Anett Fritsch

"Idomeneo" de Mozart es una obra sobre el amor, el odio, los celos, la guerra y la destrucción. Muestra de una manera inquietante el genio musical del compositor de Salzburgo. Cada figura se caracteriza individualmente sin perder de vista el conjunto musical. En cierto modo, el "Idomeneo" anticipa técnicas wagnerianas en la composición. La dirección de esta producción en el Teatro Real de Madrid estuvo en manos probadas de Robert Carsen, quien lleva la obra al escenario de una manera contemporánea, moderna y muy inquietante. Bajo la dirección soberana de Ivor Bolton, Eric Cutler, David Portillo, Anett Fritsch y Eleonora Buratto se encuentran entre los cantantes.

"Las Bodas De Fígaro" de Mozart es una ópera inolvidable sobre el amor, el deseo y el poder principal de la pasión incontrolable. Completando el exitoso ciclo Mozart / Da Ponte en el Festival de Salzburgo, el director Sven-Erik Bechtolf ubica la acción en una majestuosa casa de campo inglesa en la década de 1920. La famosa Filarmónica de Viena ofrece una velada excepcional de música en la ciudad natal de Mozart. “Todo en el espectáculo evocaba espontaneidad y naturalidad: una producción intrigantemente renovada del director Sven-Erik Bechtolf; Actuaciones ganadoras de actores convincentes; Y la interpretación flexible que el director Dan Ettinger extrajo de la Filarmónica de Viena ...

Director Sven-Eric Bechtolf pulls off a brilliant coup with the high aesthetics of his intrigue, a masterful parody of the "everything is possible" of our time - flanked by an ensemble of exquisite vocal talents.

Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.

Rinaldo (HWV 7) is an opera by George Frideric Handel composed in 1711. It is the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill. The work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, battle and redemption set at the time of the First Crusade is loosely based on Torquato Tasso's epic poem Gerusalemme liberata (Jerusalem Delivered), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the trend towards Italian entertainment in English theatres.