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While working abroad, young au pair Mia unwittingly surrenders her reason, her heart and her dreams to a radical family community.
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Del túnel de una estación de metro, aparece una mujer, que se planta en el andén y orina ante la mirada atónita de los demás pasajeros. No sabe ni quién es ni dónde está. Dos años más tarde, su familia la encuentra, forzándola a recuperar su lugar como madre, esposa e hija, y sumándola así a la fascinante nómina de mujeres en crisis que nos ha brindado el cine de terror reciente.
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Only a few girls practice the art of parkour – running and somersaulting over rooftops, free-climbing up rusted scaffolding and leaping from one wall to the next. Laura takes it all in her stride. Though as she wildly races through the streets of Prague, her thoughts are running wild too. She has a crush on Luky, but he doesn‘t show much interest in her. Laura‘s parents live apart, and her mother is desperately looking for someone new. Jealousy, misunderstandings with her best friend – Laura‘s life is full of confusion. Sometimes, when she can‘t take it anymore, fantasy worlds evolve. When hope and fear push through the cracks of reality, it gets harder to keep her life in balance.
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The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.
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