Sonya Lindfors

Sonya Lindfors

Perfil

Sonya Lindfors

Películas

Girl picture
Tanja
Los mejores amigos Mimmi y Rönkkö se apoyan incondicionalmente. Quieren vivir vidas aventureras, cargadas de experiencias y pasión. Emma, por el contrario, ha dedicado toda su vida al patinaje artístico. Nada se interpone entre ella y el éxito. Pero cuando las chicas se conocen, la vida abre caminos completamente nuevos y todas se disparan en nuevas direcciones. Mientras Mimmi y Emma experimentan los conmovedores efectos del primer amor, Rönkkö emprende una búsqueda para encontrar el placer. Tres viernes es todo lo que se necesita para poner sus mundos patas arriba.
Shake!
Screenplay
Shame related to the body grows and finally falls off on the dance floor.
Shake!
Director
Shame related to the body grows and finally falls off on the dance floor.
One-Off Incident
Director
Teenage girls take their shirts off at their own party but get an audience. Emmi says no but does it really mean no? Sonja is tired of her body being a problem to others. Why has nearly every woman such experiences? One-Off Incident short films are part of a film sensation made by fifteen filmmakers, artists, researchers and social activists collectively. The films reveal the hidden way power is exercised on women in both private life and in society. The films are fiction but the stories come from the writers’ own real-life observations.
Hustlers
Eerika
The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.