Amin Jafari

Nacimiento : 1974-03-04, Hamedan, Iran

Historia

Amin Jafari 1974, Iran Educations: Graphic design diploma & Masters of Cinema from Soreh University Tehran, Iran Perofessional activities since 1996 Director of Photography in feature films: ■ Conditional release (Azad be ghide shart) Iran, 2016 ■ Dancing Feet (Raghsepa) 2016, Iran ■ Anonymity (Binami) 2016, Iran details ■ ​Drum (Table) 2016,Iran details ■ The Place (Makan) 2016, Iran details ■ Immortality (Javdanegi) 2015 ,Iran details ■ A very ordinary citizen (Yek shahrvand kamelan mamoli) 2014-2015, Iran details ■ A man who became horse (Mardi ke asb shod) 2014, Iran details ■ Jansuda 2013, Thailand details ■ Snow (Barf) 2013, Iran details ■ From the Southeast (Az joonob sharghi) 2012, Iran ■ Bending the Rules (Ghaede tasadof) 2012, Iran details ■ Parviz (parviz) 2012, Iran details ■ Rainy season (Fasle baranhaye mosemi) 2010, Iran details ■ Dancing with the moon (raghs ba maah) 2005, Iran Director of Photography in more then 30 short and medium-length films. Director of Photography documentaries in more than 15 industrial documentaries. Director of Photography in the TV series entitled House of Secrets (Razhaye yek khane) 17 episodes, 2012, iran Director of Photography in the TV series entitled Towards Heaven (Ro be aseman) 2006,Iran. Director of Photography in more then 25 TV advertisements. Awards: ■The best DOP from in Rain Film Festival for the short film, The Silence(Sokoot) 2005, Iran ■The best DOP from Sanfrancisco Iranian Film Festival for Parviz, 2013, USA

Películas

Los osos no existen
Director of Photography
Dos historias de amor paralelas en las que los deseos de las parejas se ven frustrados por obstáculos ocultos e inevitables, la fuerza de la superstición y la mecánica del poder.
Hit the Road
Director of Photography
Cuenta la historia de una tierna pero caótica familia, que se encuentra en un viaje por escabrosos paisajes en el que se preocupa por un perro enfermo y se ponen de los nervios los unos a los otros. El único tranquilo es el misterioso hermano mayor.
El perdón
Director of Photography
Una mujer cuyo marido es ejecutado pasa por apuros a la hora de cuidar de su hija minusválida. Pese a sus problemas, la familia de su antiguo cónyuge insiste en que debe casarse con su hermano y permanecer con ellos. Posteriormente descubren que la sentencia de muerte es errónea y que el principal sospechoso es en realidad el único testigo que incriminó a su marido.
Staging
Camera Department Manager
Assad, along with his group, creates fake accident scenes to claim insurance.
Tres caras
Director of Photography
Una famosa actriz iraní recibe el video inquietante de una joven pidiendo su ayuda para escapar de su familia conservadora. Entonces pide a su amigo, el director de cine Jafar Panahi, que le ayude a entender si se trata de una manipulación. Juntos, emprenden camino hacia la aldea de la chica en las remotas montañas del Noroeste, donde las tradiciones ancestrales continúan rigiendo la vida local.
Conditional Release
Camera Department Manager
Keyvan Has Been Sentenced 25 years In Jail. He is released on condition after 10 but...
Javdanegi
Director of Photography
Six families in different compartments of a train, moving through a rainy night. In a single, 145-minute take, the film depicts the families and how their lives are interwoven with each other. Vacillating between dream and reality, each story builds on the one before and leads into the next. Each destiny is influenced by the other one on board, and all hurtle to the same destination.
Drum
Director of Photography
The atmosphere is dreamlike, the characters have no name, neither the streets. Teheran is the only character whose name is constantly evoked. A lawyer, as many others, works and lives alone in his apartment, which is both his office and his home. In a cold and rainy day, a man burst into his apartment, speaks to him shortly and confusingly and gives him a package that will completely change his life. Venice 2016 - Semaine de la Critique selection.
A Very Ordinary Citizen
Director of Photography
Mr. Safari, an 80-year-old pensioner, lives alone and without direction. When his son, living abroad, tries to arrange for his elderly father to visit him, Mr. Safari becomes dangerously obsessed with a local female travel agent who is hired to help. Co-written by acclaimed filmmaker Jafar Panahi (Crimson Gold, Taxi), this provocative story delivers a quietly powerful statement about loneliness and those who get left behind in contemporary Tehran.
A Very Ordinary Citizen
Cinematography
Mr. Safari, an 80-year-old pensioner, lives alone and without direction. When his son, living abroad, tries to arrange for his elderly father to visit him, Mr. Safari becomes dangerously obsessed with a local female travel agent who is hired to help. Co-written by acclaimed filmmaker Jafar Panahi (Crimson Gold, Taxi), this provocative story delivers a quietly powerful statement about loneliness and those who get left behind in contemporary Tehran.
The Man Who Became a Horse
Director of Photography
An old man living with his only daughter tries to keep her close to him by any means, although she is married. With longing for what was, the daughter becomes attached to the one thing she has left of her deceased mother, a horse. Jealous of her affections, the old and stubborn patriarch sets the horse free, leading to his daughter’s despair... This evocative and at times frightening power game is about isolation, vulnerability and how we can become too dependent on those we love.
Bending the Rules
Director of Photography
The Rule of Accident is about a group of theatre students who are trying to prepare and present a piece of theatre.
Parviz
Director of Photography
Parviz has as its increasingly horrifying anti-hero the 50-year-old hulk of a passive-aggressive bachelor son (theater director/activist Haftvan), whose free ride in life screeches to a halt when his miserly widowed father forms a plan to remarry.