John Bolton

Películas

Doug and the Slugs and Me
Production Manager
A POV documentary following filmmaker Teresa Alfeld's journey uncovering the story of her childhood best friend's dad, Doug Bennett, leader of the legendary 1980s Canadian party band Doug and the Slugs.
Doug and the Slugs and Me
Producer
A POV documentary following filmmaker Teresa Alfeld's journey uncovering the story of her childhood best friend's dad, Doug Bennett, leader of the legendary 1980s Canadian party band Doug and the Slugs.
That Higher Level
Director
Follows the 100 musicians who make up the National Youth Orchestra of Canada over the course of two months of training and touring across the country.
The Rankin File: Legacy of a Radical
Producer
A feature documentary investigation into the colourful and sometimes controversial life of Vancouver lawyer, city councillor and socialist icon Harry Rankin.
Aim for the Roses
Producer
In 1976, Canadian stuntman Ken Carter declared his intention to jump a mile over the St. Lawrence Seaway in a rocket powered car. In 2008, Canadian musician Mark Haney declared his intention to pay tribute to Ken Carter in the form of a concept album for solo double bass. In 2011, Canadian filmmaker John Bolton declared his intention to make a "musical docudrama" about both men. Aim for the Roses is a one-of-a-kind film, about a one-of-a-kind album, about a one-of-a-kind stunt, all three of which could only happen in Canada.
Aim for the Roses
Writer
In 1976, Canadian stuntman Ken Carter declared his intention to jump a mile over the St. Lawrence Seaway in a rocket powered car. In 2008, Canadian musician Mark Haney declared his intention to pay tribute to Ken Carter in the form of a concept album for solo double bass. In 2011, Canadian filmmaker John Bolton declared his intention to make a "musical docudrama" about both men. Aim for the Roses is a one-of-a-kind film, about a one-of-a-kind album, about a one-of-a-kind stunt, all three of which could only happen in Canada.
Aim for the Roses
Director
In 1976, Canadian stuntman Ken Carter declared his intention to jump a mile over the St. Lawrence Seaway in a rocket powered car. In 2008, Canadian musician Mark Haney declared his intention to pay tribute to Ken Carter in the form of a concept album for solo double bass. In 2011, Canadian filmmaker John Bolton declared his intention to make a "musical docudrama" about both men. Aim for the Roses is a one-of-a-kind film, about a one-of-a-kind album, about a one-of-a-kind stunt, all three of which could only happen in Canada.
La doble vida de Miriam
Associate Producer
Cuando un cambio de circunstancias deja a Miriam incapaz de pagar sus estudios universitarios, toma una decisión sorprendente: comenzar a actuar en películas para adultos, usando el seudónimo Belle Knox. Miriam se encuentra con su familia y sus amigos en la escuela, manteniendo su doble vida en secreto. Pero pronto se difundieron rumores y Miriam se convirtió en el sujeto de ataques en línea viciosos y atención no deseada. Miriam responde: habla con los medios de comunicación, diciendo que su nueva línea de trabajo le da poder como feminista. Pero su postura confiada tiene consecuencias no deseadas. Miriam es rechazada por su familia conservadora y sus colegas en el mundo del cine adulto. Una decisión impulsiva ha salido rápidamente fuera de control y los problemas de Miriam apenas están comenzando.
Breakdown
Writer
In May 2006, filmmakers John Bolton and Errin Clutton were given eight days and eight hundred dollars to produce the made-for-television disaster film "Breakdown". Unfortunately, they spent the first seven days in casting. On the eighth day, they cut together "Breakdown" with the only footage they had - the video from the casting session. This is that film. —John Bolton
Breakdown
Director
In May 2006, filmmakers John Bolton and Errin Clutton were given eight days and eight hundred dollars to produce the made-for-television disaster film "Breakdown". Unfortunately, they spent the first seven days in casting. On the eighth day, they cut together "Breakdown" with the only footage they had - the video from the casting session. This is that film. —John Bolton