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Adam Plachetka

Adam Plachetka

Nascimento : 1985-01-01,

História

Bass baritone Adam Plachetka was born in 1985 and completed his studies at the Conservatory of his hometown Prague. Apart from a number of national competitions, he won the International Antonin Dvorak singing competition. In 2005 he made his debut at the Prague National Theatre, where he for example performed as Don Giovanni, Publio (La clemenza di Tito), Figaro (Le nozze di Figaro), Nardo (La finta giardiniera), Argante (Rinaldo) and Guglielmo (Cosi fan tutte). He performed Papageno (Die Zauberflöte) at the Prague State Opera as well as Don Basilio (Il barbiere di Siviglia). Engagements led Adam Plachetka to the Salzburg Festival, to the Bayerische Staatsoper, to Glyndebourne, to the Royal Opera House Covent Garden London, to La Scala Milan and to the Berlin Staatsoper. Since 2010/2011 he is member of ensemble of the Wiener Staatsoper and has for example sung Schaunard, Basilio, Melisso (Alcina), Masetto and Don Giovanni, Haly (L’italiana in Algeri), Graf Dominik, Figaro (Le nozze di Figaro), Gugliemo, Publio, Dulcamara, Hercule (Alceste), Alidoro here. http://www.wiener-staatsoper.at/Content.Node/home/kuenstler/saengerinnen/Plachetka.en.php

Perfil

Adam Plachetka

Filmes

The Metropolitan Opera: Don Giovanni

The Metropolitan Opera: Don Giovanni

Leporello

Tony Award–winning director Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. Maestro Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana María Martínez, and Ying Fang make a superlative trio as Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss is Don Ottavio.

Met Opera 2022/23: Don Giovanni

Met Opera 2022/23: Don Giovanni

Adam Plachetka, cesta na vrchol

Adam Plachetka, cesta na vrchol

Himself

Dalibor - Czech National Theatre

Dalibor - Czech National Theatre

Vladislav

Dalibor is based on events that took place in the 15th century: having led a peasant revolt, the Knight Dalibor of Kozojedy was imprisoned, by order of King Vladislav II of Bohemia, in a tower in Prague Castle that still bears the name “Daliborka” to this day. Legend has it that he learned to play the violin while he was incarcerated, and that the people passing by the tower would be moved on hearing his music.

Mozart: Die Zauberflöte

Mozart: Die Zauberflöte

Papageno

Magic opera, Singspiel, a comedy with spectacular stage effects, Masonic ritual with Egyptian mysteries, heroic-comic opera? Die Zauberflöte is heard more often and has been more frequently performed, discussed, queried and interrogated than almost any other work in the history of opera. It is rare for the mysteriousness and multiformity of a work to be adjured with such mantric intensity. It is equally rare for a work to enjoy such undisputed success despite all these debates – and for over two hundred years at that.

Rossini: La Cenerentola

Rossini: La Cenerentola

Alidoro

Divested of its traditional attributes – glass slipper and pumpkin carriage – and dominated by a tyrannical stepfather instead of a cruel stepmother, Rossini’s la Cenerentola plays with these most conventional of fairy‑tale characters. Nonetheless Cinderella lives in a closed world devoid of tenderness and under the yoke of the tormentor whom she protects. Deep beneath her goodness smoulders a fire that her encounter with the prince will set free… Guillaume Gallienne subtly highlights the halftones of this dramma giocoso, somewhere between opera buffa and opera seria, and ranging from sombre melancholy to the burlesque.

Mozart: Così fan tutte

Mozart: Così fan tutte

Guglielmo

Two men enter a bet with intriguer Alfonso that their women will stay true, but disguise themselves, switch partners, and regretfully seduce their targets.

Mozart: Requiem KV 626 – Chor und Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons

Mozart: Requiem KV 626 – Chor und Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons

Himself

The Metropolitan Opera: Don Giovanni

The Metropolitan Opera: Don Giovanni

Leporello

Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.

Mozart: The Marriage of Figaro (Salzburg Festival)

Mozart: The Marriage of Figaro (Salzburg Festival)

Figaro

The Salzburg Festival presents one of Wolfgang Amadeus Mozart's masterpieces: the opera Le Nozze di Figaro, in a new production staged by Sven-Eric Bechtolf and conducted by Dan Ettinger. Set-List: Wolfgang Amadeus Mozart, Le nozze di Figaro, K. 492.

Don Giovanni

"This is Vienna State Opera live at home". June 2015.

Le Nozze di Figaro - Wiener Staatsoper

Le Nozze di Figaro - Wiener Staatsoper

Figaro

Producation of Mozart's Opera.

Richard Strauss - Ariadne Auf Naxos

Richard Strauss - Ariadne Auf Naxos

Melisso

The setting of the opera is the enchantress Alcina's island: here by her magic powers she has created a magnificent palace in a beautiful landscape, to lure her many lovers into her power. One of these is Ruggiero, a warrior, who under Alcina's spell has forsaken his duty and his betrothed, Bradamante.

Benvenuto Cellini

Benvenuto Cellini

Pompeo

Live performance from Salzburg Festival Opera, August 2007. The story tells of Cellini's love for Teresa, daughter of the Papal Treasurer Balducci. His rival, the Papal Sculptor Fieramosca, overhears Cellini plotting to run away with Teresa during the carnival.