Diane Obomsawin

When Academy Award®–winning animator and painter Joan Gratz asked eleven filmmakers if they would contribute to an omnibus film, she wasn’t sure what to expect—after prompting them to make a “one-minute memoir,” she let them figure out the rest. The One-Minute Memoir is the exuberant result: eleven stories ranging from the heartfelt to the absurd, all reflective of each director’s personal style.

A través de figuras antropomórficas entrañables, varias mujeres relatan la torpeza y la alegría de sus primeros amores.

A través de figuras antropomórficas entrañables, varias mujeres relatan la torpeza y la alegría de sus primeros amores.

Cinema archetypes are reinterpreted by a gang of waggish monsters.

Corto animado inspirado en la vida de Kaspar Hauser, un huérfano del siglo XIX que se crió en una cueva oscura, con la única compañía de un pequeño caballo de madera, y que después fue adoptado por una familia en una ciudad.

Corto animado inspirado en la vida de Kaspar Hauser, un huérfano del siglo XIX que se crió en una cueva oscura, con la única compañía de un pequeño caballo de madera, y que después fue adoptado por una familia en una ciudad.

Corto animado inspirado en la vida de Kaspar Hauser, un huérfano del siglo XIX que se crió en una cueva oscura, con la única compañía de un pequeño caballo de madera, y que después fue adoptado por una familia en una ciudad.

In this animated short, filmmaker Diane Obomsawin shows how childhood can be a chaotic time, especially if you're bouncing back and forth between two continents. With engaging candour and gentle humour, Obomsawin fleshes out an uncertain identity and takes control of her life. Using drawings on paper and digitized snippets of fabric, she creates a whimsical world of simple lines and pastel tones.

In this animated short, filmmaker Diane Obomsawin shows how childhood can be a chaotic time, especially if you're bouncing back and forth between two continents. With engaging candour and gentle humour, Obomsawin fleshes out an uncertain identity and takes control of her life. Using drawings on paper and digitized snippets of fabric, she creates a whimsical world of simple lines and pastel tones.

In this animated short, filmmaker Diane Obomsawin shows how childhood can be a chaotic time, especially if you're bouncing back and forth between two continents. With engaging candour and gentle humour, Obomsawin fleshes out an uncertain identity and takes control of her life. Using drawings on paper and digitized snippets of fabric, she creates a whimsical world of simple lines and pastel tones.

In this animated short, filmmaker Diane Obomsawin shows how childhood can be a chaotic time, especially if you're bouncing back and forth between two continents. With engaging candour and gentle humour, Obomsawin fleshes out an uncertain identity and takes control of her life. Using drawings on paper and digitized snippets of fabric, she creates a whimsical world of simple lines and pastel tones.

This animated short tackles the subjects of personal space, conflict and conflict resolution in the workplace. At the office, tempers flare as two coworkers who are sitting dangerously close find themselves bumping elbows and spilling ink. The film demonstrates four common approaches to interpersonal tensions: retreat, aggression, denial and - finally - negotiation.



This animated short tackles the subjects of personal space, conflict and conflict resolution in the workplace. At the office, tempers flare as two coworkers who are sitting dangerously close find themselves bumping elbows and spilling ink. The film demonstrates four common approaches to interpersonal tensions: retreat, aggression, denial and - finally - negotiation.



This animated short tackles the subjects of personal space, conflict and conflict resolution in the workplace. At the office, tempers flare as two coworkers who are sitting dangerously close find themselves bumping elbows and spilling ink. The film demonstrates four common approaches to interpersonal tensions: retreat, aggression, denial and - finally - negotiation.



In this animated short, Mrs. Popcorn is shocked to discover a worm in her canned drink. When the beverage company refuses to accept the blame, she's outraged! An intrepid consumer, Mrs. Popcorn takes the company to court for negligence. Understanding the Law: The Worm is episode two in a series of short films designed to demystify everyday aspects of Canadian civil law. Wry humour and a whimsical style make this informative series lively and memorable.

In this animated short, Mrs. Popcorn is shocked to discover a worm in her canned drink. When the beverage company refuses to accept the blame, she's outraged! An intrepid consumer, Mrs. Popcorn takes the company to court for negligence. Understanding the Law: The Worm is episode two in a series of short films designed to demystify everyday aspects of Canadian civil law. Wry humour and a whimsical style make this informative series lively and memorable.

A fashion-conscious shopper sees beautiful coats advertised in the newspaper. The next day, he's the first in line to get his at the store. But they won't sell him one! "These are women's coats," the store owner says. "For women only!" On the grounds that the newspaper ad constitutes a contract, the customer takes the vendor to court to win his right to the coat. Understanding the Law: The Coat is episode one in a series of short, funny films designed to demystify everyday aspects of Canadian civil law. Wry humour and a whimsical style make this informative series lively and memorable.