Director of Photography
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Screenplay
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Sound
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Editor
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Producer
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Director
Iraqi theater director Mohsen Sadoon Yasin has spent much of his life in involuntary exile. His daughter, Ishtar Yasin Gutiérrez, has constructed a loving film portrait of her father, and an elegy for a homeland to which they can never return—partly because it has changed so much, and partly because it was perhaps always more a concept than a reality.
Frida Kahlo
This is not another standard biopic about Frida Kahlo. “Two Fridas” is a poetic film, based on the relation between the Mexican painter and the Costa Rican nurse Judith, who took care of Frida during the final years of her life.
Writer
This is not another standard biopic about Frida Kahlo. “Two Fridas” is a poetic film, based on the relation between the Mexican painter and the Costa Rican nurse Judith, who took care of Frida during the final years of her life.
Director
This is not another standard biopic about Frida Kahlo. “Two Fridas” is a poetic film, based on the relation between the Mexican painter and the Costa Rican nurse Judith, who took care of Frida during the final years of her life.
Producer
Director
Writer
Two young Nicaraguan children, Saslaya and her mute brother Dario, must travel to Costa Rica to find their long-lost mother.
Director
Two young Nicaraguan children, Saslaya and her mute brother Dario, must travel to Costa Rica to find their long-lost mother.
Screenplay
Short Costa Rica documentary
Director
Short Costa Rica documentary
Producer
short Costa Rica drama
Screenplay
short Costa Rica drama
Director
short Costa Rica drama
Assistant Director
short Costa Rica drama
