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Amin Jafari

출생 : 1974-03-04, Hamedan, Iran

약력

Amin Jafari 1974, Iran Educations: Graphic design diploma & Masters of Cinema from Soreh University Tehran, Iran Perofessional activities since 1996 Director of Photography in feature films: ■ Conditional release (Azad be ghide shart) Iran, 2016 ■ Dancing Feet (Raghsepa) 2016, Iran ■ Anonymity (Binami) 2016, Iran details ■ Drum (Table) 2016,Iran details ■ The Place (Makan) 2016, Iran details ■ Immortality (Javdanegi) 2015 ,Iran details ■ A very ordinary citizen (Yek shahrvand kamelan mamoli) 2014-2015, Iran details ■ A man who became horse (Mardi ke asb shod) 2014, Iran details ■ Jansuda 2013, Thailand details ■ Snow (Barf) 2013, Iran details ■ From the Southeast (Az joonob sharghi) 2012, Iran ■ Bending the Rules (Ghaede tasadof) 2012, Iran details ■ Parviz (parviz) 2012, Iran details ■ Rainy season (Fasle baranhaye mosemi) 2010, Iran details ■ Dancing with the moon (raghs ba maah) 2005, Iran Director of Photography in more then 30 short and medium-length films. Director of Photography documentaries in more than 15 industrial documentaries. Director of Photography in the TV series entitled House of Secrets (Razhaye yek khane) 17 episodes, 2012, iran Director of Photography in the TV series entitled Towards Heaven (Ro be aseman) 2006,Iran. Director of Photography in more then 25 TV advertisements. Awards: ■The best DOP from in Rain Film Festival for the short film, The Silence(Sokoot) 2005, Iran ■The best DOP from Sanfrancisco Iranian Film Festival for Parviz, 2013, USA

참여 작품

Director of Photography

이란에서 출국금지 당한 영화 감독 자파르 파나히. 그는 한 국경 마을에 머물며 원격으로 영화 촬영을 진행한다. 그가 찍는 영화 속에는 터키에서 프랑스로 도피하려는 커플이 등장하고 그가 머무는 마을에는 오랜 관습으로 사랑을 허락받지 못한 연인들이 도피를 계획 중이다. 어느새 감독은 마을을 뒤흔드는 사건 속으로 휘말려 들어간다.

길 위의 가족

Director of Photography

험준한 풍경 속을 달리고 있는 다정하지만 어수선한 가족. 그들의 목적지는 어디일까? 뒷좌석에 앉은 아빠는 다리가 부러졌는데, 정말 부러진 것일까? 엄마는 눈물을 참고 있을 때가 아니면 가급적 웃으려고 한다. 꼬마는 차 안에서 지치지도 않고 춤을 추고 노래를 한다. 가족들은 아픈 개를 둘러싸고 야단법석을 떨다, 서로 신경을 건드리고 만다. 미스터리한 형만이 유일하게 조용하다.

흰 암소의 발라드

Director of Photography

남편이 사형을 당한다. 아내는 남편의 죽음이 억울하다 하소연하고, 법원도 그들의 실수로 사행이 집행되었다는 사실을 인정한다. "정말 미안하지만 이것도 신의 뜻이 아니겠는가?" 법원의 태도에 낙담한 여자 앞에 뜻밖의 방문자가 등장한다. 죽은 남편의 친구라고 하는 남자는 여자에게 도움의 손길을 내민다. 돈이 없어 집에서 쫓겨나게 생긴 여자에게 빈집을 내놓기까지 한다. 남자는 과연 어떤 이유로 이 여자를 돕는 것일까? (제26회 부산국제영화제)

Camera Department Manager

Assad, along with his group, creates fake accident scenes to claim insurance.

3개의 얼굴들

Director of Photography

유명배우 베흐나즈 자파리에게 먼 시골 마을에 사는 소녀의 영상이 전달된다. 가족들이 배우가 되겠다는 자신의 꿈을 반대한다며, 자살을 암시하는 자극적인 영상이었다. 직접 확인하기로 결정한 베흐나즈 자파리는 영화감독 자파르 파나히와 함께 소녀를 찾아 먼 길을 떠난다.

Conditional Release

Conditional Release

Camera Department Manager

Keyvan Has Been Sentenced 25 years In Jail. He is released on condition after 10 but...

Director of Photography

Six families in different compartments of a train, moving through a rainy night. In a single, 145-minute take, the film depicts the families and how their lives are interwoven with each other. Vacillating between dream and reality, each story builds on the one before and leads into the next. Each destiny is influenced by the other one on board, and all hurtle to the same destination.

Director of Photography

The atmosphere is dreamlike, the characters have no name, neither the streets. Teheran is the only character whose name is constantly evoked. A lawyer, as many others, works and lives alone in his apartment, which is both his office and his home. In a cold and rainy day, a man burst into his apartment, speaks to him shortly and confusingly and gives him a package that will completely change his life. Venice 2016 - Semaine de la Critique selection.

A Very Ordinary Citizen

A Very Ordinary Citizen

Director of Photography

Mr. Safari, an 80-year-old pensioner, lives alone and without direction. When his son, living abroad, tries to arrange for his elderly father to visit him, Mr. Safari becomes dangerously obsessed with a local female travel agent who is hired to help. Co-written by acclaimed filmmaker Jafar Panahi (Crimson Gold, Taxi), this provocative story delivers a quietly powerful statement about loneliness and those who get left behind in contemporary Tehran.

A Very Ordinary Citizen

A Very Ordinary Citizen

Cinematography

Mr. Safari, an 80-year-old pensioner, lives alone and without direction. When his son, living abroad, tries to arrange for his elderly father to visit him, Mr. Safari becomes dangerously obsessed with a local female travel agent who is hired to help. Co-written by acclaimed filmmaker Jafar Panahi (Crimson Gold, Taxi), this provocative story delivers a quietly powerful statement about loneliness and those who get left behind in contemporary Tehran.

The Man Who Became a Horse

The Man Who Became a Horse

Director of Photography

An old man living with his only daughter tries to keep her close to him by any means, although she is married. With longing for what was, the daughter becomes attached to the one thing she has left of her deceased mother, a horse. Jealous of her affections, the old and stubborn patriarch sets the horse free, leading to his daughter’s despair... This evocative and at times frightening power game is about isolation, vulnerability and how we can become too dependent on those we love.

Bending the Rules

Bending the Rules

Director of Photography

The Rule of Accident is about a group of theatre students who are trying to prepare and present a piece of theatre.

Director of Photography

Parviz has as its increasingly horrifying anti-hero the 50-year-old hulk of a passive-aggressive bachelor son (theater director/activist Haftvan), whose free ride in life screeches to a halt when his miserly widowed father forms a plan to remarry.