Makeup Effects Designer
Terrorists take over a plutonium bomb and threaten to detonate it in a Saudi Arabian oil field. A special anti-terrorist unit is sent in to stop them.
Makeup Artist
Sketchy producers hire an ailing movie star, hoping to cash in on the insurance when he dies.
Makeup Artist
1963年のブロンクスを舞台に、徒党を組む若者たちの姿を描いた青春映画。イタリア系非行グループ“ワンダラーズ”を主役に、中国人や黒人など多様なグループが登場し、抗争や連帯といった群像劇が綴られるが、ストーリーの起伏には大きく欠ける。後半登場する暴力グループ“ダッキー・ボーイズ”の不気味さに、P・カウフマンの前作「SF／ボディ・スナッチャー」（78）のタッチが見られる。
Special Effects
Sardu, master of the Theatre of the Macabre, and his assistant Ralphus run a show in which, under the guise of 'magic', they torture and murder people in front of their audience. But what the punters see as a trick is actually real.
Makeup Artist
Sardu, master of the Theatre of the Macabre, and his assistant Ralphus run a show in which, under the guise of 'magic', they torture and murder people in front of their audience. But what the punters see as a trick is actually real.
Makeup Artist
When college professor, Peter Proud begins experiencing flashbacks of an earlier life, he's mysteriously drawn to a place he's never been to, but which seems familiar and where he soon finds his previous incarnation's wife.
Makeup Artist
Harry is a retired teacher in his 70s living in the Upper West Side of New York City where his late wife and he raised his children--where he's lived all his life. When the building he lives in is torn down to make way for a parking garage, Harry and his beloved cat Tonto begin a journey across the United States, visiting his children, seeing a world he never seemed to have the time to see before, making new friends, and saying goodbye to old friends.
Special Effects
The only thing missing from Aggie's life...was Aggie. In the middle of nowhere lives middle aged Aggie, with her wheelchair bound companion Richard. As snow falls outside, Aggie tries desperately to remember the circumstances under which they met. As she plays through in her mind a series of possible scenarios, only to dismiss each as a false past, she inadvertently begins to reveal an increasingly dark portrait of her true self, leading to the unexpected and shocking reality of her relationship with Richard.
Makeup Effects Designer
After being unknowingly inflicted with the bite of a werewolf while on a visit to Europe, White House press secretary Jack Whittier begins to turn into a deadly beast by night, terrorizing Washington D.C. and presenting a very deadly threat to the President.
Makeup Artist
A rich American boy meets a rich American girl in Venice and tragically leads her into drug abuse.
Makeup Artist
A young man, Bert Cates, is arrested in a small Bible Belt town for teaching the theory of Evolution in the public school. Two of the finest legal minds in the U.S. are called to the trial: Henry Drummond for the defense, and Matthew Harrison Brady for the prosecution. The trial proceeds on three levels, the guilt or innocence of Cates, the issue of the Bible vs. Darwin, and finally, the personal confrontation between Drummond and Brady.
Makeup Artist
A television dramatization based on the life and work of Florence Nightingale. The story, set in 1856, relates the incidents in her life following the war in the Crimea, where she had gained such fame that her name was virtually a household word.
Makeup Artist
Prospero, the deposed Duke of Milan, who lives in exile on a remote island as a sorcerer, uses his powers to shipwreck his usurper brother on the island.
Makeup Artist
The Turn of the Screw was episode 3 of the television program Startime, which aired 33 episodes between October 6, 1959, and May 31, 1960. It was an anthology show of drama, comedy, and variety, and was one of the first American television shows broadcast in color. The program ran on Tuesday nights in the United States on the NBC television network. In The Turn of the Screw, based on the short story by Henry James, a governess (Ingrid Bergman) put in charge of two young children begins to see the ghost of her dead predecessor. The episode was directed by John Frankenheimer and first aired on October 20, 1959. Cast: Ingrid Bergman – Governess, Isobel Elsom – Mrs. Grose, Hayward Morse – Miles, Alexandra Wager – Flora, Paul Stevens – Peter Quint, Laurinda Barrett – Miss Jessel.
Makeup Artist
The historic, original, live airing of what would become an annual Christmas tradition throughout the 1950s, this opera tells the story of Amahl, a crippled shepherd boy, and his destitute mother, who provide temporary shelter to three men who are following a star to the newly-born Christ child.
