Costume Designer
La historia de una pareja descorazonada, Sati y Meta. Los dos están a punto de separarse debido a su relación rota, pero el destino les juega una broma cuando Sati sufre un accidente y se despierta con amnesia. La única forma de recuperar partes de su memoria es recuperar fotografías antiguas donde se enfrenta a su terrible pasado. Piyakarn Butprasert
Costume Designer
A journalist meets with Pob, a Thai ghost, who confesses to a murder. Finally finding an outlet for complaint, Pob explains how the murder happened and requests for his story to be published. However, the journalist declines and the two make a deal of a lifetime.
Costume Designer
Viyada, una actriz de culebrón treintañera, se ha visto progresivamente presionada por su marido, Jerome, un rico extranjero enteramente dedicado a un carismático líder de una secta que se hace llamar a sí mismo como 'El Santo'. Viyada no tendrá otra opción que tomar medidas extremas para intentar escapar de una vez por todas de su influencia.
Costume Designer
A hitman named Tul is shot in the head during an assignment. When he wakes up from a two month coma Tul discovers that he literally sees everything upside down.
May's Friend
An urban husband and wife travel to the jungle and learn just how precious their relationship is.
Costume Designer
An urban husband and wife travel to the jungle and learn just how precious their relationship is.
Costume Designer
Ploy es un drama psicológico de alto contenido erótico en el que tres extraños se encierran en una habitación de hotel. Comienza con una sutil sospecha convertida en celos con la aparición de una joven mujer que provoca devastadoras consecuencias en el matrimonio. Seleccionada en la Quincena de Realizadores de Cannes.
Costumer
One of three films commissioned by the Jeonju International Film Festival in 2006. It is a short film based on Beauty and an Airplane, a short story by Gabriel Garcia Marquez, Ratanaruang's film tells the story of a man (Ananda Everingham) who falls in love with a woman (Khemapsom Sirisukha) he sees at the check-in counter of an airport. Most of the film takes place in the sleek blackened interior of the plane's cabin -- the camera panning between the two seats, lighting now one, now the other of the occupants. The two passengers never exchange a word, title cards occasionally allowing us to know what the man is thinking. Those familiar only with his work on Dumplings or Wong Kar-wai's films might be surprised at cinematographer Christopher Doyle's uncustomary restraint. Christopher Doyle doubles as both taxi driver and captain in the film.
