Makeup Effects Designer
Un grupo terrorista amenaza con volar la mitad de las reservas petrolíferas del mundo, si Israel no abandona los territorios ocupados. La CIA envía a su mejor agente, El soldado, para averiguar si Rusia tiene algo que ver en todo ésto.
Makeup Artist
Sketchy producers hire an ailing movie star, hoping to cash in on the insurance when he dies.
Makeup Artist
Nueva York, 1963. En la radio suenan The Four Seasons, Smoke Robinson, The Shirelles y Ben E. King. Las cosas no son fáciles en el Bronx. Los chicos forman bandas callejeras, como la de los Wanderers, integrada por los chicos de origen italiano. Las diferencias con las bandas rivales, a veces de otras razas, son irreconciliables. Y la violencia es el camino más directo para resolverlas.
Special Effects
Sardú es el maestro de ceremonias del Teatro Macabro, en el cual él se dedica a asesinar personas en público, haciéndolo parecer como parte de su acto.
Makeup Artist
Sardú es el maestro de ceremonias del Teatro Macabro, en el cual él se dedica a asesinar personas en público, haciéndolo parecer como parte de su acto.
Makeup Artist
Un profesor universitario (Sarrazin) sufre recurrentes y extrañas pesadillas que lo llevan a creer que está siendo poseído por el espíritu de un hombre muerto. Su decisión de investigar el problema lo llevará muy lejos.
Makeup Artist
Un profesor retirado viudo y su gato abandonan su apartamento de Manhattan y emprenden un viaje a través de los Estados Unidos. (FILMAFFINITY)
Special Effects
The only thing missing from Aggie's life...was Aggie. In the middle of nowhere lives middle aged Aggie, with her wheelchair bound companion Richard. As snow falls outside, Aggie tries desperately to remember the circumstances under which they met. As she plays through in her mind a series of possible scenarios, only to dismiss each as a false past, she inadvertently begins to reveal an increasingly dark portrait of her true self, leading to the unexpected and shocking reality of her relationship with Richard.
Makeup Effects Designer
After being unknowingly inflicted with the bite of a werewolf while on a visit to Europe, White House press secretary Jack Whittier begins to turn into a deadly beast by night, terrorizing Washington D.C. and presenting a very deadly threat to the President.
Makeup Artist
A rich American boy meets a rich American girl in Venice and tragically leads her into drug abuse.
Makeup Artist
A young man, Bert Cates, is arrested in a small Bible Belt town for teaching the theory of Evolution in the public school. Two of the finest legal minds in the U.S. are called to the trial: Henry Drummond for the defense, and Matthew Harrison Brady for the prosecution. The trial proceeds on three levels, the guilt or innocence of Cates, the issue of the Bible vs. Darwin, and finally, the personal confrontation between Drummond and Brady.
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A television dramatization based on the life and work of Florence Nightingale. The story, set in 1856, relates the incidents in her life following the war in the Crimea, where she had gained such fame that her name was virtually a household word.
Makeup Artist
Prospero, the deposed Duke of Milan, who lives in exile on a remote island as a sorcerer, uses his powers to shipwreck his usurper brother on the island.
Makeup Artist
The Turn of the Screw was episode 3 of the television program Startime, which aired 33 episodes between October 6, 1959, and May 31, 1960. It was an anthology show of drama, comedy, and variety, and was one of the first American television shows broadcast in color. The program ran on Tuesday nights in the United States on the NBC television network. In The Turn of the Screw, based on the short story by Henry James, a governess (Ingrid Bergman) put in charge of two young children begins to see the ghost of her dead predecessor. The episode was directed by John Frankenheimer and first aired on October 20, 1959. Cast: Ingrid Bergman – Governess, Isobel Elsom – Mrs. Grose, Hayward Morse – Miles, Alexandra Wager – Flora, Paul Stevens – Peter Quint, Laurinda Barrett – Miss Jessel.
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The historic, original, live airing of what would become an annual Christmas tradition throughout the 1950s, this opera tells the story of Amahl, a crippled shepherd boy, and his destitute mother, who provide temporary shelter to three men who are following a star to the newly-born Christ child.
