Producer
At Turkey’s oldest zoo, a lonely manager and a neglected female officer form an unlikely bond: as they hide the death of the zoo’s oldest inhabitant, an Anatolian leopard, in order to stop the privatization process and fake its escape, they set in motion an absurd charade that spins out of control. In Turkey’s grey and quiet capital, the ghost of the leopard persists.
Producer
El ex campeón de lucha libre Kakhi siempre tiene a su familia en su memoria. Este sentimiento lo lleva a embarcarse en un viaje desde su casa en la República de Georgia hasta el barrio de Brighton Beach en Nueva York para visitar a su hijo Soso. Una vez ahí, se da cuenta de que Soso no solo no estudia medicina, como creía Kakhi, sino que trabaja para una empresa de mudanzas. Además, ha acumulado una deuda de juego
Producer
A boy tries to find out what happened in the old local synagogue. Obsessed, he is chasing something he never saw and does not pay any attention to what is happening around him. Inspired by Franz Kafkas unfinished novel.
Producer
Lukas, un intérprete que acompaña a un equipo de controles militares, se queda tirado en un lugar remoto del sur de Ucrania, donde encuentra cobijo en la casa de Vova, un lugareño que le descubre un universo anarquista. El debut en la ficción de Roman Bondarchuk es una inclasificable tragicomedia fronteriza cuyos sorprendentes efectos visuales dan vida al colorido mundo del sur de Ucrania, un lugar que aún es inconfundible, también indescifrable. Rastros del pasado lejano y no tan lejano en el que los universos de Sergei Loznitsa y Terry Gilliam chocan de bruces.
Producer
Rokas e Inga, una pareja de jóvenes lituanos, se ofrecen voluntarios para conducir un vehículo con ayuda humanitaria a Ucrania. Cuando los planes cambian y se quedan abandonados a su suerte, tienen que cruzar una zona nevada para encontrar refugio y aliados, implicándose a la vez en la vida de los afectados por la guerra.
Producer
Nesrin is an urban, middle-class woman recovering from a divorce. She’s quit her office job, abandoned her house in Istanbul, and come to the village house of her deceased grandmother to finish a novel and live out her childhood dream of being a writer. When her conservative and increasingly unhinged mother turns up uninvited and refuses to leave, Nesrin’s writing stalls and her fantasies of village life turn bitter as the two are forced to confront the darker corners of each other’s inner worlds.
Producer
What happens when a documentary film breaks out of its comfort zone and openly provokes the society? To what extent my compatriots are willing to reflect on one particular episode, the reprisals in Odessa from October 1941?
Producer
Akın goes to a deserted village of his childhood by the Black Sea, where his family lives, joined by his lover Elif and a small team, with whom he has been working for years to accomplish his movie. However, Akın finds himself in a big stalemate: On one hand, Elif gradually reveals her suppressed feelings that she has accumulated; on the other, his father on the verge of death although his movie waiting to be shot. The traumas that cannot be overcome in their relationship, the betrayals that cannot be forgotten, dozens of gangrenous problems and the invisible binding of these two restless souls will keep snowballing and throw both of them to unexpected places while filming. Beneath the wreck of their relationship, there exists the film they dedicate their lives to shoot and a dying father.
