Freia
Ortlinde
Contessa Almaviva
"Свадьба Фигаро" Моцарта- незабываемая опера о любви, желании и первичной силе неконтролируемой страсти. Завершая очень успешный цикл Моцарта / Да Понте на Зальцбургском фестивале, режиссер Свен-Эрик Бехтольф помещает действие в величественный английский загородный дом в 1920-х годах. Известная Венская филармония обеспечивает исключительный вечер музыки в родном городе Моцарта. «Все, что было в шоу, вызвало непосредственность и естественность: интригующе обновленное производство режиссера Свена-Эрика Бехтольфа; Выигрышные выступления неотразимых актеров; И гибкая игра, которую дирижер Дэн Эттингер рисовал из Венской филармонии...
Donna Elvira
Director Sven-Eric Bechtolf pulls off a brilliant coup with the high aesthetics of his intrigue, a masterful parody of the "everything is possible" of our time - flanked by an ensemble of exquisite vocal talents.
Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.
Almirena
Rinaldo (HWV 7) is an opera by George Frideric Handel composed in 1711. It is the first Italian language opera written specifically for the London stage. The libretto was prepared by Giacomo Rossi from a scenario provided by Aaron Hill. The work was first performed at the Queen's Theatre in London's Haymarket on 24 February 1711. The story of love, battle and redemption set at the time of the First Crusade is loosely based on Torquato Tasso's epic poem Gerusalemme liberata (Jerusalem Delivered), and its staging involved many original and vivid effects. It was a great success with the public, despite negative reactions from literary critics hostile to the trend towards Italian entertainment in English theatres.
