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한 체코 여인은 호화로운 빌라에 사는 부잣집의 보모로 고용되어 그 집의 열살짜리 아들을 돌보는 일을 맡게 된다. 그녀는 소년의 부모가 아들을 교육하는 방식이 꽤 이상하다는 사실을 눈치챈다. 그녀는 점차 이 집의 비밀에 다가가기 시작한다.
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과거에 대한 기억이 전혀 없는 알리치아는 새로운 인생과 정체성을 만드는 것에 성공한다. 알리치아의 가족들이 그녀를 찾아내지만 그녀는 기억의 일부가 되살아나기 전까지는 자신의 과거를 알고 싶어하지 않는다. 그녀의 두 가지 다른 정체성이 결합되면서 혼란을 초래하는 자아 발견이 이루어진다.
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Only a few girls practice the art of parkour – running and somersaulting over rooftops, free-climbing up rusted scaffolding and leaping from one wall to the next. Laura takes it all in her stride. Though as she wildly races through the streets of Prague, her thoughts are running wild too. She has a crush on Luky, but he doesn‘t show much interest in her. Laura‘s parents live apart, and her mother is desperately looking for someone new. Jealousy, misunderstandings with her best friend – Laura‘s life is full of confusion. Sometimes, when she can‘t take it anymore, fantasy worlds evolve. When hope and fear push through the cracks of reality, it gets harder to keep her life in balance.
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The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.
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