Ishtar Yasin Gutiérrez

Películas

Baladi aldaia
Director of Photography
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Baladi aldaia
Screenplay
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Baladi aldaia
Sound
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Baladi aldaia
Editor
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Baladi aldaia
Producer
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Baladi aldaia
Director
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Dos Fridas
Frida Kahlo
This is not another standard biopic about Frida Kahlo. “Two Fridas” is a poetic film, based on the relation between the Mexican painter and the Costa Rican nurse Judith, who took care of Frida during the final years of her life.
Dos Fridas
Writer
This is not another standard biopic about Frida Kahlo. “Two Fridas” is a poetic film, based on the relation between the Mexican painter and the Costa Rican nurse Judith, who took care of Frida during the final years of her life.
Dos Fridas
Director
This is not another standard biopic about Frida Kahlo. “Two Fridas” is a poetic film, based on the relation between the Mexican painter and the Costa Rican nurse Judith, who took care of Frida during the final years of her life.
Apocalipsis de nuestro tiempo
Producer
“Apocalipsis de nuestro tiempo” es una creación audiovisual que se estructura a partir de las pinturas en grandes dimensiones de Julio Escámez y la composición musical de Arnold Schoenberg, “La Noche Transfigurada”. Es un documental que construye una ficción y revela las atrocidades del mundo capitalista, y como, a través de la historia y sus cambios, se manifiesta la inexorable transformación de la realidad social.
Apocalipsis de nuestro tiempo
Director
“Apocalipsis de nuestro tiempo” es una creación audiovisual que se estructura a partir de las pinturas en grandes dimensiones de Julio Escámez y la composición musical de Arnold Schoenberg, “La Noche Transfigurada”. Es un documental que construye una ficción y revela las atrocidades del mundo capitalista, y como, a través de la historia y sus cambios, se manifiesta la inexorable transformación de la realidad social.
El camino
Writer
Cuando Saslaya de 12 años y su pequeño hermano Darío comienzan la búsqueda de su madre en el muy desgastado camino de Managua a Granada, descubren una Nicaragua que no sabían de su existencia.
El camino
Director
Cuando Saslaya de 12 años y su pequeño hermano Darío comienzan la búsqueda de su madre en el muy desgastado camino de Managua a Granada, descubren una Nicaragua que no sabían de su existencia.
La mesa feliz
Screenplay
Short Costa Rica documentary
La mesa feliz
Director
Short Costa Rica documentary
Florencia de los ríos hondos y los tiburones grandes
Producer
short Costa Rica drama
Florencia de los ríos hondos y los tiburones grandes
Screenplay
short Costa Rica drama
Florencia de los ríos hondos y los tiburones grandes
Director
short Costa Rica drama
Una mancha de grasa
Assistant Director
short Costa Rica drama