Diane Obomsawin

出生 : 1959-01-01,

略歴

Diane Obomsawin is a cartoonist and animator.

参加作品

The One-Minute Memoir
Director
When Academy Award®–winning animator and painter Joan Gratz asked eleven filmmakers if they would contribute to an omnibus film, she wasn’t sure what to expect—after prompting them to make a “one-minute memoir,” she let them figure out the rest. The One-Minute Memoir is the exuberant result: eleven stories ranging from the heartfelt to the absurd, all reflective of each director’s personal style.
I Like Girls
Screenplay
Four women share funny and intimate tales of one-sided infatuation, mutual attraction, erotic moments, and fumbling attempts at sexual expression. For them, discovering that they’re attracted to other women comes hand-in-hand with a deeper understanding of their personal identity and a joyful new self-awareness.
I Like Girls
Director
Four women share funny and intimate tales of one-sided infatuation, mutual attraction, erotic moments, and fumbling attempts at sexual expression. For them, discovering that they’re attracted to other women comes hand-in-hand with a deeper understanding of their personal identity and a joyful new self-awareness.
50 years of the Cinémathèque Québécoise
Director
Cinema archetypes are reinterpreted by a gang of waggish monsters.
Kaspar
Animation
Living alone in darkness, Kaspar has experienced little oflife until he’s discovered by a man in black and brought outinto the world. Animator Diane Obomsawin’s affecting fableis based on the tale of the nineteenth century’s most famous wild child.
Kaspar
Writer
Living alone in darkness, Kaspar has experienced little oflife until he’s discovered by a man in black and brought outinto the world. Animator Diane Obomsawin’s affecting fableis based on the tale of the nineteenth century’s most famous wild child.
Kaspar
Director
Living alone in darkness, Kaspar has experienced little oflife until he’s discovered by a man in black and brought outinto the world. Animator Diane Obomsawin’s affecting fableis based on the tale of the nineteenth century’s most famous wild child.
Here and There
Narration
In this animated short, filmmaker Diane Obomsawin shows how childhood can be a chaotic time, especially if you're bouncing back and forth between two continents. With engaging candour and gentle humour, Obomsawin fleshes out an uncertain identity and takes control of her life. Using drawings on paper and digitized snippets of fabric, she creates a whimsical world of simple lines and pastel tones.
Here and There
Animation
In this animated short, filmmaker Diane Obomsawin shows how childhood can be a chaotic time, especially if you're bouncing back and forth between two continents. With engaging candour and gentle humour, Obomsawin fleshes out an uncertain identity and takes control of her life. Using drawings on paper and digitized snippets of fabric, she creates a whimsical world of simple lines and pastel tones.
Here and There
Script
In this animated short, filmmaker Diane Obomsawin shows how childhood can be a chaotic time, especially if you're bouncing back and forth between two continents. With engaging candour and gentle humour, Obomsawin fleshes out an uncertain identity and takes control of her life. Using drawings on paper and digitized snippets of fabric, she creates a whimsical world of simple lines and pastel tones.
Here and There
Director
In this animated short, filmmaker Diane Obomsawin shows how childhood can be a chaotic time, especially if you're bouncing back and forth between two continents. With engaging candour and gentle humour, Obomsawin fleshes out an uncertain identity and takes control of her life. Using drawings on paper and digitized snippets of fabric, she creates a whimsical world of simple lines and pastel tones.
Elbow Room
Animation
This animated short tackles the subjects of personal space, conflict and conflict resolution in the workplace. At the office, tempers flare as two coworkers who are sitting dangerously close find themselves bumping elbows and spilling ink. The film demonstrates four common approaches to interpersonal tensions: retreat, aggression, denial and - finally - negotiation.


Elbow Room
Writer
This animated short tackles the subjects of personal space, conflict and conflict resolution in the workplace. At the office, tempers flare as two coworkers who are sitting dangerously close find themselves bumping elbows and spilling ink. The film demonstrates four common approaches to interpersonal tensions: retreat, aggression, denial and - finally - negotiation.


Elbow Room
Director
This animated short tackles the subjects of personal space, conflict and conflict resolution in the workplace. At the office, tempers flare as two coworkers who are sitting dangerously close find themselves bumping elbows and spilling ink. The film demonstrates four common approaches to interpersonal tensions: retreat, aggression, denial and - finally - negotiation.


Understanding the Law: The Worm
Animation
In this animated short, Mrs. Popcorn is shocked to discover a worm in her canned drink. When the beverage company refuses to accept the blame, she's outraged! An intrepid consumer, Mrs. Popcorn takes the company to court for negligence. Understanding the Law: The Worm is episode two in a series of short films designed to demystify everyday aspects of Canadian civil law. Wry humour and a whimsical style make this informative series lively and memorable.
Understanding the Law: The Worm
Director
In this animated short, Mrs. Popcorn is shocked to discover a worm in her canned drink. When the beverage company refuses to accept the blame, she's outraged! An intrepid consumer, Mrs. Popcorn takes the company to court for negligence. Understanding the Law: The Worm is episode two in a series of short films designed to demystify everyday aspects of Canadian civil law. Wry humour and a whimsical style make this informative series lively and memorable.
Understanding the Law: The Coat
Director
A fashion-conscious shopper sees beautiful coats advertised in the newspaper. The next day, he's the first in line to get his at the store. But they won't sell him one! "These are women's coats," the store owner says. "For women only!" On the grounds that the newspaper ad constitutes a contract, the customer takes the vendor to court to win his right to the coat. Understanding the Law: The Coat is episode one in a series of short, funny films designed to demystify everyday aspects of Canadian civil law. Wry humour and a whimsical style make this informative series lively and memorable.