Adam Plachetka

Adam Plachetka

Nacimiento : 1985-01-01,

Historia

Bass baritone Adam Plachetka was born in 1985 and completed his studies at the Conservatory of his hometown Prague. Apart from a number of national competitions, he won the International Antonin Dvorak singing competition. In 2005 he made his debut at the Prague National Theatre, where he for example performed as Don Giovanni, Publio (La clemenza di Tito), Figaro (Le nozze di Figaro), Nardo (La finta giardiniera), Argante (Rinaldo) and Guglielmo (Cosi fan tutte). He performed Papageno (Die Zauberflöte) at the Prague State Opera as well as Don Basilio (Il barbiere di Siviglia). Engagements led Adam Plachetka to the Salzburg Festival, to the Bayerische Staatsoper, to Glyndebourne, to the Royal Opera House Covent Garden London, to La Scala Milan and to the Berlin Staatsoper. Since 2010/2011 he is member of ensemble of the Wiener Staatsoper and has for example sung Schaunard, Basilio, Melisso (Alcina), Masetto and Don Giovanni, Haly (L’italiana in Algeri), Graf Dominik, Figaro (Le nozze di Figaro), Gugliemo, Publio, Dulcamara, Hercule (Alceste), Alidoro here. http://www.wiener-staatsoper.at/Content.Node/home/kuenstler/saengerinnen/Plachetka.en.php

Perfil

Adam Plachetka

Películas

The Metropolitan Opera: Don Giovanni
Leporello
Tony Award–winning director Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. Maestro Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana María Martínez, and Ying Fang make a superlative trio as Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss is Don Ottavio.
Met Opera 2022/23: Don Giovanni
Adam Plachetka, cesta na vrchol
Himself
Dalibor - Czech National Theatre
Vladislav
Dalibor is based on events that took place in the 15th century: having led a peasant revolt, the Knight Dalibor of Kozojedy was imprisoned, by order of King Vladislav II of Bohemia, in a tower in Prague Castle that still bears the name “Daliborka” to this day. Legend has it that he learned to play the violin while he was incarcerated, and that the people passing by the tower would be moved on hearing his music.
Mozart: Die Zauberflöte
Papageno
Magic opera, Singspiel, a comedy with spectacular stage effects, Masonic ritual with Egyptian mysteries, heroic-comic opera? Die Zauberflöte is heard more often and has been more frequently performed, discussed, queried and interrogated than almost any other work in the history of opera. It is rare for the mysteriousness and multiformity of a work to be adjured with such mantric intensity. It is equally rare for a work to enjoy such undisputed success despite all these debates – and for over two hundred years at that.
Rossini: La Cenerentola
Alidoro
Divested of its traditional attributes – glass slipper and pumpkin carriage – and dominated by a tyrannical stepfather instead of a cruel stepmother, Rossini’s la Cenerentola plays with these most conventional of fairy‑tale characters. Nonetheless Cinderella lives in a closed world devoid of tenderness and under the yoke of the tormentor whom she protects. Deep beneath her goodness smoulders a fire that her encounter with the prince will set free… Guillaume Gallienne subtly highlights the halftones of this dramma giocoso, somewhere between opera buffa and opera seria, and ranging from sombre melancholy to the burlesque.
Mozart: Così fan tutte
Guglielmo
Two men enter a bet with intriguer Alfonso that their women will stay true, but disguise themselves, switch partners, and regretfully seduce their targets.
Mozart: Requiem KV 626 – Chor und Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
Himself
The Metropolitan Opera: Don Giovanni
Leporello
Esta ópera es muy oportuna dada su ubicación en la Europa feudal antes de la Revolución Francesa, donde el crimen cometido por los ricos y poderosos quede impune. Don Giovanni, a Lech notorio y violador, intenta llevar fuera de la virginal Donna Anna en contra de su voluntad, y mata a su anciano padre a sangre fría después de que él está atrapado. Sin embargo, Giovanni se escapa con su identidad oculta por una máscara, y Donna Anna se llena con un ansia de venganza contra el atacante enmascarado, e incluso rechaza los avances de la clase Ottavio que realmente se preocupa por ella.
Mozart: The Marriage of Figaro (Salzburg Festival)
Figaro
"Las Bodas De Fígaro" de Mozart es una ópera inolvidable sobre el amor, el deseo y el poder principal de la pasión incontrolable. Completando el exitoso ciclo Mozart / Da Ponte en el Festival de Salzburgo, el director Sven-Erik Bechtolf ubica la acción en una majestuosa casa de campo inglesa en la década de 1920. La famosa Filarmónica de Viena ofrece una velada excepcional de música en la ciudad natal de Mozart. “Todo en el espectáculo evocaba espontaneidad y naturalidad: una producción intrigantemente renovada del director Sven-Erik Bechtolf; Actuaciones ganadoras de actores convincentes; Y la interpretación flexible que el director Dan Ettinger extrajo de la Filarmónica de Viena ...
Don Giovanni
Don Giovanni
"This is Vienna State Opera live at home". June 2015.
Le Nozze di Figaro - Wiener Staatsoper
Figaro
Producation of Mozart's Opera.
Richard Strauss - Ariadne Auf Naxos
Fue uno de los éxitos abrumadores en la historia reciente de la ópera: El sensacional regreso de Christian Thielemann a la Ópera Estatal de Viena en 2014 para dirigir una ópera de Richard Strauss por primera vez. La aclamada producción de Ariadne auf Naxos de Sven-Eric Bechtolf contó con excelentes cantantes al más alto nivel. En el papel principal de Ariadne, Soile Isokoski exuda una hermosa canción seductora (Opera Network). Daniela Fally como Zerbinetta y Jochen Schmeckenbecher como profesora de música, Sophie Koch, quien no solo impresiona vocalmente sino también dramáticamente en el papel de la compositora, y Johan Botha como Bacchus también tienen una disposición brillante.
Alcina
Melisso
The setting of the opera is the enchantress Alcina's island: here by her magic powers she has created a magnificent palace in a beautiful landscape, to lure her many lovers into her power. One of these is Ruggiero, a warrior, who under Alcina's spell has forsaken his duty and his betrothed, Bradamante.
Benvenuto Cellini
Pompeo
Actuación en vivo del Festival de Ópera de Salzburgo, agosto de 2007. La historia cuenta el amor de Cellini por Teresa, hija del tesorero papal Balducci. Su rival, el escultor papal Fieramosca, escucha a Cellini conspirar para huir con Teresa durante el carnaval.