a little girl on a playground, kissing, hugging and swatting a little boy companion as if he were a doll-plaything. A supermarket is compared to a flea market; an upscale equestrian event is compared to a soccer match, a comic bullfight and other attractions. Marker edited and Lhomme was the cameraman.
