Costume Designer
A story about a party-animal Sati, a man whose attitude has left a broken family at home. Meta, his wife, is preparing to leave him. At age 15, his daughter, Namo is already jaded from a lifetime of broken promises.
Costume Designer
A journalist meets with Pob, a Thai ghost, who confesses to a murder. Finally finding an outlet for complaint, Pob explains how the murder happened and requests for his story to be published. However, the journalist declines and the two make a deal of a lifetime.
Costume Designer
A soap opera actress finds herself increasingly pressured by her husband, a rich foreigner entirely devoted to a charismatic cult leader.
Costume Designer
Во время выполнения очередного задания профессиональный киллер получает пулю в голову, но остается в живых, пусть и с неприятными последствиями. Из-за травмы мозга киллер отныне видит окружающий мир вверх ногами. Две трети картины – это флэшбек к роковому выстрелу. История семи лет жизни человека, который был честным копом из агентства по борьбе с наркотиками, но однажды пошел против системы, был подставлен, предан, отсидел в тюрьме три года, после чего оказался наемным убийцей в подпольной организации тайных ницшеанцев и борцов с преступностью.
May's Friend
An urban husband and wife travel to the jungle and learn just how precious their relationship is.
Costume Designer
An urban husband and wife travel to the jungle and learn just how precious their relationship is.
Costume Designer
A husband and wife are locked inside a single hotel room with a stranger named Ploy. Subtle suspicions build up to jealousy as the young woman triggers devastating consequences for the couple.
Costumer
One of three films commissioned by the Jeonju International Film Festival in 2006. It is a short film based on Beauty and an Airplane, a short story by Gabriel Garcia Marquez, Ratanaruang's film tells the story of a man (Ananda Everingham) who falls in love with a woman (Khemapsom Sirisukha) he sees at the check-in counter of an airport. Most of the film takes place in the sleek blackened interior of the plane's cabin -- the camera panning between the two seats, lighting now one, now the other of the occupants. The two passengers never exchange a word, title cards occasionally allowing us to know what the man is thinking. Those familiar only with his work on Dumplings or Wong Kar-wai's films might be surprised at cinematographer Christopher Doyle's uncustomary restraint. Christopher Doyle doubles as both taxi driver and captain in the film.
