Producer
At Turkey’s oldest zoo, a lonely manager and a neglected female officer form an unlikely bond: as they hide the death of the zoo’s oldest inhabitant, an Anatolian leopard, in order to stop the privatization process and fake its escape, they set in motion an absurd charade that spins out of control. In Turkey’s grey and quiet capital, the ghost of the leopard persists.
Producer
Depois de dar um jeito para pagar as dívidas de jogo do irmão, Kakhi, um ex-campeão de luta livre, parte de sua humilde casa na República da Geórgia para visitar o filho no Brooklyn. Após se instalar em Brighton Beach, na pensão onde vive Soso, uma espécie de pequena comunidade de imigrantes georgianos, ele descobre que o filho também acumulou uma dívida com o chefe da máfia local.
Producer
A boy tries to find out what happened in the old local synagogue. Obsessed, he is chasing something he never saw and does not pay any attention to what is happening around him. Inspired by Franz Kafkas unfinished novel.
Producer
Lukas é intérprete em uma missão da OSCE e um dia se perde no meio do estepe no sul da Ucrânia. Sua jornada rumo ao autorreconhecimento e felicidade será marcada por uma série de estranhos encontros e situações bizarras…
Producer
O filme conta a história de Rokas, um jovem da Lituânia, que nunca viveu a guerra, mas cresceu à sombra dela. Transportando um caminhão de ajuda humanitária de Vilnius para a Ucrânia, ele entra numa viagem de descoberta e sacrifício, cruzando fronteiras entre países, entre pessoas.
Producer
Nesrin is an urban, middle-class woman recovering from a divorce. She’s quit her office job, abandoned her house in Istanbul, and come to the village house of her deceased grandmother to finish a novel and live out her childhood dream of being a writer. When her conservative and increasingly unhinged mother turns up uninvited and refuses to leave, Nesrin’s writing stalls and her fantasies of village life turn bitter as the two are forced to confront the darker corners of each other’s inner worlds.
Producer
What happens when a documentary film breaks out of its comfort zone and openly provokes the society? To what extent my compatriots are willing to reflect on one particular episode, the reprisals in Odessa from October 1941?
Producer
Akın goes to a deserted village of his childhood by the Black Sea, where his family lives, joined by his lover Elif and a small team, with whom he has been working for years to accomplish his movie. However, Akın finds himself in a big stalemate: On one hand, Elif gradually reveals her suppressed feelings that she has accumulated; on the other, his father on the verge of death although his movie waiting to be shot. The traumas that cannot be overcome in their relationship, the betrayals that cannot be forgotten, dozens of gangrenous problems and the invisible binding of these two restless souls will keep snowballing and throw both of them to unexpected places while filming. Beneath the wreck of their relationship, there exists the film they dedicate their lives to shoot and a dying father.
