Emina Kujundžić

Merjem-Meri, an unambitious, 30-year-old homemaker and mother to 8-year-old girl Mila, moves back to her parental home after 10 years of marriage. Soon after, Meri realizes she is stuck in a circle of provincial rules and expectations and a complex relationship with her ambitious mother and spoiled younger brother. Her hope to get the custody of her daughter wanes from day to day because she has no chance of finding a permanent job. The only thing that makes her happy, but also makes everyone else look down on her, is participation in an audition for a film role in her neighborhood.

Armin has been unemployed for a long time, and in desperately need of a job. His wife Jasmina is pregnant, and his son Edin has behavioral problems at school.

Since Zlatan fled the war in former Yugoslavia, his contact with his homeland has only consisted of him regularly sending money to his old aunt who is the only surviving relative there. Now his adult daughter is set on visiting Sarajevo (Zlatan’s hometown) together with him in order to walk the streets of his youth and hear his story. Despite initial unwillingness, Zlatan lets himself be persuaded and the reunion with the home country brings both absurd surprises and secrets from the past.

Since Zlatan fled the war in former Yugoslavia, his contact with his homeland has only consisted of him regularly sending money to his old aunt who is the only surviving relative there. Now his adult daughter is set on visiting Sarajevo (Zlatan’s hometown) together with him in order to walk the streets of his youth and hear his story. Despite initial unwillingness, Zlatan lets himself be persuaded and the reunion with the home country brings both absurd surprises and secrets from the past.

Bosnia y Herzegovina, 1991. Tras la caída de los comunistas, Divko Buntić, que ha vivido exiliado en Alemania durante los últimos veinte años, vuelve al pueblo en el que creció, con el propósito de reclamar la propiedad de su casa familiar, conduciendo un ostentoso Mercedes y acompañado por su joven novia; por Bonny, su gato negro de la suerte; y con los bolsillos llenos de dinero.

The daily hardships of a war-scarred Bosnian village, where all that remains are widows and orphans, are painstakingly documented in this first feature from director Aida Begic. Snow offers insight about the psychological aftereffects of the 1992-95 civil war from a distinctively female point of view without showing any of the brutality or carnage.