Bedřich Kubala

An allegory set in an archetypal Czech village, it tells of what happens when a sequence of mysterious events take place, including the disappearance of the stationmaster. While everything has a rational explanation, collective paranoia takes hold and everyone’s worst instincts are released. Interrogations, the abolition of rights and the search for scapegoats ultimately lead to murder

After a soldier cuts off the arm of king's cousin, king decides to deactivate the army. Of course, generals don't like it at all and they try to kill the king. The assassin should be artificial body in the shape of actress Evelina Keleti and with brain of psychotic serial killer Fany Stubová. They also manage to kill king's astrologer Stuart Hampl, who warns the king. Accidentally, Hampl's brain is implanted into assassin's body, actress Keleti is killed and chaos begins.

Valerie, una adolescente checoslovaca que vive con su abuela, se está convirtiendo en mujer, pero esa transformación resulta secundaria a los efectos que experimenta cuando se pone un par de aretes mágicos. Ahora que ve el mundo a su alrededor bajo una luz diferente, Valerie debe soportar su despertar sexual mientras intenta discernir la realidad de la fantasía mientras se encuentra con el sacerdote lascivo Gracian, un extraño vampiro y una gente de carnaval de otro mundo.

Comedy with fairy-tale touches, about Kate, who wants to marry, and Mr. Devil, who is not interested in the heart or soul of this passionate and aging lady, but is interested in her good cooking – for Mr. Devil is a glutton.

Major Kalas from the Prague criminal intelligence service has been sent to a small town of Dubá in North Bohemia to help with the investigation of the puzzling death of a child. A gypsy boy has been killed three weeks ago and his body found under a rock. As the investigation continues, another dead boy is found. The boy has bled to death after someone cut his artery with a handsaw. Both deaths are obviously the work of a murderer - a perverted pedophile, sadist who gets sexual satisfaction from the sight of a young boy's blood.

En un futuro próximo un grupo terrorista provoca un accidente nuclear. La espantosa consecuencia de la radiación supone que a todas las mujeres les crece la barba. Científicos y gobernantes se unen para hallar una solución al problema, pero todo esfuerzo parece inútil. El prestigioso profesor Moore parece haber encontrado la solución: ha ideado una máquina del tiempo. Con ella piensa trasladarse hasta 1911 y asesinar a Einstein antes de que este descubra la teoría de la relatividad. De este modo conseguirá abortar el peligro nuclear y evitar cualquier atentado. Pero una vez en el pasado la misión no va a ser tan sencilla como en un principio parecía.

1945, Checoslovaquia. Después de la II Guerra Mundial, se producen masivos movimientos migratorios que alteran el mapa étnico de Europa de forma irreversible. Viktor forma parte del grupo de checos a los que les han sido adjudicadas en los Sudetes tierras pertenecientes a alemanes que, antes de ser expulsados, se ven obligados a trabajar para los checos recién llegados. De este modo, Viktor conoce a Adelheid Heinemann, la hija del dueño del palacete que ahora es de su propiedad. En un mundo devastado por las diferencias étnicas y la violencia nacerá entre ellos un amor surgido del dolor más profundo.

At the funeral of his schoolmate, the nearly-fifty-year old architect Jirí Mánek (Václav Voska) meets his former close acquaintance - physician Jarmila (Blanka Bohdanová). They both are still single. Jarmila has recently returned to Prague after years of work on the frontier. Jirí leaves for a business trip. As a conservationist, he is to grant permission for an adaptation of a Baroque château to office spaces. On the road, a pretty young hitchhiker named Eva (Ida Rapaicová) stops him. Eva is Slovak and her spontaneous behavior enchants Jirí. He thus does not mind making a short detour and takes Eva all the way to the luxurious cottage of her parents. A romance develops between the two people, so different in age and temperament.

Un sacristán que gusta de vestir como cura es invitado, por uno de los habitantes del pueblo, a ser pastor en una iglesia sin párroco. Un profesor ateo se molesta con él y trata de avergonzarlo de varias formas, incluyendo ser atrapado con la belleza local, Majka. (FILMAFFINITY)

Young script-writer Frantisek (Petr Cepek) is hired to write a film script based on the successful novel Looking Back. He meets with the novel's female author, a University professor and writer named Olga Machová (Jirina Trebická), approximately ten-years-older than him. In the beginning, they do not understand each other at all. Frantisek is a skeptic experiencing a moral crisis, unsatisfied with both his work and his private life - he lives separated from his wife and has no deeper feelings for his numerous lovers. He even gets drunk from time to time and breaks the public peace. Olga is lonesome, too, but considers her life fulfilled.

