Production Manager
A POV documentary following filmmaker Teresa Alfeld's journey uncovering the story of her childhood best friend's dad, Doug Bennett, leader of the legendary 1980s Canadian party band Doug and the Slugs.
Producer
A POV documentary following filmmaker Teresa Alfeld's journey uncovering the story of her childhood best friend's dad, Doug Bennett, leader of the legendary 1980s Canadian party band Doug and the Slugs.
Director
Follows the 100 musicians who make up the National Youth Orchestra of Canada over the course of two months of training and touring across the country.
Producer
A feature documentary investigation into the colourful and sometimes controversial life of Vancouver lawyer, city councillor and socialist icon Harry Rankin.
Producer
In 1976, Canadian stuntman Ken Carter declared his intention to jump a mile over the St. Lawrence Seaway in a rocket powered car. In 2008, Canadian musician Mark Haney declared his intention to pay tribute to Ken Carter in the form of a concept album for solo double bass. In 2011, Canadian filmmaker John Bolton declared his intention to make a "musical docudrama" about both men. Aim for the Roses is a one-of-a-kind film, about a one-of-a-kind album, about a one-of-a-kind stunt, all three of which could only happen in Canada.
Writer
In 1976, Canadian stuntman Ken Carter declared his intention to jump a mile over the St. Lawrence Seaway in a rocket powered car. In 2008, Canadian musician Mark Haney declared his intention to pay tribute to Ken Carter in the form of a concept album for solo double bass. In 2011, Canadian filmmaker John Bolton declared his intention to make a "musical docudrama" about both men. Aim for the Roses is a one-of-a-kind film, about a one-of-a-kind album, about a one-of-a-kind stunt, all three of which could only happen in Canada.
Director
In 1976, Canadian stuntman Ken Carter declared his intention to jump a mile over the St. Lawrence Seaway in a rocket powered car. In 2008, Canadian musician Mark Haney declared his intention to pay tribute to Ken Carter in the form of a concept album for solo double bass. In 2011, Canadian filmmaker John Bolton declared his intention to make a "musical docudrama" about both men. Aim for the Roses is a one-of-a-kind film, about a one-of-a-kind album, about a one-of-a-kind stunt, all three of which could only happen in Canada.
Associate Producer
When a change of circumstances leaves Miriam unable to pay her college tuition, she makes a surprising decision: to start performing in adult films, using the pseudonym Belle Knox. Miriam lies to her family and her friends at school, keeping her double life a secret. But soon rumours spread and Miriam becomes the subject of vicious online attacks and unwanted attention. Miriam fights back: she talks to the media, saying her new line of work empowers her as a feminist. But her confident stand has unintended consequences. Miriam is shunned by her conservative family and her colleagues in the adult film world. One impulsive decision has quickly spiralled out of control - and Miriam's problems are just beginning.
Writer
In May 2006, filmmakers John Bolton and Errin Clutton were given eight days and eight hundred dollars to produce the made-for-television disaster film "Breakdown". Unfortunately, they spent the first seven days in casting. On the eighth day, they cut together "Breakdown" with the only footage they had - the video from the casting session. This is that film. —John Bolton
Director
In May 2006, filmmakers John Bolton and Errin Clutton were given eight days and eight hundred dollars to produce the made-for-television disaster film "Breakdown". Unfortunately, they spent the first seven days in casting. On the eighth day, they cut together "Breakdown" with the only footage they had - the video from the casting session. This is that film. —John Bolton
