Producer
Theatre Colosseum prepares for the closing performance of the month. The magician Keats wants to avoid having to perform with Jack Carey, the well-known marksman, as the latter has seduced his wife, the beautiful dancer, Silvia Castellani. It is only thanks to the persuasions of Alice McLean, the manager of the acrobat sisters, that he finally decides to do his show. Carey starts wooing the second of the McLean-sisters, Gloria.
Unit Production Manager
Vienna in the beginning of the twentieth century. Cavalry Lieutenant Fritz Lobheimer is about to end his affair with Baroness Eggerdorff when he meets the young Christine, the daughter of an opera violinist. Baron Eggerdorff however soon hears of his past misfortune...
Location Manager
By pure chance, Jessie and his four jazz musicians are hired to play at the cabaret theatre “Trocadero”. Unfortunately, she knows nothing about music and it doesn’t help that all four musicians are in love with her. Jessie doesn’t reciprocate their feelings, because she has a thing for Martin. Unfortunately, Martin believes that Jessie stole his car … and so, right before the premiere at the cabaret, she ends up in jail.
Unit Manager
Weimar era screwball comedy about a floor model who is required to go out evenings to escort VIPs while her boyfriend has to wait at home.
Production Manager
In the last years of his life, Bavarian king Ludwig II (1845 – 1886) devotes himself to ambitious architectural projects, which strain the state coffers to the extreme. The monarch, who is afraid of people, also withdraws more and more into a dream world at his various castles. His brother is already in a psychiatric institute and Ludwig is also eventually put under the care of psychiatrist Bernhard von Gudden. The king attempts to get out from under this guardianship at Starnberg lake…
Unit Production Manager
Tres páginas de un Diario, estrenada en septiembre de 1929, fue la segunda versión cinematográfica de la novela "Diario de una Perdida" de Margarethe Bohme. Curiosamente, la primera fue interpretada en 1918 por Erna Morena, actriz que un año antes había protagonizado "Lulu", adaptación de la obra de Frank Wedekind que fue, también, el título que unió por vez primera al realizador alemán G.W. Pabst y a la actriz norteamericana Luise Brooks: La Caja de Pandora (Lulú), estrenada en enero de 1929. Estos dos títulos, junto a "Crisis" (1928), integran lo que se conoció como la "trilogía erótica" de Pabst, lo que puede dar una pista de los problemas de censura y distribución que tuvieron en su momento ambos films.
Producer
Lulú (Louise Brooks) es mujer ambiciosa y sin moral que usa a los hombres a su voluntad. Desinhibida y atractiva, el aprovechamiento de sus encantos conllevará también sus peligros. Obra mayor del expresionismo que encumbró a Louise Brooks, una joya del cine mudo que adaptó magistralmente la obra teatral "Lulu" de Wedeking.
Harry
Un hombre que quiere pasar un fin de semana lejos de su mujer finge estar enfermo. El médico le receta unos días en el campo y él se disfraza de tirolés para iniciar una serie de desastrosas conquistas amorosas.