A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers. He only fails at the swimming pool. Zuzana (Jana Sulcová), the good-looking blonde, ignores the men whom the devil foists off onto her. She loves Honza (Václav Neckár) and the boy shares her feelings. The fiend is annoyed by the couple and tries to provoke a row. He sends heavy rain to force them into a hotel and then warns Zuzana's father by phone, but the young lovers manage to get out in time. Then the obstinate Asmodeus takes Honza in his sleep to the Institute for Emotional Disorders, where he shows him the ugly sides of love - hysteria, voyeurism, fetishism, suicide attempts...

A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers. He only fails at the swimming pool. Zuzana (Jana Sulcová), the good-looking blonde, ignores the men whom the devil foists off onto her. She loves Honza (Václav Neckár) and the boy shares her feelings. The fiend is annoyed by the couple and tries to provoke a row. He sends heavy rain to force them into a hotel and then warns Zuzana's father by phone, but the young lovers manage to get out in time. Then the obstinate Asmodeus takes Honza in his sleep to the Institute for Emotional Disorders, where he shows him the ugly sides of love - hysteria, voyeurism, fetishism, suicide attempts...

A baleful limping man walks through Prague. He is Asmodeus (Juraj Herz), the fiend of lustfulness, entertaining himself by putting together by magic couples of lovers. He only fails at the swimming pool. Zuzana (Jana Sulcová), the good-looking blonde, ignores the men whom the devil foists off onto her. She loves Honza (Václav Neckár) and the boy shares her feelings. The fiend is annoyed by the couple and tries to provoke a row. He sends heavy rain to force them into a hotel and then warns Zuzana's father by phone, but the young lovers manage to get out in time. Then the obstinate Asmodeus takes Honza in his sleep to the Institute for Emotional Disorders, where he shows him the ugly sides of love - hysteria, voyeurism, fetishism, suicide attempts...

El conflicto entre razón y fe, la ausencia de Dios y la mentalidad pagana fue el eje argumental de una de las películas más recordadas de Frantisek Vlácil: El valle de las abejas.

The invincible agent Cyril Juan Borguette alias W4C has been assigned a mission to go to a hotel in Prague, get hold of a saltcellar with a plan for the military exploitation of Venus hidden in it, and hand it over to the beautiful agent Alice. He will have to compete for the saltcellar with other agents working for the world's various greater and smaller powers. The head of the Prague counter-intelligence unit gets news of agent W4C's mission. Deficient in personnel, he nominates accountant Foustka as agent 13B. Mr Foustka takes his dog Pajda with him and the two head for the airport. Pajda helps him track down agent W4C in a classy hotel that becomes the battleground for the interests and plans of the secret agents from different countries, each trying to get hold of the precious saltcellar.

Película compuesta por tres episodios que representan varios aspectos del amor: la tentación, los sueños y la aventura. (FILMAFFINITY)

A gifted poet checks into a Gothic hotel in hopes of meeting the woman with whom he has long been enamored. He is surrounded by a variety of offbeat characters like the hefty homosexual cook, shadowy clerks, snooty waiters, and valets prone to violence. He finally meets the woman of his dreams only to lose her and ultimately meet with tragedy.

Engineer Jan Sebek (Jan Kacer) is undergoing treatment in a mental home after his unsuccessful attempt to commit suicide. His therapist, via discussions both with the patient and with people who know him, tries to find out what made the young and seemingly satisfied man decide to end his own life. Jan's pretty wife Jana (Jana Brejchová) claims not to know about anything but she is conducting an affair with a family friend, almost publicly and with the blessing of her parents.

In the forest near the village of Drahovice, a nurse from the local health center is found murdered. Three months ago, another young woman died nearby and a sexual motive was proved in the case of her murder. In the case of the nurse, the motives are not so clear. Two criminologists from Prague - Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) - patiently collect all available leads and question the villagers.

This three-part Austrian/Czech comedy stretches the boundaries of what is considered to be humorous. Part one finds a silent film actor upset because of a rival actor's attention to the former's wife. When he kills his rival, it is only when he is strapped to the electric chair that he realizes that this is his last live scene. The second episode has the wife of an elderly British nobleman having an affair with the young gamekeeper of their estate. Part three finds a peasant woman taking a lover when her husband goes off to fight the war.

La historia se centra en una pareja que usa una máquina que puede traer objetos y personas del mundo de los sueños a nuestra realidad. Eso incluye la liberación accidental del personaje de cómics Jessie. Esta aparición producirá un montón de equívocos en los que lucharán el mundo real y las imágenes de los cómics.

