Tanja
반항적이고 다혈질적인 소녀 '밈미'. 그녀에게 학급 친구들은 따분하기 그지없고, 누군가에게 강렬한 설렘을 느끼고 싶어하는 친구 '룅쾨'가 오직 전부이다. 어느 금요일 '밈미'는 '룅쾨'와 함께 일하는 스무디 가게에서 손님으로 온 '엠마'를 만나고 다소 짓궂은 주문으로 그녀의 신경을 건드린다. 그렇게 좋지 못한 첫인상을 남긴 둘은 며칠 뒤 또 다른 파티에서 우연히 재회하고, 어딘가 날서고 외로워 보이는 '엠마'에게 '밈미'는 호기심이 동하는데…
Screenplay
Shame related to the body grows and finally falls off on the dance floor.
Director
Shame related to the body grows and finally falls off on the dance floor.
Director
Teenage girls take their shirts off at their own party but get an audience. Emmi says no but does it really mean no? Sonja is tired of her body being a problem to others. Why has nearly every woman such experiences? One-Off Incident short films are part of a film sensation made by fifteen filmmakers, artists, researchers and social activists collectively. The films reveal the hidden way power is exercised on women in both private life and in society. The films are fiction but the stories come from the writers’ own real-life observations.
Eerika
The director Lauri Nurkse tells that Veijarit is a film about "arjensietokyvyttömyys" (= inability to tolerate everyday life) and about the Peter Pan complex. The main actor Mikko Leppilampi says it's about "kolkyttoistavuotiaat" (= thirtyeenagers = people of thirty behaving like teenagers). An immediate reference point is the commedia all'italiana of the 1950s and the 1960s, the black comedy often exposing the infantile stage of development of the Italian male. Saku and Ässä are anti-heroes, but we never fail to sense the humanity behind their shallow and crazy ways. Veijarit is a satire and a parody of a superficial way of life, but there is a vitality in the protagonists that we feel can lead them to a more meaningful stage of existence after the prolonged youth full of sound and fury. There is a motif of transcendence in the imagery of flying: will the balloons carry me or will they burst.