Honza Vavrinec (Rudolf Hrusínský) works in the investment department of a large office. One day he gets involved in the case of an unjustly convicted worker who mistakenly considers him a parliamentary deputy. Honza as a "deputy" interferes in the case and helps the worker. Encouraged by the success and possibly also out of love for the beautiful secretary Svatava (Blanka Bohdanová), the then shy and fearful Honza stands up for the chief of the department, Hofmánek (Ladislav Pesek), who has been removed from his position.

Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.

Michal's father and his friends are stigmatized by their war experience and the post-war social deformations in which they took part either directly, or watched them cowardly and in silence. They are trying to repress their feelings of guilt and justify their behavior to the young generation with memories of their heroic war feats. Michal, however, does not want to have anything to do with their problems. He subconsciously perceives the unpleasant atmosphere in the family as well as his father's hypocrisy. After one of many quarrels with his father, he runs away from home, determined to go his own way.

Czechoslovak counter-espionage intercepts a coded message from the West German secret service ordering death for an unknown person on Czech territory.

A young man tries to enter the building of the Mammoth Cybernetic Supermachines Research Institute again and again but each time the doorkeeper spots him and kicks him out. The youth finally arrives with all his friends and a huge live bear from the circus where he works as an accountant. He is finally allowed in where he explains to the members of the directorate that he wants to work at the Institute, since he graduated in cybernetics and, besides, he has invented a machine for forecasting time of death. When the conniving research manager learns that their director is going to die in two days, he hopes to rise to his position.

Seven days, or rather evenings and nights, in the life of Jenka (Stanislava Bartosová), a young good-looking nurse. Jenka is attractive to men and enjoys their company, but there is a limit beyond which she won't go, since she is faithful to her Filip, who is doing his military service. On Sunday the girl awaits Filip to arrive on a short period of leave, but instead his friend Míla (Frantisek Nemec) turns up and apologizes for Filip, who has to stay in the barracks.

A passionate communist worker is discouraged by the changing political climate and the failure of his peers to live up to his ideals.

A car deliberately runs down a young man on a road by a small border town. The locals recognize the dead man as one of the students who were there on volunteer work some time before. The police detectives, Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) can then get on the trail of the people with whom the victim was involved, especially at the photographic studio headed by Bohuslav Pacer (Bohus Záhorský).

Psychological study of country girl Jitka and her blossoming love for an older man afraid of her youth and spontaneity.

Siglo XVIII. A una aldea bohemia llega un nuevo párroco que adopta una actitud inquisitorial sobre la vida y costumbres de sus feligreses, tratando de averiguar si en su grey se oculta alguna oveja negra. El elemento discordante resulta ser un maduro molinero, que destaca por saber interpretar los signos de la tierra y del clima.

Pavel, un joven estudiante que vive en Praga en 1942, decide esconder a Hanka, una chica judía que huye de las fuerzas alemanas, en el ático del edificio en el que vive. (FILMAFFINITY)

A movie about Czechoslovak border guards trying to arrest the famous escapee called "King of the Sumava".

The bridegroom Jan Kaspar is an officer in the Klement Gottwald's Nová Hut rolling-mill. After bidding farewell to his freedom, he accidentally takes a sip from the bottle of tetrachlore which he stores at home. He disregards the dizziness, but the next day, he faints in the factory and has a brain concussion. During her regular tests, doctor Dudková is shocked by a high percentage of residual nitrogen found in Kaspar's blood. Doctor Bohácek, with whom Dudková consults, thinks that it is a liver disease and informs the head physician Filip. The doctors know nothing about tetrachlore and are in the dark about the case. Despite that, they immediately start to fight for Kaspar's life and their struggle consequently affects their personal lives.

La 1ª brigada blindada de carros checoslovaca, lucha junto a las fuerzas soviéticas, combatiendo cerca de la frontera checoslovaca, y participando en la batalla del paso de Dukla. La película representa la lucha por Eslovaquia y la exitosa liberación de Ostrava en el norte de Moravia. Representa la batalla para el puente de Miloše Sýkory en la ciudad de Ostrava, donde se ve el puente real.

In late 19th century Czech-speaking Bohemia, oppressed workers at German-owned mines and foundries revolt against their harsh working conditions. Made shortly after World War II as Czechoslovakia was falling to communism, the film resonates in Czech resentment of the German occupation.

Leopold Kohák married a rich widow a long time ago and now has nothing to do compared to his energetic wife. He's growing old and troubled by the fact that he betrayed his first love Emča and his beloved river Sázava where he spent his childhood and youth. A visit from an old friend Lebeda brings it all back to him. After a nervous breakdown Leopold secretly visits his home instead of going to the spa. A wandering tramp suggest Leopold should bathe in the magical waters of the Sázava, and slowly his youth returns to him.